Photo de l'auteur

Erica E. Hirshler

Auteur de Americans in Paris, 1860-1900

17+ oeuvres 429 utilisateurs 7 critiques

A propos de l'auteur

She is John Moors Cabot curator of American painting at the Museum of Fine Arts, Boston. She is the author of Dennis Miller Bunker & a contributor to The Bostonians. (Bowker Author Biography)

Comprend les noms: Erica Hirshler

Œuvres de Erica E. Hirshler

Oeuvres associées

Mary Cassatt, Modern Woman (1998)quelques éditions174 exemplaires
Charles Sheeler: Paintings and Drawings (1987) — Contributeur, quelques éditions49 exemplaires
Great Expectations: John Singer Sargent Painting Children (2004) — Contributeur — 19 exemplaires

Étiqueté

Partage des connaissances

Sexe
female
Nationalité
USA
Pays (pour la carte)
USA
Études
Wellesley College (BA)
Boston University (PhD)
Professions
scholar, writer
Curator of American Paintings, Museum of Fine Arts, Boston
Organisations
Museum of Fine Arts, Boston
Courte biographie
Croll Senior Curator of American Paintings; Museum of Fine Arts, Boston

Membres

Critiques

I DIDN'T LIKE THE SET-UP.YOU HAD TO FIND THE PAINTING BEING TALKED ABOUT.
 
Signalé
mahallett | Apr 1, 2018 |
Brief. Very nicely written. Intended for a very general audience. Little seems to be known about the actual circumstances of the creation of the painting. The author moves smoothly among various topics, such as the history of that part of Boston, street lights, women's clothing, and the reception (not particularly noteworthy) of the painting itself. It only became popular in the 1970s when it returned to the MFA after hanging in a city office for years - people started buying the postcards, etc. I would have liked to know more about the artist himself, for example whether he had daughters of that age, and his painting methods, but I suppose that information is available elsewhere. I hope to read more books in this MFA Spotlight series.… (plus d'informations)
 
Signalé
Amniot | Feb 24, 2016 |
An exhaustive study of one of Sargent's best-known paintings by a senior curator at the Boston Museum of Fine Arts. The book also examines Sargent's career; the career of another ex-patriate American painter, Edward Darley Boit, whose daughters were the models for the portrait; the history of the Boit family; and the Parisian social and artistic milieu that served as the setting for the portrait. While the book was absorbing, it was a little too detailed, particularly when it came to the work of Boit, who was not a primary subject here.… (plus d'informations)
 
Signalé
sallysvenson | 3 autres critiques | Mar 17, 2012 |
This book ended up not being what I was expecting and I think all the more interesting for that.
I expected this book to be more about John Singer Sargent himself and his work on the titled painting but instead it focused far more on the Boit family, the culture the artist was working in and how it influenced his work and vice versa and the impact and life the painting had beyond it's creation.

It's easy to forget today how radical and controversial the art created by the Impressionists was in it's day and it was fascinating to look at this from such a different perspective.… (plus d'informations)
 
Signalé
Kellswitch | 3 autres critiques | Oct 23, 2011 |

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Statistiques

Œuvres
17
Aussi par
3
Membres
429
Popularité
#56,934
Évaluation
4.0
Critiques
7
ISBN
20

Tableaux et graphiques