Photo de l'auteur
21+ oeuvres 235 utilisateurs 4 critiques

A propos de l'auteur

Bob Gruen is a world-renowned rock-and-roll photographer. For more than fifty years, his images have appeared around the world in every form imaginable. He is the author of John Lennon: The New York Years, Rock Seen, New York Dolls, and Green Day: Photographs by Bob Gruen, among others. He lives in afficher plus New York City. afficher moins

Œuvres de Bob Gruen

John Lennon: The New York Years (2005) 48 exemplaires
Blank Generations Revisited: The Early Days of Punk Rock (1997) — Photographe — 47 exemplaires
The Clash (2001) 29 exemplaires
Rock Seen (2011) 26 exemplaires
New York Dolls: Photographs (2008) 25 exemplaires
Chaos: "Sex Pistols" (1990) 7 exemplaires
See Hear Yoko (2015) 7 exemplaires
Listen To These Pictures (1985) 6 exemplaires
Rockers (2007) 2 exemplaires
Green Day (2019) 2 exemplaires
Crossfire, Hurricane (1997) 1 exemplaire

Oeuvres associées

Some Time in New York City (1990) 17 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1945
Sexe
male
Nationalité
USA
Lieu de naissance
New York, New York, USA
Lieux de résidence
New York, New York, USA
Professions
photographer
Agent
Paul Lucas (Janklow & Nesbit Assoc.)

Membres

Critiques

A pretty basic book in some ways: I took this picture, then I took this picture, then I took this picture.... An amazing peripatetic existence, though, about a guy who was seemingly everywhere.
½
 
Signalé
beaujoe | 1 autre critique | Dec 13, 2020 |
Right Place, Right Time: The Life of a Rock & Roll Photographer from Bob Gruen is a fun romp through popular music from about the mid 60s to now-ish. Great pictures, fun stories, and a glimpse at a life well lived.

I like to read about music, whether about specific artists or genres or, as in this case, a peripheral but essential aspect of music. Because so many books tend to be about an artist it is the literary equivalent of listening to a greatest hits album. Even genre or period books can be thought of as greatest hits albums, albeit of connected acts. This book, however, is like a greatest hits of all time album, crossing genres and spanning several distinct periods in the history of rock & roll, or perhaps more accurately, popular music.

While the book is chronological, there is a bit of jumping around simply because Gruen often had to shoot several different acts within several days in different locations. Such was his life thus such is the narrative. That said, those periods are usually situated within a stretch where he is spending quite a bit of time and/or energy with a particular act. These extended experiences form, usually, the glue for each chapter.

As a memoir, this is an above average book but probably nothing phenomenal. But when it is coupled with the sheer quantity of rock, pop, and R&B stars he worked with, this becomes so much more than a memoir. If you're as old as I am, this is like going back and reliving some of those days. The concerts, listening to the radio, watching the TV shows and, eventually, the channels. If you let yourself read slow enough to think about the acts he is talking about, it becomes almost like a soundtrack to your own life. If you're not as ancient as I am, then this is an excellent glimpse at what the industry used to be like and, if you choose to take the time, it can serve as an introduction to a lot of great artists and music.

Highly recommend to readers of memoirs and especially entertainment memoirs. Those readers who supplement their reading with searching online (or in your music collections) for songs, interviews, and videos will find a lot of great search-worthy items here.

Reviewed from a copy made available by the publisher via NetGalley.
… (plus d'informations)
 
Signalé
pomo58 | 1 autre critique | Jul 23, 2020 |
I'm getting rid of this book if anyone wants it.
 
Signalé
DameMuriel | Apr 28, 2008 |
A surprisingly excellent book of photography related to the early punk scene in New York, with some great "later years" shots, such as Dee Dee Ramone rockin' out in his hip hop gear with a boom box. I really liked the use of grayscale and lighting in the more intimate, after-and-pre-show, outdoor shots such as the one of Patti Smith on the cover. Found it in a bargain bin back in 2002, so I wouldn't be surprised if it's hard to find.
 
Signalé
ThomasMartens | Sep 27, 2006 |

Listes

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Statistiques

Œuvres
21
Aussi par
1
Membres
235
Popularité
#96,241
Évaluation
3.9
Critiques
4
ISBN
33
Langues
5

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