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Barbara Kirshenblatt-Gimblett

Auteur de Destination Culture: Tourism, Museums, and Heritage

9+ oeuvres 185 utilisateurs 2 critiques 1 Favoris

A propos de l'auteur

Barbara Kirshenblatt-Gimblett is University Professor and Professor of Performance Studies at the Tisch School of the Arts, New York University.
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(yid) VIAF:29687525 (yivo)

Œuvres de Barbara Kirshenblatt-Gimblett

Oeuvres associées

Olam. Dans le shtetl d'Europe centrale, avant la Shoah (1952) — Introduction, quelques éditions309 exemplaires
Museum Frictions: Public Cultures/Global Transformations (2006) — Directeur de publication — 62 exemplaires
Remembered Lives: The Work of Ritual, Storytelling, and Growing Older (1992) — Avant-propos, quelques éditions14 exemplaires
Jews and Shoes (1656) — Contributeur — 12 exemplaires

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Barbara Kirshenblatt-Gimblett is such a remarkable scholar. She traverses easily across ideas, content, and theories all the while maintaining a lyrical prose style. Few can compete with Kirchenblatt-Gimblett's rigor, ingenuity, and ability to consolidate ideas.
 
Signalé
Librarianlacey | 1 autre critique | Sep 9, 2013 |
Amazon.com: Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects--and people--are made to "perform" their meaning for us by the very fact of being collected and exhibited, and about how specific techniques of display, not just the things shown, convey powerful messages.
Her engaging analysis shows how museums compete with tourism in the production of "heritage." To make themselves profitable, museums are marketing themselves as tourist attractions. To make locations into destinations, tourism is staging the world as a museum of itself. Both promise to deliver heritage. Although heritage is marketed as something old, she argues that heritage is actually a new mode of cultural production that gives a second life to dying ways of life, economies, and places. The book concludes with a lively commentary on the "good taste/bad taste" debate in the ephemeral "museum of the life world," where everyone is a curator of sorts and the process of converting life into heritage begins.… (plus d'informations)
 
Signalé
mmckay | 1 autre critique | Jul 2, 2007 |

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Statistiques

Œuvres
9
Aussi par
4
Membres
185
Popularité
#117,260
Évaluation
½ 3.6
Critiques
2
ISBN
18
Langues
1
Favoris
1

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