Photo de l'auteur

Sabine Haag (1) (1962–)

Auteur de Treasures of the Habsburgs

Pour les autres auteurs qui s'appellent Sabine Haag, voyez la page de désambigüisation.

92+ oeuvres 244 utilisateurs 4 critiques

Séries

Œuvres de Sabine Haag

Treasures of the Habsburgs (2013) 19 exemplaires
Mark Rothko: Toward Clarity (2019) 13 exemplaires
Spitzmaus Mummy in a Coffin and Other Treasures (2018) — Herausgeberin — 8 exemplaires
Velázquez (2015) 6 exemplaires
Lucian Freud (2013) 5 exemplaires
Fäden der Macht: Tapisserien des 16. Jahrhunderts aus dem Kunsthistorischen Museum (2015) — Directeur de publication; Herausgeber; Directeur de publication; Directeur de publication — 4 exemplaires
Die Welt von Fabergé (2014) — Director's Foreword — 4 exemplaires
Wintermärchen (2011) 4 exemplaires
Die Eremitage zu Gast: Old masters from the Hermitage (2018) — Directeur de publication — 3 exemplaires
Caravaggio und der internationale Caravaggismus (2010) — Herausgeber und Foreword — 3 exemplaires
Elfenbein : barocke Pracht am Wiener Hof (2011) — Editor and Author — 3 exemplaires
Scloss Ambras. Ritter! (2013) 3 exemplaires
Blumenpracht in der Kunst (2011) 3 exemplaires
Jahresbericht 2013 Weltmuseum Wien — Herausgeber — 2 exemplaires
Jan van Eyck, "Als Ich Can" (2019) 2 exemplaires
Women : the art of power : three women from the house of Habsburg (2018) — Editor and Foreword — 2 exemplaires
Jahresbericht 2014 Weltmuseum Wien — Herausgeber — 2 exemplaires
Jahresbericht 2015 Weltmuseum Wien (2019) — Herausgeber — 2 exemplaires
Der vergessene Papyrus (2018) — Editor and Foreword — 2 exemplaires
Jahresbericht 2017 Weltmuseum Wien — Herausgeberin — 2 exemplaires
Trinkfest! : Bacchus lädt ein (2011) 2 exemplaires
Albrecht Dürer im Kunsthistorischen Museum (1994) — Contributeur — 2 exemplaires
During the Night (2016) 2 exemplaires
Höhere Mächte. Von Menschen, Göttern und Naturgewalten (2021) — Editor and Foreword — 2 exemplaires
Jahresbericht 2015. Kunsthistorisches Museum Wien — Herausgeber und Vorwort — 1 exemplaire
Ein Bösendorferflügel für den Tenno — Interviewee — 1 exemplaire
im bild 02/08 — Contributeur — 1 exemplaire
Meisterwerke der Elfenbeinkunst (2007) 1 exemplaire
Napoléons Hochzeit 1 exemplaire
Kunst voller Wein (2012) — Herausgeberin und Vorwort — 1 exemplaire
Das Krönungsevangeliar des Heiligen Römischen Reiches (2014) — Directeur de publication — 1 exemplaire
Zuhanden Ihrer Majestät: Medaillen Maria Theresias (2017) — Herausgeberin und Vorwort — 1 exemplaire
Die Post ist da! (2012) — Directeur de publication — 1 exemplaire
Ambras Castle Innsbruck = Schloss Ambras Innsbruck — Directeur de publication — 1 exemplaire
Der Ambraser Schüttelkasten (2017) — Directeur de publication — 1 exemplaire
Feste Feiern 1 exemplaire

Oeuvres associées

Bruegel: The Master (2018) — Directeur — 66 exemplaires
Caravaggio and Bernini: Early Baroque in Rome (2019) — Avant-propos — 18 exemplaires
Azteken (2019) — Avant-propos, quelques éditions13 exemplaires
Die Eleganz der Hosokawa. Tradition einer Samurai-Familie (2019) — Préface — 9 exemplaires
El penacho del México antiguo (2012) — Avant-propos — 9 exemplaires
Franz Joseph 1830-1916 (2016) — Avant-propos — 9 exemplaires
New Insights: Kunsthistorisches Museum Wien (2016) — Avant-propos — 8 exemplaires
Titian's Vision of Women: Beauty – Love – Poetry (2021) — Avant-propos — 7 exemplaires
Weltmuseum Wien (2017) — Avant-propos — 7 exemplaires
Franz Is Here! Franz Ferdinands Reise um die Erde (2014) — Grußwort — 4 exemplaires
Maria Theresia 1717-1780: Strategin - Mutter - Reformerin (2017) — Avant-propos — 4 exemplaires
Beethoven moves (2020) — Avant-propos — 3 exemplaires
Veiled, Unveiled! The Headscarf (2018) — Préface — 3 exemplaires
Raum im Bild : Interieurmalerei 1500 bis 1900. (2009) — Avant-propos — 2 exemplaires
In a Nutshell (2017) — Avant-propos — 2 exemplaires
Meet Art. Predicting Memories, Vienna Art Week 2012 — Interviewee — 1 exemplaire

Étiqueté

Partage des connaissances

Nom canonique
Haag, Sabine
Date de naissance
1962-02-28
Sexe
female
Nationalité
Österreich
Lieu de naissance
Bregenz, Vorarlberg, Österreich
Professions
Kunsthistorikerin

Membres

Critiques

Very well done Catalogue to the current special exhibit of paraments in the Schatzkammer. Lovely close-ups of the textiles.
½
 
Signalé
MarthaJeanne | Jul 3, 2016 |
[Goldenes Zeitalter] is the exhibition catalogue from an exhibit I saw at the Alte Pinakothek in Munich over New Years 2011 consisting of Dutch group portraits from the 17th century, considered that country's "golden age" (hence the title). On tour while the museum was being renovated, the provide an interesting view into the social life of the new country, showing members of local militias, merchant guilds, and charitable boards, members of the new prosperous middle class who replaced of the old Spanish aristocracy when the Netherlands gained independence.

The art is quite lovely, and in real life the paintings are huge. I think the militia groups are my favorite, but also interesting is the inclusion of women in some of the other portraits, which shows that they were capable of achieving influence in their new Calvinist world.

The cover image is The Company of Captain Reynier Reael and Lieutenant Cornelis Blaeuw by Frans Hals and Pieter Codde, which in my edition is wrapped around on both front and back covers (the right image is my front cover).

The exhibition only toured Vienna and Munich, which means the cataloged was never produced in English, which is a shame, because some of the essays are very interesting and informative. But I'm sure these portraits are covered in other English works on golden age Dutch art.
… (plus d'informations)
 
Signalé
inge87 | Aug 31, 2013 |
The catalogue more or less does what it says on the title. It offers a quick account of young Gustav Klimt's painting of the spandrels (Zwickel in German) in the main staircase of the new Kunsthistorisches Museum, a contract he fulfilled jointly with his younger brother Ernst and Franz Matsch. Each of the three young men was responsible for one side while the fourth side was completed jointly. I wish the exhibition and the catalogue had not focused almost exclusively on Gustav Klimt. It is a bit harsh to the true Gesamtkunstwerk, an attitude that is also revealed by the unfortunate choice of photographing the staircase with the scaffolding already in place. The modern scaffolding which allows the visitors a close look at Klimt's work truly ruins the otherwise glorious four page spread. The Gesamtkunstwerk was a virtual collaboration of Hans Makart's portraits of famous painters, the Hungarian Mihály Munkácsy's allegorical ceiling painting as well as the Klimt brothers' and Matsch's illustration of different eras in art history. Gustav Klimt painted the spandrels of Egyptian, Greek, Byzantine and early Italian renaissance art in what foreshadowed his later combination of female portraits encased in lavish decorative patterns.… (plus d'informations)
1 voter
Signalé
jcbrunner | Mar 31, 2012 |
Vermeer's iconic The Art of Painting has, since its re-discovery in the mid-19th century, attracted the attention of the low and the mighty. Sold by Count Czernin for a sizable sum to Adolf Hitler, the painting passed through the US army inventory to its current resting place, the Kunsthistorisches Museum in Vienna. The museum's changed, more commercially oriented charter led the quite venal former director of the museum to prostitute the painting in exhibitions around the world which required restorative work twice in less than a score of years.

This exhibition and the catalogue are the result of the painting's restoration, now under the guidance of a new, hopefully more diligent direction. I like the idea of devoting an exhibition to a single painting, of exploring its topic, its elements and its techniques in depth (although I am unlikely to understand the chemical processes at work and applied). I love the analysis and explanation of the painting's elements, especially the map in the background.

The catalogue is beautifully designed and illustrated with well-written articles (including English translations). The only aspect I didn't like are the rather weak modern "interventions" which turned out neither memorable nor fitting. Recommended.
… (plus d'informations)
½
 
Signalé
jcbrunner | Mar 28, 2010 |

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Statistiques

Œuvres
92
Aussi par
33
Membres
244
Popularité
#93,239
Évaluation
4.2
Critiques
4
ISBN
95
Langues
2

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