Photo de l'auteur

John Malcolm (2) (1936–)

Auteur de A Back Room in Somers Town

Pour les autres auteurs qui s'appellent John Malcolm, voyez la page de désambigüisation.

18+ oeuvres 251 utilisateurs 7 critiques

Séries

Œuvres de John Malcolm

A Back Room in Somers Town (1984) 44 exemplaires
The Gwen John Sculpture (1985) 23 exemplaires
Gothic Pursuit (1987) 23 exemplaires
The Godwin Sideboard (1984) 21 exemplaires
Whistler in the Dark (1986) 18 exemplaires
The Wrong Impression (1990) 15 exemplaires
Circles and Squares (2002) 15 exemplaires
Simpson's Homer (2001) 13 exemplaires
Rogues' Gallery (2005) 13 exemplaires
Mortal Ruin (1988) 12 exemplaires
Sheep, Goats and Soap (1991) 12 exemplaires
Into The Vortex (1996) 11 exemplaires
The Chippendale Factor (2008) 8 exemplaires
A Deceptive Appearance (1992) 8 exemplaires
Hung over (1994) 6 exemplaires
Mortal Instruments (2003) 4 exemplaires
The Burning Ground (1993) 4 exemplaires
Kunstmordene 1 exemplaire

Oeuvres associées

Christmas Stalkings (1991) — Contributeur — 197 exemplaires
3rd Culprit: An Annual of Crime Stories (1994) — Contributeur — 41 exemplaires
Perfectly Criminal (1996) — Contributeur — 23 exemplaires
Motives for Murder (2016) 20 exemplaires
Winter's Crimes 24 (1992) 6 exemplaires
Winter's Crimes 22 (1990) 4 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Malcolm, John
Nom légal
Andrews, John Malcolm
Date de naissance
1936-08-21
Sexe
male
Nationalité
UK
Pays (pour la carte)
UK

Membres

Critiques

It's sort of British hard-boiled, feels very 80s (published 1984), stars and is narrated by Tim Simpson, who is the investment advisor for the Art Fund, which invests in art, antiques, and so forth. Tim sets out to buy a sideboard designed by Godwin which should cost around 25,000 pounds. Turns out scarcity isn't the only problem with buying this piece, when the antique dealer winds up dead. Tim isn't just an art and antiques advisor, he's also ex-rugger, so we get some two-fisted action as well.… (plus d'informations)
½
 
Signalé
NinieB | Dec 5, 2019 |
My response was more positive than that of cathyskye. The "mystery" part of this book was not terribly well-developed, but there were a number of other interesting things going on. Certainly enough to make me want to check out later books in the series.
 
Signalé
booksaplenty1949 | 1 autre critique | Nov 5, 2012 |
An old-fashioned sort of crime-fiction, mystery book with an amateur as the main detective (Agatha Christie style) - someone who is apparently often in the wrong place at the wrong time.

I think this has a bit more depth than the writing of authors like Agatha Christie though, as there is a lot more detail and atmosphere-building. For example, the settings are described often in great detail (especially in terms of their architecture - the author must have been interested in this) and there is more information on the characters and their backgrounds.

I would recommend this for an easy, fairly short and light read - especially if you´re interested in antiques and architecture. The writing style and dialogue does seem a bit dated though, but personally I find it interesting to read things like this from time to time.
… (plus d'informations)
½
 
Signalé
Tamianne | Nov 22, 2011 |
First Line: Quite often, when the rain comes slanting out of the grey London sky, drenching the trees in Hyde park outside my office window, I think of a back room, another back room, in São Paulo, where the slatted bright stripes of sunlight fell across the rumpled bedclothes and warm skin, like a painting by Bernard Dunstan.

John Malcolm is an acknowledged expert in the field of art and antiques, and each book in his series of mysteries featuring Tim Simpson centers on a specific (real) work of art.

In this first book in the series, Simpson has been hired by a London merchant bank to buy art to bolster the investment portfolios of its extremely wealthy clients. The first painting he sees won't make anyone rich, but for some reason within hours of viewing this painting, the artwork is stolen and the dealer is killed. Simpson is intrigued and does a little poking around, but he's no sleuth and soon gives up. It's not until he goes to Brazil on unrelated business that he finds out what happened in that back room in Somers Town.

Sometimes timing is all in reading. A book that doesn't capture your attention when you're distracted or not feeling well may leave you enraptured if you read it at another time. I just couldn't sink into this book. As you can tell by the first sentence that I shared above, Malcolm's style in this first book is a bit meandering. Due to my health, I found myself nodding off, dropping the book, waking up, finding my place, starting over, nodding off.... Sadly, I just couldn't get my mind into it and couldn't finish it.

Don't let my feeble-mindedness put you off if you're in the mood for a mystery set in the art world. Your timing can definitely be better than mine!
… (plus d'informations)
 
Signalé
cathyskye | 1 autre critique | Jan 3, 2011 |

Prix et récompenses

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Statistiques

Œuvres
18
Aussi par
6
Membres
251
Popularité
#91,086
Évaluation
½ 3.4
Critiques
7
ISBN
85

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