Photo de l'auteur

Adeena Karasick

Auteur de The Empress Has No Closure

11 oeuvres 31 utilisateurs 1 Critiques

Œuvres de Adeena Karasick

The Empress Has No Closure (1992) 5 exemplaires
Dyssemia Sleaze (2000) 5 exemplaires
Memewars (1994) 4 exemplaires
This Poem (2012) 4 exemplaires
The House that Hijack Built (2004) 3 exemplaires
Amuse Bouche (2009) 3 exemplaires
The Arugula Fugues (2001) 2 exemplaires
Genrecide (1996) 2 exemplaires
Checking In (2018) 1 exemplaire
Ouvert Oeuvre: Openings (2023) 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Karasick, Adeena Michelle
Date de naissance
1965-06-01
Sexe
female
Nationalité
Canada
Lieu de naissance
Winnipeg, Manitoba, Canada
Lieux de résidence
New York, New York, USA
Études
Concordia University (Ph.D, 1997, Critical Theory and Kabbalistic Hermeneutics)
Professions
professor (Pop Culture and Media Theory, Fordham University)
Organisations
KLEZKANADA Poetry Festival: Three Millennia of Poetic Subversion (cofounding director)
Modern Language Association
International Association of Canadian Studies
The League of Canadian Poets
St. Mark’s Poetry Project
The Writers' Union of Canada (tout afficher 7)
Poetry Association of America
Prix et distinctions
Among the honors she has received are: The Canada Council for the Arts, Spoken Word and Storytelling Award, 2011, Award for Professional Writers for This Poem, 2010; Canadian Department of Foreign Affairs and International Trade Award, 2009, Best Book of 2009 for Amuse Bouche, MPS Mobile Award, 2008, Exuberance is Beauty Award from AboutBooks for Amuse Bouche, Dorothy Livesay Book Award, for Memewars, as well as a Canada Council for the Arts Travel Award for both the Banff Centre for the Arts and European Russian performance tour.
Courte biographie
Adeena Karasick is an internationally acclaimed and award winning poet, media-artist and author of seven books of poetry and poetic theory, most recently, This Poem, (Talonbooks, 2012) and Amuse Bouche: Tasty Treats for the Mouth (Talonbooks 2009) as well as 4 videopoems regularly showcased at Film Festivals world wide. All her work is marked with an urban, Jewish, feminist aesthetic that continually challenges linguistic habits and normative modes of meaning production. Engaged with the art of combination and turbulence of thought, it is a testament to the creative and regenerative power of language and its infinite possibilities for pushing meaning to the limits of its semantic boundaries. 
Her writing has been described as "electricity in language" (Nicole Brossard), "plural, cascading, exuberant in its cross-fertilization of punning and knowing, theatre and theory" (Charles Bernstein) "a tour de force of linguistic doublespeak" (Globe and Mail) and "opens up the possibilities of reading" (Vancouver Courier). She is co-founding director  (Minister of Semiotic Turbulence) for KLEZKANADA Poetry Festival and Retreat: Three Millennia of Poetic Subversion and Professor of Communication and Media Studies at Fordham University in New York.

Membres

Critiques

Post-structuralism pro-woman maximalism. A gorgeously constructed poetry book (physically). A great resource to mine for further readings, to drill into the signifiers and references that this work is built from. A (Lacan/Derrida-loving) style that might accompany a well-read knowledge of the substance it borrows from.

Does not hold up well on its own without that background knowledge, but a great signifier to have on one's shelves if one wants to attract the right kind of crowd, or to enjoy a collage-like application of inspirations one shares with the author.… (plus d'informations)
 
Signalé
NaleagDeco | Dec 13, 2020 |

Prix et récompenses

Statistiques

Œuvres
11
Membres
31
Popularité
#440,253
Évaluation
3.0
Critiques
1
ISBN
13