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Lauren Groff

Auteur de Fates and Furies

33+ oeuvres 12,555 utilisateurs 728 critiques 21 Favoris

A propos de l'auteur

Lauren Groff graduated from Amherst College and received an MFA in fiction from the University of Wisconsin at Madison. Her books include The Monsters of Templeton, Delicate Edible Birds, and Fates and Furies. Arcadia won of the Medici Book Club Prize. Her fiction has also won the Paul Bowles Prize afficher plus for Fiction, the PEN/O. Henry Award, and the Pushcart Prize. Her work has appeared in numerous magazines including the New Yorker, the Atlantic Monthly, Harper's, Tin House, One Story, McSweeney's, and Ploughshares, and in the anthologies 100 Years of the Best American Short Stories, The Pushcart Prize: Best of the Small Presses, PEN/O. Henry Prize Stories, and three editions of the Best American Short Stories. (Bowker Author Biography) afficher moins
Crédit image: Lucy Schaeffer

Œuvres de Lauren Groff

Fates and Furies (2015) 3,869 exemplaires, 216 critiques
Les monstres de Templeton (2008) 2,920 exemplaires, 163 critiques
Matrix (2021) 1,736 exemplaires, 94 critiques
Arcadia (2012) 1,482 exemplaires, 120 critiques
Florida (2018) 1,198 exemplaires, 62 critiques
The Vaster Wilds (2023) 740 exemplaires, 43 critiques
Delicate Edible Birds and Other Stories (2009) 488 exemplaires, 23 critiques
Boca Raton (2018) 43 exemplaires, 4 critiques
The Best Short Stories 2023: The O. Henry Prize Winners (2023) — Directeur de publication — 32 exemplaires, 1 critique
The Midnight Zone 8 exemplaires
Ploughshares Summer 2015 (2015) 5 exemplaires
The Masters Review: 2012 (2012) — Directeur de publication — 4 exemplaires
American Short Fiction Volume 18 Issue 60 Fall 2015 — Contributeur — 2 exemplaires
Ghosts and Empties 2 exemplaires, 1 critique

Oeuvres associées

The Best American Short Stories 2007 (2007) — Contributeur — 844 exemplaires, 13 critiques
The Best American Short Stories 2010 (2010) — Contributeur — 416 exemplaires, 6 critiques
100 Years of the Best American Short Stories (2015) — Contributeur — 299 exemplaires, 3 critiques
The Best American Short Stories 2014 (2014) — Contributeur — 280 exemplaires, 8 critiques
The Best American Short Stories 2016 (2016) — Contributeur — 267 exemplaires, 6 critiques
Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases (2020) — Contributeur — 199 exemplaires, 4 critiques
The Best American Short Stories 2017 (2017) — Contributeur — 194 exemplaires, 7 critiques
The Monster's Corner (2011) — Contributeur — 162 exemplaires, 9 critiques
The Best American Short Stories 2022 (2022) — Contributeur — 100 exemplaires, 2 critiques
Granta 139: Best of Young American Novelists (2017) — Contributeur — 71 exemplaires, 2 critiques
The Penguin Book of the Modern American Short Story (2021) — Contributeur — 70 exemplaires
The Late American Novel: Writers on the Future of Books (2011) — Contributeur — 65 exemplaires, 2 critiques
Letter to a Stranger: Essays to the Ones Who Haunt Us (2021) — Contributeur — 65 exemplaires, 3 critiques
The Best American Short Stories 2023 (2023) — Contributeur — 64 exemplaires, 1 critique
McSweeney's Issue 49 (McSweeney's Quarterly Concern): Cover Stories (2017) — Contributeur — 59 exemplaires, 3 critiques
Collected Stories - Everyman (2020) — Introduction — 55 exemplaires
The Best American Mystery and Suspense Stories 2022 (2022) — Contributeur — 37 exemplaires, 4 critiques
Astoria to Zion: Twenty-Six Stories of Risk and Abandon from Ecotone's First Decade (2014) — Contributeur — 13 exemplaires, 1 critique

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In this story collection, each character has at least a tenuous tie to Florida. I found the most compelling stories to be those that take place in Florida and imbue that place with a sense of the exotic, the unpredictable, the untamed. There is a sense of anxiety that runs throughout the stories—from fear of the future given climate change, to fear of aging, to fear of proximate circumstances, the last of which I found yielded the most compelling stories. In retrospect, I should have first read a novel by this author, which is my preferred medium.… (plus d'informations)
 
Signalé
EvaMSO | 61 autres critiques | Aug 30, 2024 |
I listened to this in audiobook format.

This novel is about a bastard royal orphan girl, formerly a Crusading warrior, who is sent to become a nun and run the Abbey. She turns the place into a powerful entity of capable literate nun, but at a cost. It is an all too familiar story of ego, corrupting greed, and lust. Will it end in repentance or downfall, or both? I didn’t love the ending. I thought it needed to be more spectacular. I suppose the novel says that empire building is futile and that all human creations are temporary. Overall a good but not great book. I didn’t care for the narrator at all.… (plus d'informations)
 
Signalé
technodiabla | 93 autres critiques | Aug 14, 2024 |
Groff is good at writing sentences. In isolation, they are enjoyable to read. But this book could have been much shorter. And even at it's existing length, not enough happens. The story is somewhat flat.
 
Signalé
vive_livre | 42 autres critiques | Aug 4, 2024 |
After borrowing [b:Matrix|57185348|Matrix|Lauren Groff|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1617287438l/57185348._SY75_.jpg|87447766] from the library but before reading it, I spotted a Mediaeval historian on tumblr complaining that it's ahistorical. I also noticed this, although I'm no kind of historian myself. For one thing, nuns in a 12th century English abbey are depicted as spinning silk. According to the other book I was reading at the same time, [b:Worn: A People's History of Clothing|56753473|Worn A People's History of Clothing|Sofi Thanhauser|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1632871881l/56753473._SY75_.jpg|88699340], this was highly unlikely as the secrets of silk spinning and weaving were carefully guarded in China at the time. In order to avoid fixating on such unlikely material details, I tried to read [b:Matrix|57185348|Matrix|Lauren Groff|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1617287438l/57185348._SY75_.jpg|87447766] as a fable or fantastical alternate history. I don't think it's quite allegorical or fantastical enough to really work as either, though.

The narrative follows a young woman named Marie who is exiled from Queen Eleanor's court and sent to run an abbey. The obvious comparison that occurred to me was [a:Sylvia Townsend Warner|32349|Sylvia Townsend Warner|https://images.gr-assets.com/authors/1329513169p2/32349.jpg]'s [b:The Corner That Held Them|958668|The Corner That Held Them|Sylvia Townsend Warner|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1348920339l/958668._SY75_.jpg|943578], which is set in a 12th century convent. That has more genuine historical texture about it and evokes a real sense of community. By contrast, [b:Matrix|57185348|Matrix|Lauren Groff|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1617287438l/57185348._SY75_.jpg|87447766] is Marie's story of how she imposed her will on a little world; she dominates the narrative. The most extreme manifestation of this is the building of a labyrinth on her orders to conceal the convent, which I found particularly far-fetched. If it had been described more vividly, I could perhaps have appreciated it as ominously mythological. Unfortunately it remained frustratingly vague and elusive. Although I wasn't particularly drawn in by Marie or the details of the abbey, I did enjoy the verve of Groff's writing:

In June, a miracle; Amphelisa, whose half body had frozen after she stepped over copulating snakes, awakens having regained the use of her frozen face and hand, and only limps with a single unwilling leg now. She credits the intercession of Saint Lucy, of whom in desperation she'd moulded a wax votive with her good hand and let it melt on a hot stone while praying. Now full of energy, she has taken the garden out of frantic Prioress Tilde's domain, and the vegetables grow fat; the lovage and fennel and skirret under her care grow madly; the colewarts are the size of three-month babies. Because she sings to them, the bees of the apiary sting her only infrequently when she smokes them to check on their honey. Wevua and Duvelina are her assistants, hauling brush to fire and weaving wattle, because if their bodies are tired enough, their minds, one simple, one sliding, are at peace.


Thus I liked the style but not the substance, so [b:Matrix|57185348|Matrix|Lauren Groff|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1617287438l/57185348._SY75_.jpg|87447766] was pleasant to read without being particularly memorable.
… (plus d'informations)
 
Signalé
annarchism | 93 autres critiques | Aug 4, 2024 |

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Statistiques

Œuvres
33
Aussi par
19
Membres
12,555
Popularité
#1,864
Évaluation
½ 3.7
Critiques
728
ISBN
213
Langues
18
Favoris
21

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