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Edison Marshall (1894–1967)

Auteur de Caravan to Xanadu

67+ oeuvres 699 utilisateurs 10 critiques

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Séries

Œuvres de Edison Marshall

Caravan to Xanadu (1953) 91 exemplaires
Yankee Pasha (1947) 75 exemplaires
American Captain (1954) 55 exemplaires
The Viking (1951) 47 exemplaires
The Infinite Woman (1950) 46 exemplaires
The Pagan King (1959) 46 exemplaires
The Lost Land (1966) 30 exemplaires
Gypsy Sixpence (1949) 25 exemplaires
The lost colony (1964) 20 exemplaires
Benjamin Blake (1941) 17 exemplaires
Great Smith (1943) 16 exemplaires
West with the Vikings (1961) 16 exemplaires
The Conqueror (1963) 16 exemplaires
The upstart (1945) 13 exemplaires
The White Brigand (1937) 13 exemplaires
The gentleman (1956) 11 exemplaires
Cortez and Marina (1963) 11 exemplaires
The heart of the hunter (1956) 9 exemplaires
Earth giant (1960) 6 exemplaires
The stolen god 6 exemplaires
The Doctor of Lonesome River (1941) 6 exemplaires
The Snowshoe Trail (1921) 6 exemplaires
The Sky Line of Spruce (1922) 5 exemplaires
The Far Call (1944) 4 exemplaires
Princess Sophia (1960) 4 exemplaires
Bengal tiger : a tale of India (1953) 4 exemplaires
The STRENGTH Of The PINES. (1950) 4 exemplaires
The Deputy at Snow Mountain (1932) 4 exemplaires
Forlorn Island (1932) 3 exemplaires
The Voice of the Pack (1920) 3 exemplaires
The death bell (1924) 3 exemplaires
Love stories of India (1950) 3 exemplaires
The Splendid Quest (1934) 3 exemplaires
The Deadfall 3 exemplaires
Ogden's Strange Story (1934) 3 exemplaires
Sam Campbell, gentleman (1938) 3 exemplaires
The missionary (1943) 3 exemplaires
Yankee Pasha Abridged (1959) 2 exemplaires
Tähdenlento 2 exemplaires
Jungle Hunting Thrills 2 exemplaires
Seward's folly (1924) 2 exemplaires
Shepherds of the Wild 2 exemplaires
The sleeper of the moonlit ranges (1925) 2 exemplaires
Darzee Girl Of India 1 exemplaire
El hijo de la furia 1 exemplaire
The Flying Lion 1 exemplaire
Rogue Gentleman (1963) 1 exemplaire
Sabreur 1 exemplaire

Oeuvres associées

The New Junior Classics Volume 09: Sport and Adventure (1938) — Contributeur — 171 exemplaires
The Vikings (1958) — Original book — 93 exemplaires
Horrors unknown (1971) — Contributeur — 42 exemplaires
Shot in the Dark (1950) — Contributeur — 24 exemplaires
O. Henry Memorial Award Prize Stories of 1919 (1919) — Contributeur — 9 exemplaires
Son of Fury [1942 film] (1994) — Original novel — 5 exemplaires
Four in One Mysteries (1924) — Contributeur — 5 exemplaires
The Bedside Bonanza (1944) — Contributeur — 2 exemplaires
Friends to Man: The Wonderful World of Animals — Contributeur — 1 exemplaire

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Critiques

Novela de aventuras coloniales que transcurre en la India y donde aparece una de las constantes de este narrador: el mestizaje de su protagonista, lo que origina un conflicto no ya de clase sino racial. El chico, que tiene la mitad de su sangre blanca, quiere ser blanco pese a los obstáculos que le impone la rígida sociedad en la que se desenvuelve.
 
Signalé
Natt90 | Nov 15, 2022 |
There was a long, diffuse novel titled "Anthony Adverse", and this is Marshall's attempt to capture the market created by that monster hit. Our hero, Benjamin is the orphaned result of an adultery by a titled Englishman and the wife of a local gunsmith. Benjamin flees his servitude to his wicked uncle and after voyaging to the exotic south seas returns to displace the villain
getting all of the goodies left from his father's life. As escapism, it is adequate, if not very original for the fiction of the time.… (plus d'informations)
 
Signalé
DinadansFriend | Oct 22, 2021 |
Read a good bit of it before giving up on it.
 
Signalé
HenrySt123 | Jul 19, 2021 |
As a long- time Pagan how can I resist a version of the story of King Arthur titled _The Pagan King_ ? Well actually I resisted it for some time. Don't even recall how I acquired it but have been giving it shelf space and moving it for a couple of decades. Finally I read it.

This is not a new book but appears to be one of the earlier efforts (1959) to write a more historically likely story of the legendary King Arthur. While I would agree that this version of the Arthurian myth seems to have more historically accurate detail than the versions based on Mallory's Middle Ages, it does have its problems. Ambrose, who becomes Artay and then Arthur, is a rustic living with the old druid Merdin, a serving woman who never speaks, and Gerald, a 1/4 Roman who teaches him swordsmanship and tactics and eventually becomes his general. Merdin eventually reveals that Ambrose is the son of Vortigern and his first queen, exposed to die by the King's order and rescued by Merdin. When Ambrose fights and wounds his half-brother Mordred at the King's Beltane games, his identity is revealed and he and the household must flee. Ambrose eventually puts together a small band of followers which grows larger as he defeats other rulers and eventually Vortigern. In the meantime, a prophetic song says that he must wed a woman named Wander, but he has fallen in love with Elain of the lake and is bedeviled with lust for Vivain, who claims to be of Witch blood and have prophetic dreams.

The changes that Marshall rings upon the basic Arthurian story are interesting. However his treatment of his pagan characters is uneven. Merdin, for example is called a druid, not a wizard, yet professes admiration for the law and order than the Romans had enforced in Britain. This seems strange given that the Romans banned and massacred the Druids. Merdin seems to feel that he is serving a sacred cause in trying to fulfill the predictions of Arthur's ruler ship, yet he lies and deceives in the furtherance of that cause, which doesn't seem to display much faith in the gods. Artay is also inconsistent. For instance at one point he vows to Elain, in the names of the Great Gods, that he will free 5 prisoners who otherwise would be hanged. But a few pages later he seems to have forgotten this pledge and has to be persuaded by Merdin to free a particular criminal for purely strategic reasons. Another time a character refers to the false gods of the Saxons. Pagans were not generally given to considering the gods of other peoples as false, merely not their gods. The idea of false gods is a Christian one (or Jewish in origin). Why would a Briton accept that he worships Lud and Romans worship Jove, yet regard the Saxon Odin as false? The characters also speak and act as though Christians were rare in Britain, yet the Romans did not leave until some time after Constantine's conversion, so a good number of Romans or Romanized Britons would have been Christians. Many of these details would not be noticed by readers unfamiliar with the history, but they are distracting for those who do.
… (plus d'informations)
 
Signalé
ritaer | 1 autre critique | May 24, 2021 |

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Statistiques

Œuvres
67
Aussi par
10
Membres
699
Popularité
#36,217
Évaluation
½ 3.4
Critiques
10
ISBN
33

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