Cassandra Khaw
Auteur de Nothing But Blackened Teeth
A propos de l'auteur
Crédit image: cccb.org
Séries
Œuvres de Cassandra Khaw
Reimagining Lovecraft: Four Tor.com Novellas: (The Ballad of Black Tom, The Dream-Quest of Vellit Boe, Hammers on Bone,… (2017) — Contributeur — 18 exemplaires
Meat, Bone, Tea 2 exemplaires
Vivien Reid: Unbowed 1 exemplaire
Nepenthe {short story} 1 exemplaire
When We Die on Mars {short story} 1 exemplaire
Oeuvres associées
Screams From the Dark: 29 Tales of Monsters and the Monstrous (2022) — Contributeur — 76 exemplaires
Cutting Edge: New Stories of Mystery and Crime by Women Writers (2019) — Contributeur — 47 exemplaires
The Long List Anthology Volume 3: More Stories From the Hugo Award Nomination List (2017) — Contributeur — 46 exemplaires
Final Cuts: New Tales of Hollywood Horror and Other Spectacles (2020) — Contributeur — 38 exemplaires
A Darker Shade: New Stories of Body Horror from Women Writers (2023) — Contributeur — 30 exemplaires
The Magazine of Fantasy and Science Fiction July/August 2019, Vol. 137, Nos. 1 & 2 (1951) — Contributeur — 12 exemplaires
Howls From the Wreckage: An Anthology of Disaster Horror (2023) — Auteur, quelques éditions — 9 exemplaires
Chronicles of Darkness: Dark Eras — Concepteur — 8 exemplaires
Fantastic Stories of the Imagination People of Color Flash Anthology (2017) — Contributeur — 6 exemplaires
The Dark #028: September 2017 — Contributeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Date de naissance
- 1984-08-31
- Sexe
- non-binary
- Nationalité
- Malaysia
- Lieu de naissance
- Malaysia
- Lieux de résidence
- London, England, UK
Montreal, Quebec, Canada - Agent
- Michael Curry (Donald Maass Literary Agency)
- Courte biographie
- Khaw is non-binary gender and uses they/them pronouns.
Membres
Critiques
Listes
Prix et récompenses
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Statistiques
- Œuvres
- 26
- Aussi par
- 59
- Membres
- 2,685
- Popularité
- #9,565
- Évaluation
- 3.5
- Critiques
- 131
- ISBN
- 57
- Langues
- 2
- Favoris
- 2
$10 words every other paragraph, sometimes every other sentence, sometimes every other word:
There are three or four lines of dialog that advance the plot interspersed between dozens of paragraphs about each character’s internal state, world view, history, whatever. We get it, we get it already. Maya’s totally in thrall to Rita, even though Rita’s a monster and doesn’t give a shit about Maya. And yes, the writing’s luscious, even though pretentious, but honestly, let’s get this show on the road.
Grungy, obfuscating, irritating as hell. Finally, at the end, I loved it.… (plus d'informations)