Danielle Lazarin
Auteur de Back Talk: Stories
1 oeuvres 88 utilisateurs 5 critiques
A propos de l'auteur
Comprend les noms: Danielle Lazarin (author)
Œuvres de Danielle Lazarin
Étiqueté
2018 (1)
2018 fiction (1)
2018 New (1)
2019 (1)
A lire (18)
Américain (1)
Avril 2019 (1)
booknotes (1)
by a woman (1)
Caractère (1)
contemp-fic (1)
Contemporain (1)
December 2020 (1)
Famille (1)
Feminism or gender equality (1)
femmes (1)
Fiction (11)
Fiction contemporaine (1)
Féminisme (1)
GJR (1)
hard-copy-buy (1)
Idées (1)
Kindle (1)
Kindle Sale (1)
littéraire (1)
Livre de poche (1)
Lu (1)
March 2018 (1)
National Public Radio (1)
Non lu (2)
nouvelles (13)
pas encore lu (1)
Penguin Random March 2018 (1)
Read April 2018 (1)
return January 2019 (1)
Short (1)
short-stories-essays (2)
Suggestion: NPR (1)
XXIe siècle (1)
États-Unis (2)
Partage des connaissances
Il n’existe pas encore de données Common Knowledge pour cet auteur. Vous pouvez aider.
Membres
Critiques
Signalé
LyndaInOregon | 4 autres critiques | Feb 19, 2021 | 3.5 a collection of stories about women and girls in transition: on the cusp of adulthood, or between tween and teen, or at the end of or beginning of a relationship, or on the verge of a family sea change, or on the edge of independence. The epigraph: "It was different for a girl" by Susan Minot sets the author's intent. In between is not a comfortable place to be and Lazarin shows this - nothing is sugar-coated and some of the situations are prickly to read, choices not always being made with the best intentions or forethought, but to quote a cover blurb: a "poignant take on life and loving and loneliness."… (plus d'informations)
Signalé
CarrieWuj | 4 autres critiques | Oct 24, 2020 | "But really, had she wanted to know those things? Did they seem, once she did know, like secrets? She knows so well the burden of being told, of knowing, and how impossible it is to unknow, to forget. . . But she understands, too, that someone in the family has to be the one who forgets just enough every now and then, so they can keep moving forward."
Signalé
beautifulshell | 4 autres critiques | Aug 27, 2020 | Even the best of short story collections are uneven. I used to find this odd—how could a writer who wrote such a fabulous story follow it with such a crap story? I realize now that it makes sense. I mean, after all, if you look at any author's complete body of works, you'll find great works and ho-hum works. No writer is one-hundred percent consistent. The difference is in presentation. We think of a collection of short stories as a complete work. A novelist's whole career is not held under the same scrutiny.
Danielle Lazarin's Back Talk is no different. There are stories I really enjoyed. And stories I could've done without. The difference was the grouping of these stories. Normally, a collection starts with one or two good stories and follows it with a dud, then another good story and several duds. Depending on the total number of stories in the collection and the ratio of good stories, all this may vary, of course, but often the middle contains several lackluster stories that lead into a final one or two good stories.
So when I started reading Back Talk and found that the first several stories barely held my attention, I assumed the whole collection was not for me. Midway, the stories really started to improve however. In fact, story after story was quite wonderful. At this point, I questioned whether it was me: perhaps some preconceived notion I had about the collection, or some blockage in my personal life. I decided that, when finished, I'd go back and read one of the first few stories that I found to be far from special.
On a second reading, the story I selected was slightly more enjoyable, but I still didn't love it. So maybe this collection is oddly uneven, but it does contain several wonderful stories. The best of these stories really get into the minds of their protagonists. They're quiet stories about everyday events, but they're full of heart. In these character-driven stories, I think it ultimately comes down to connection. I was pulled into the mind of some of these characters, not into the minds of others. Readers of character-centric short fiction should give Back Talk a try.… (plus d'informations)
Danielle Lazarin's Back Talk is no different. There are stories I really enjoyed. And stories I could've done without. The difference was the grouping of these stories. Normally, a collection starts with one or two good stories and follows it with a dud, then another good story and several duds. Depending on the total number of stories in the collection and the ratio of good stories, all this may vary, of course, but often the middle contains several lackluster stories that lead into a final one or two good stories.
So when I started reading Back Talk and found that the first several stories barely held my attention, I assumed the whole collection was not for me. Midway, the stories really started to improve however. In fact, story after story was quite wonderful. At this point, I questioned whether it was me: perhaps some preconceived notion I had about the collection, or some blockage in my personal life. I decided that, when finished, I'd go back and read one of the first few stories that I found to be far from special.
On a second reading, the story I selected was slightly more enjoyable, but I still didn't love it. So maybe this collection is oddly uneven, but it does contain several wonderful stories. The best of these stories really get into the minds of their protagonists. They're quiet stories about everyday events, but they're full of heart. In these character-driven stories, I think it ultimately comes down to connection. I was pulled into the mind of some of these characters, not into the minds of others. Readers of character-centric short fiction should give Back Talk a try.… (plus d'informations)
Signalé
chrisblocker | 4 autres critiques | Mar 23, 2018 | Listes
Prix et récompenses
Statistiques
- Œuvres
- 1
- Membres
- 88
- Popularité
- #209,356
- Évaluation
- 3.8
- Critiques
- 5
- ISBN
- 6
"Back Talk" is a collection of short, short-shorts, and vignettes, mostly about 20-something women who don't know what the want, except that it's not what they have. After a few of them, Constant Reader is mostly just annoyed.
Yeah, okay, you and your sister used to hide in the big old house you lived in, and then she grew up and went to Africa. You met a guy in the park and really liked him but he went back to Chicago and his old girlfriend. A young woman spending a year studying in Paris has non-sexual affairs with a number of young men.
So what?
Because the entries are so short, there's really no room for characters to grow or even to learn something about themselves that might eventually lead to growth, or change, or resolution.
Let's just say they weren't my cup of tea and let it go at that.… (plus d'informations)