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Pour les autres auteurs qui s'appellent Carl Hoffman, voyez la page de désambigüisation.

5 oeuvres 891 utilisateurs 50 critiques

A propos de l'auteur

Carl Hoffman is a former contributing editor to National Geographic Traveler and Wired. He is the author of the New York Times bestseller Savage Harvest and The Last Wild Men of Borneo. He lives in Washington, D.C.
Crédit image: reading at 2018 Gaithersburg Book Festival By Slowking4 - Own work, GFDL 1.2, https://commons.wikimedia.org/w/index.php?curid=69292052

Œuvres de Carl Hoffman

Étiqueté

Partage des connaissances

Date de naissance
1960-05-04
Sexe
male

Membres

Critiques

Not the wild man I was expecting, but a good story well tall. I’m glad I had the chance to read this.
½
 
Signalé
BBrookes | 4 autres critiques | Dec 12, 2023 |
I liked this book although it felt like a slog. Mr. Hoffman's recounting of conversations with Trump rally goers was exhausting. I did enjoy his characterizations of the regulars he met in line at the rally's. Hearing their about their backstories and lives leading to Trump hit all the common narratives that seem to lead people to support trump so there were no surprises there. Mr. Hoffman provides some opinion and commentary about what issues he thinks underlie these narratives but he doesnt really bring anything new to the conversation on that front. Honestly though, Hoffman provides some stunning clarity in his observations and analysis. In the end, this book is very important for understanding Trump and the legions of diehards who gobble his bullshit.… (plus d'informations)
 
Signalé
wolfe.myles | Feb 28, 2023 |
Give Carl Hoffman for the daring that it took to seek out the most deadly forms of transport the world over and ride them all. If there's a choice, he rides the lowest class avoiding first class travel. Last chapter left me a little flat, however. He rode a cross country bus through the US seemingly predetermined to show how awful the US is compared to all the other countries where he traveled.
 
Signalé
kropferama | 11 autres critiques | Jan 1, 2023 |
Part memoir, part biography, this non-fiction delves into the mystery of the disappearance of Michael Rockefeller, son of Nelson Rockefeller, in 1961. At age 23, Michael had just graduated from Harvard. He traveled to what was then Netherlands New Guinea (now part of Indonesian Papua) to film a documentary and collect artifacts for his father’s Museum of Primitive Art. Michael and his colleague, René Wassing, were crossing the mouth of a turbulent river in a catamaran on the Arafura sea off the southwest coast of New Guinea when the boat capsized. Michael thought he could make it to shore to get help, so he swam away and was never seen again. His companion stayed with the boat and was rescued the next day. An extensive search was conducted by the authorities, but nothing substantial was found, and eventually they declared Michael had drowned. Rumors began to spread that he made it to shore but was killed by the men from the nearby village of Otsjanep. The Asmat had practiced headhunting and cannibalism, which was thought to have been eradicated due to the influence of Catholic missionaries and colonial authorities. The author decided to retrace Michael’s steps and search for evidence to solve the mystery surrounding his death.

This book touches on a fascinating combination of anthropology, art, spiritual beliefs, cultural dissonance, history, political coverups, the dynamics of power, and the gruesome specter of cannibalism. It shifts narratives between Michael’s trip in 1961 and the author’s trip in 2012. It relates the history of the territorial dispute regarding Netherlands New Guinea and the political tensions between the Dutch and Indonesian governments, which impacted Rockefeller’s disappearance. The greatest strength of this book may also be its greatest weakness. Hoffman is a journalist, and his research is based on solid reporting techniques, and an analysis of interviews, historical documents, letters, and journals. He seeks out the “big picture,” but as a journalist, it seems he could not resist the temptation to insert a sensationalistic and graphic depiction of what “could” have happened to Michael. The writing style is uneven, at times choppy and other times eloquent. The author traveled twice to the region, once with an American journalist’s approach of asking direct questions and expecting direct answers, and the second time with a more nuanced perspective of gaining an understanding of the Asmat people by living among them and recognizing their complexities. The book brings up thought-provoking questions about the accumulation of artifacts without understanding of the meaning behind them, and of attempting to judge the past based on modern viewpoints.

Hoffman makes a good case for his interpretation of events. He sheds light on the culture of the Asmat people and puts it in context of the time and place and leaves it to the reader to render a verdict. This book will appeal to those that enjoy unsolved mysteries, world history, or cultural anthropology.
… (plus d'informations)
 
Signalé
Castlelass | 29 autres critiques | Oct 30, 2022 |

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Statistiques

Œuvres
5
Membres
891
Popularité
#28,765
Évaluation
½ 3.7
Critiques
50
ISBN
45
Langues
4

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