Photo de l'auteur

Anne Hollander (1930–2014)

Auteur de Seeing through Clothes

7+ oeuvres 620 utilisateurs 3 critiques

A propos de l'auteur

Anne Hollander is an independent art historian, critic, and historian of dress. A Fellow of the New York Institute for the Humanities and former president of PEN American Center. She lives in New York and Paris.

Comprend les noms: Anne L. Hollander

Crédit image: Anne Hollander (1930-2014)

Œuvres de Anne Hollander

Seeing through Clothes (1978) 281 exemplaires
Moving Pictures (1989) 68 exemplaires
Feeding the Eye: Essays (1605) 68 exemplaires
Lindenstraße, Die Beimers (1999) 1 exemplaire
O sexo e as roupas 1 exemplaire

Oeuvres associées

Woman in the Mirror: 1945-2004 (1700) — Introduction — 92 exemplaires
The Best American Essays 1986 (1986) — Contributeur — 70 exemplaires
Town & country matters: erotica & satirica (1972) — Illustrateur — 10 exemplaires

Étiqueté

Partage des connaissances

Autres noms
Loesser, Anne Helen (birth)
Date de naissance
1930-10-16
Date de décès
2014-07-06
Sexe
female
Nationalité
USA
Lieu de naissance
Cleveland, Ohio, USA
Lieu du décès
New York, New York, USA
Lieux de résidence
New York, New York, USA
Études
Barnard College (B.A.|1952)
Professions
art historian
clothing historian
Relations
Nagel, Thomas (2nd husband)
Loesser, Arthur (father)
Bassett, Jean (mother)
Hollander, John (1st husband)
Organisations
New York Institute for the Humanities (Fellow)
PEN American Center (president)
Prix et distinctions
Guggenheim Fellowship (1975-1976)
Courte biographie
Anne Hollander, née Loesser, was born in Cleveland, Ohio. In 1952, she received a BA from Barnard College, majoring in art history. The following year, she married John Hollander, a poet, with whom she had two daughters. After a divorce, she remarried to philosopher Thomas Nagel. Her work as an independent scholar provided new insights into the history of fashion and clothing and their relation to the history of art. She lived in New York City and after 1989 spent part of each year in Paris.

She taught courses at New York University, the University of California at Los Angeles, and Indiana University, and lectured widely at other universities and museums. She published essays and reviews in The New York Times, The New Republic, The New York Review of Books, The London Review of Books, The Times Literary Supplement, Connoisseur, The American Scholar, The Yale Review, and the Los Angeles Times Book Review, among others.
Between 1994 and 1996, she served as President of PEN American Center. She was also a Fellow of The New York Institute for the Humanities at New York University and served as Acting Director in 1995-96. In 2002, she curated the exhibition, "Fabric of Vision: Dress and Drapery in Painting" at The National Gallery in London.

She was the author of several books, including Seeing Through Clothes (1978), Moving Pictures (1989), Sex and Suits: The Evolution of Modern Dress (1994), Feeding the Eye (2000), and Woman in the Mirror (2005).

Membres

Critiques

Fascinating premise for a book, beautifully written, impressive range of illustrations.
Cet avis a été signalé par plusieurs utilisateurs comme abusant des conditions d'utilisation et n'est plus affiché (show).
 
Signalé
lulaa | May 2, 2017 |
Anne Hollander takes the history of fashion, and more specifically, the history of the tailored suit, thread by thread. In the beginning clothes for men and women were equally elaborate and meaningful. It wasn't until the late eighteenth century when a divide between the sexes started to emerge. Fashion for men became simpler while women's wear got more complicated. Styles for women boasted of sexuality while men were more subtle and subdued. Women took advantage of male fashion and twisted it to suit their statements. As with anything, the lines are being blurred again as men find inspiration in styles designed for women. One of the most fascinating points Hollander makes about dress for man and women is the phenomenon of identical identity. She argues that if men are dressed in identical tuxedos their unique faces would stand out in relief, just as women dressed in a variety of styles would all have the same face.… (plus d'informations)
½
 
Signalé
SeriousGrace | 1 autre critique | May 9, 2014 |
A through and interesting essay on fashion history. Mostly about women's wear and cultural attitudes by means of discussing the evolution of the man's suit. A very interesting read for anyone interested in fashion history or sociology.
 
Signalé
ajvbooks | 1 autre critique | Jan 2, 2008 |

Prix et récompenses

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Statistiques

Œuvres
7
Aussi par
3
Membres
620
Popularité
#40,587
Évaluation
4.0
Critiques
3
ISBN
24
Langues
1

Tableaux et graphiques