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Elizabeth Loupas

Auteur de The Second Duchess

4 oeuvres 472 utilisateurs 56 critiques

Œuvres de Elizabeth Loupas

The Second Duchess (2011) 287 exemplaires
The Flower Reader (2012) 124 exemplaires
To The End of Time 1 exemplaire

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Nom canonique
Loupas, Elizabeth
Sexe
female

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Critiques

Fantastic. I absolutely love Elizabeth Loupas's novels. This book, in particular, seems to defy genre. It's very staunchly historical fiction, but it's not just that. I wouldn't exactly call it a mystery, but there is a lot of suspense and a lot of thrills. Even at its toughest moments, I couldn't put the book down! There's also a fantasy element due to the flower reading. In an interview, Loupas admits that she ended up making up most of the system on her own, which is incredible, if you ask me. There's also an unsuspecting romance, which is the best kind.

Marina Leslie/Rinette is a lady-in-waiting and prophetess first to Mary of Guise and then Mary of Scots. Readers are introduced to the beginning of Mary's reign as queen, which are turbulent yet glamorous. Marina has no interest in the glamour, though. She wants to find out who murdered her husband, and she plays a dangerous game when she bargains with Mary of Scot. See, Marina holds a special prophecy from Mary's mother written by the famed Nostradamus. Marina was supposed to hand this over as soon as Mary landed in Scotland, but one thing after another kept getting in the way, leading to her husband's untimely death. However, blinded by grief, Marina will resort to anything to have justice, including teaming up with the enigmatic and somewhat androgynous Nico de Clerac, an advisor first to Mary of Guise and then her daughter.

Marina is quick-thinking, romantic, headstrong, and not afraid of taking risks if the reward is the guaranteed safety of her loved ones. She was fascinating to read about, and the writing was so well done that I felt like I was next to her every step of the way.

The supporting cast was vibrant and really made the story come to life. Nico de Clerac is the epitome of the French diplomat: de-escalating situations with his words all while wearing earrings and fancy clothes. Queen Mary is in her late teens/early twenties throughout the story, and she comes off as very mercurial, the exact opposite of Saorise Ronan's portrayal in the biopic. Personally, I didn't mind this interpretation. According to Loupas, Mary of Scots was actually quite temperamental in real life, so it was interesting reading about this. The rest of the Scottish court is full of menacing men in what I imagine to be dark mustaches all vying for power and chafing at the fact that a young woman is queen while another young woman the same age holds Scotland's greatest secrets in her hands.

Indeed, women's rights, women's places in marriage, and women's roles in general take center stage in this novel. The reality is that women in this time period had very little power, and while both Marina Leslie and Queen Mary exercise great power over the course of the novel, they are both often shown to be quite powerless, and the results are often near fatal. However, the novel is overall very triumphant. It's definitely worth the read, as all of the trials and tribulations make the end that much sweeter. While we know the fate of Queen Mary of Scots does not end well (that isn't shown in this book but it is heavily implied), the fate of Marina Leslie is glorious. The heroine saves herself time and time again, making her the most inspirational of all of Loupas's heroines, in my opinion. And so, if you read any of Loupas's books, let it be The Flower Reader.
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Signalé
readerbug2 | 17 autres critiques | Nov 16, 2023 |
While the companion novel to this, The Second Duchess, is a standard historical mystery with a secret that needs cracking open and a villain the reader is trying to identify before it's too late, Loupas's third novel, The Red Lily Crown is more of a historical thriller. The Medicis are an omnipotent and omniscient family. They see everything and can get away with murder. Literally. It's not secret to either our heroine or the reader just who the bad guys are. It's more just a slow descent into chaos until the reader is gripping the book, wondering what the hell is going to happen next.

There are three narrators in this novel: Chiara is a teenage alchemist from the streets who cares about her skin and the skin of her family more than anything else. As the outsider to the Medici court, readers are made to identify mostly with her. If only we could all be so tenacious. Ruan is an English alchemist who can't stand Francesco de Medici but bides his time while slowly becoming more entangled with Chiara. I know the synopsis makes it sound like he can't be trusted, but come on. We all know where this is going.

Finally, there's Francesco de Medici himself. He doesn't narrate often, and he was my least favorite narrator. He kind of served as an expostion narrator and explained how his glamorous world worked to readers. When he wasn't doing that, he was fantasizing about all the bdsm stuff he was going to do to his mistress. I really didn't need those parts.

Other than that, this book is filled with thrills both exciting and terrifying. The stakes keep getting higher, and the cast of characters is so insane and insanely memorable. You'll definitely feel like you just stepped into a whole new world.
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Signalé
readerbug2 | 6 autres critiques | Nov 16, 2023 |
This was a dark horse read for me! I wasn't sure what to expect from it, but I got an intense mystery that built steadily along with a cast of unique, complex, and fascinating characters. And those characters really grew with the story.

I don't think I can stress how awesome that is. A lot of books have characters just solve the mystery without any personal growth. In this, I saw Barbara grow more confident, which was illustrated in her interactions with her husband and her women in waiting. She had to make sacrifices, sure, but every adult has to do that. Even her husband and the Italian lady in waiting (I can't remember her name) evolved over time.

There was a lull in the middle that frustrated me where Barbara gets caught investigating when she'd promised she wouldn't be and then recalls everything she'd done in the book up to that point. Knowing how the plot progresses after this event justified the incident, but it took me out of the story.

What made this book for me was the ending. It was so intense, and everything came together. That's why I love mysteries. All the little clues and incidents that seem out of place all tie up in a neat bow and actually have an impact on the novel.
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Signalé
readerbug2 | 30 autres critiques | Nov 16, 2023 |
A fascinating time period to begin with, I greatly enjoyed reading about life in Tudor Scotland, and both the compelling characters and the use of floromancy added to my interest and enthusiasm for this novel.
 
Signalé
bookwyrmqueen | 17 autres critiques | Oct 25, 2021 |

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Statistiques

Œuvres
4
Membres
472
Popularité
#52,190
Évaluation
4.0
Critiques
56
ISBN
24
Langues
2

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