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Susan Howe

Auteur de My Emily Dickinson

35+ oeuvres 1,277 utilisateurs 10 critiques 7 Favoris

Œuvres de Susan Howe

My Emily Dickinson (1985) 274 exemplaires
Singularities (1990) 105 exemplaires
The midnight (2003) 92 exemplaires
The Europe of Trusts (1990) 78 exemplaires
Debths (2017) 64 exemplaires
Souls of the Labadie Tract (2007) 63 exemplaires
Pierce-Arrow (1999) 62 exemplaires
That this (2010) 61 exemplaires
The Quarry: Essays (2015) 45 exemplaires
Concordance (2020) 26 exemplaires
Women of Wisdom & Knowledge : Talks Selected from the BYU Women's Conferences (1990) — Directeur de publication — 11 exemplaires
Defenestration of Prague (1983) 7 exemplaires
Kidnapped (2002) 7 exemplaires
The Western Borders 3 exemplaires
Bedhangings II 2 exemplaires
Live at the Ear 2 exemplaires
Tom Tit Tot (2013) 1 exemplaire
Hinge Picture 1 exemplaire
Deux et (1998) 1 exemplaire
Il n'y a pas assez de feuilles (2021) 1 exemplaire
Chanting at the Crystal Sea — Auteur — 1 exemplaire

Oeuvres associées

Conjunctions: 30, Paper Airplane (1998) — Contributeur — 11 exemplaires
Glitch 4/5 (1981) — Contributeur — 3 exemplaires
New World Journal, Vol. 1, No.4 (1979) — Contributeur — 2 exemplaires
ACTS 4, Vol. 1, no. 4, Summer 1985 — Contributeur — 2 exemplaires
Sulfur 3 — Contributeur — 2 exemplaires
Dark Ages Clasp the Daisy Root #3 — Contributeur — 2 exemplaires
Temblor 2 — Contributeur — 2 exemplaires
Talisman, Number 4, Spring 1990 — Contributeur — 1 exemplaire
Telephone 15 — Contributeur — 1 exemplaire
Hambone, No. 3 — Contributeur — 1 exemplaire
Telephone 13 — Contributeur — 1 exemplaire
Jimmy & Lucy's House of "K", #5 — Contributeur — 1 exemplaire
Telephone #11 — Contributeur — 1 exemplaire
Dark Ages Clasp the Daisy Root #1 — Contributeur — 1 exemplaire
New World Journal #5 — Contributeur — 1 exemplaire
HOW(ever), Vol. V, No. 2, January 1989 — Contributeur — 1 exemplaire
HAWK-WIND #2 — Contributeur — 1 exemplaire
HAWK-WIND #1 — Contributeur — 1 exemplaire
Fire Exit, 4 — Contributeur — 1 exemplaire
L=A=N=G=U=A=G=E, Number 12, (Vol. 3, No. 2) — Contributeur — 1 exemplaire
Sulfur 9 — Contributeur — 1 exemplaire
L=A=N=G=U=A=G=E, Number 7, (Vol. 2, No. 1) — Contributeur — 1 exemplaire
Personal Injury Magazine, no. 4 — Contributeur — 1 exemplaire
Ironwood 28 Dickinson/Spicer: A Special Issue — Contributeur — 1 exemplaire
Telephone #9 — Contributeur — 1 exemplaire
L=A=N=G=U=A=G=E, Number 13, (Vol. 3, No. 3) — Contributeur — 1 exemplaire
Tamarisk, Volume V, Number 3/4, Summer/Fall 1983 — Contributeur — 1 exemplaire
HOW(ever), Vol. 2, No. 1, November 1984 — Contributeur — 1 exemplaire
The Difficulties I.1 — Contributeur — 1 exemplaire

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Critiques

An impulse choice at the library. I found it interesting, especially the last section "Space Permitting" -- created from Thoreau's writing about a shipwreck that killed Margaret Fuller -- but there wasn't anything that really grabbed me or that I felt much of a connection with.
 
Signalé
greeniezona | May 12, 2023 |
oh but i had wings of a dove! if only all books about reading could be so dreamy. for the reader who loves to read about reading.
 
Signalé
adaorhell | 1 autre critique | Aug 24, 2018 |
Howe's short book is an illuminating take on one of my favorite poets, focusing in particular on a careful reading of "My Life Stood---a Loaded Gun." Howe does an excellent job of showing the poetic and other influences on Dickinson, especially the Brownings, Shakespeare (King Lear in particular), Fenimore Cooper, and Jonathan Edwards. Sometimes, Howe lets her own poetic rhetoric carry her away into near intelligibility, but I simply take that as her excitement and appreciation for what Dickinson was able to do. If you appreciate Dickinson, give this a read. If you are not sure, definitely read this work of one poet reading another.… (plus d'informations)
1 voter
Signalé
dasam | 1 autre critique | Jul 25, 2017 |
Boy howdy, do I feel like an idiot.

Not one reviewer here says anything along the lines of, "Um, guys – what just happened?"

Not one reader I could find rated it lower than 3 stars – and the vast majority of reviewers give it four or five, and swoon in their reviews.

So I guess it's just me.

I'm the dork who feels as if I stumbled into someone else's drug trip when I thought I was supposed to be reading a book about a poet and her work.

I thought I was reasonably literate (for a civilian), but reading this book felt like having books flung at my head by an invisible assailant.

If you know me, you know I'm all about the Post-Its when I read. And my library copy of My Emily Dickinson is stuck with its fair share – but all the passages I found worth hanging onto are quotations from other people's works.

The only bits I marked that Susan Howe actually wrote are things I wanted to mention here because I disagree with them strenuously. "Dickinson means this to be an ugly verse," Howe says at one point, because apparently being a poet herself means having permission to speak on behalf of a long-dead writer. (Hint: NO.)

And "Elizabeth Barrett Browning...failed as a poet herself."

Excuse me? EBB wrote poems even non-poetry lovers can admire:

If thou must love me, let it be for nought
Except for love's sake only.


Does that sound like the beginning of a failed sonnet?

Elizabeth Barrett Browning wrote beautifully, and her writing is remembered – people quote her all the time. (She wrote the sonnet that begins, "How do I love thee? Let me count the ways.") By any reasonable standard, she did NOT fail as a poet.

So I couldn't keep up with most of Howe's writing here, and I didn't like the few opinions I could understand.

I feel like a weirdo and an idiot; but other than being glad to see some of the quotes Howe passed along from other writers, I did not enjoy this book, nor did I get much out of it.

Back to the library it goes, and on to the next book about Dickinson I go.
… (plus d'informations)
2 voter
Signalé
Deborah_Markus | 1 autre critique | Aug 8, 2015 |

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Statistiques

Œuvres
35
Aussi par
31
Membres
1,277
Popularité
#20,088
Évaluation
½ 3.8
Critiques
10
ISBN
40
Langues
3
Favoris
7

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