Charlotte Perkins Gilman (1860–1935)
Auteur de Le Papier peint jaune
A propos de l'auteur
Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among afficher plus these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) afficher moins
Crédit image: From Wikipedia
Séries
Œuvres de Charlotte Perkins Gilman
The Yellow Wallpaper and Other Stories {Dover Thrift Editions} (1997) 2,254 exemplaires, 58 critiques
The Yellow Wallpaper and Other Stories {Oxford World's Classics} (1995) 369 exemplaires, 8 critiques
The Yellow Wall-Paper and Other Writings {Modern Library Classics} (2000) 225 exemplaires, 1 critique
Charlotte Perkins Gilman's "The Yellow Wall-Paper" and the History of Its Publication and Reception: A Critical Edition… (1998) 26 exemplaires, 1 critique
"The Yellow Wall-Paper" by Charlotte Perkins Gilman: A Dual-Textbook Critical Edition (2006) 14 exemplaires
Charlotte Perkins Gilman's The Yellow Wall-Paper: A Sourcebook and Critical Edition (2004) 12 exemplaires
Delphi Complete Works of Charlotte Perkins Gilman US (Illustrated) (Series Six Book 1) (2015) 9 exemplaires
The Dress of Women: A Critical Introduction to the Symbolism and Sociology of Clothing (2001) 6 exemplaires
Charlotte Perkins Gilman Collection Volume I (Illustrated): The Yellow Wallpaper, Herland and The Man-Made World (2014) 4 exemplaires
Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems and Essays (2015) 2 exemplaires
The Collected Works of Charlotte Perkins Gilman: The Yellow Wallpaper, Women and Economics, Herland, Suffrage Songs and… (2015) 2 exemplaires
The yellow wallpaper = El papel de pared amarillo ; According to Solomon = Según Salomón (2014) 2 exemplaires
Herland and Other Works by Charlotte Perkins Gilman (Unexpurgated Edition) (Halcyon Classics) (2010) 2 exemplaires
The Yellow Wallpaper and Other Stories: The Complete Gothic Collection {Ascent} (2012) 2 exemplaires
The Yellow Wallpaper {video} 2 exemplaires
The Selected Letters of Charlotte Perkins Gilman (Amer Lit Realism & Naturalism) (2009) 2 exemplaires
The Giant Wistaria 2 exemplaires
Mag-Marjorie & Won Over: Two Novels (Ironweed American Classics) (Ironweed American Classics) (1999) 2 exemplaires
Making a Change {story} 2 exemplaires
Dr. Clair's Place 2 exemplaires
Three Thanksgivings 1 exemplaire
Her Houskeeper 1 exemplaire
Martha's Mother 1 exemplaire
The Charlotte Perkins Gilman Collection 1 exemplaire
The Yellow Wallpaper and Selected Stories 1 exemplaire
SONGS AND VERSES OF THE SUFFRAGETTES - music and hymns from the Suffrage Movement: 25 songs and poems used by the… 1 exemplaire
Classic Ghost Stories: The Yellow Wallpaper 1 exemplaire
My Poor Aunt 1 exemplaire
Tales of Terror: The Monkey's Paw, The Pit and the Pendulum, The Cone, The Yellow Wallpaper (2014) 1 exemplaire
The Unexpected 1 exemplaire
世界恐怖小說選 卷二: 曲折詭異的世界名家名作 1 exemplaire
The Yellow Wallpaper and Selected Stories 1 exemplaire
The Giant Wisteria [short story] 1 exemplaire
Terradelas 1 exemplaire
W.S. Maugham - La moglie del Colonnello | Charlotte Perkins Gilman - La carta da parati gialla — Auteur — 1 exemplaire
Gillman, Charlotte Perkins Archive 1 exemplaire
Herland Illustrated 1 exemplaire
Old Mrs. Crosley 1 exemplaire
The Boys and the Butter 1 exemplaire
The Forerunner 1 exemplaire
Mrs. Beazley's Deeds 1 exemplaire
Joan's Defender 1 exemplaire
Spoken To 1 exemplaire
Her Beauty 1 exemplaire
Mrs. Elder's Idea 1 exemplaire
A Mischievous Rudiment 1 exemplaire
Collected Stories 1 exemplaire
The Humanness of Women: Theory and Practice of Feminism (Essays and Sketches): Studies and thoughts by the famous… 1 exemplaire
The Collected Works of Charlotte Perkins Gilman: The Complete Works PergamonMedia (Highlights of World Literature) (2015) 1 exemplaire
Turned 1 exemplaire
Suffrage Songs and Verses - Charlotte Perkins Gilman (ANNOTATED) [Second Edition] [Full Version] (2018) 1 exemplaire
A Collection of Poems by Charlotte Perkins Gilman (In This Our World, Suffrage Songs and Verses) (2019) 1 exemplaire
The New England magazine 1 exemplaire
'The Yellow Wallpaper'; with 'Woman', Gilman's acclaimed feminist poetry (Aziloth Books) (2015) 1 exemplaire
Complete Works of Charlotte Perkins Gilman "American feminist, sociologist, and novelist"! 9 Complete Works (The Yellow… (2017) 1 exemplaire
La carta gialla 1 exemplaire
Charlotte Perkins Gilman Trilogy: The Yellow Wallpaper, Herman & What Diantha Did (2013) 1 exemplaire
[No title] 1 exemplaire
Oeuvres associées
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributeur — 606 exemplaires, 2 critiques
Points of View: An Anthology of Short Stories, Revised & Updated Edition (1995) — Contributeur — 414 exemplaires, 7 critiques
American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps (2009) — Contributeur — 264 exemplaires, 3 critiques
Daughters of Decadence: Women Writers of the Fin-de-Siècle (1993) — Contributeur — 186 exemplaires, 2 critiques
Four Stories by American Women: Rebecca Harding Davis, Charlotte Perkins Gilman, Sarah OrneJewett, Edith Wharton… (1990) — Contributeur — 126 exemplaires, 1 critique
Writing Women's Lives: An Anthology of Autobiographical Narratives by Twentieth-Century American Women Writers (1994) — Contributeur — 124 exemplaires, 3 critiques
Evil Roots: Killer Tales of the Botanical Gothic (2019) — Contributeur — 100 exemplaires, 2 critiques
In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914 (2015) — Contributeur — 91 exemplaires, 1 critique
H.P. Lovecraft's Book of the Supernatural: 19 Classics of the Macabre, Chosen by the Master of Horror Himself (2006) — Contributeur — 90 exemplaires, 2 critiques
Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923 (2020) — Contributeur — 89 exemplaires, 1 critique
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributeur — 87 exemplaires
Women's Weird: Strange Stories by Women, 1890-1940 (Handheld Classics) (2019) — Contributeur — 71 exemplaires, 1 critique
The Heath Anthology of American Literature, Concise Edition (2003) — Contributeur — 68 exemplaires, 1 critique
Dark: Stories of Madness, Murder and the Supernatural (2000) — Contributeur — 60 exemplaires, 3 critiques
Scribbling Women: Short Stories by 19th-Century American Women (1997) — Contributeur — 49 exemplaires
There is a Graveyard That Dwells in Man: More Strange Fiction and Hallucinatory Tales (2020) — Contributeur — 46 exemplaires
Horror Stories: Classic Tales from Hoffmann to Hodgson (2014) — Contributeur — 45 exemplaires, 1 critique
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributeur — 43 exemplaires, 1 critique
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Contributeur — 42 exemplaires
She Wields a Pen: American Women Poets of the Nineteenth Century (1997) — Contributeur — 35 exemplaires
The Haves & Have Nots: 30 Stories About Money & Class In America (1999) — Contributeur — 34 exemplaires
More Deadly than the Male: Masterpieces from the Queens of Horror (2019) — Contributeur — 33 exemplaires
Ladies of Horror: Two Centuries of Supernatural Stories by the Gentle Sex (1971) — Contributeur — 25 exemplaires
The Red Velvet Seat: Women's Writings on the Cinema: The First Fifty Years (2006) — Contributeur — 20 exemplaires
Creatures of Another Age: Classic Visions of Prehistoric Monsters (2021) — Contributeur — 13 exemplaires, 1 critique
Roads of Destiny: And Other Tales of Alternative Histories and Parallel Realms: 43 (British Library Tales of the Weird) (2023) — Contributeur — 11 exemplaires
LibriVox Short Ghost and Horror Collection 028 2 exemplaires
La nueva mujer: Relatos de escritoras estadounidenses del siglo XIX — Contributeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Gilman, Charlotte Perkins
- Nom légal
- Gilman, Charlotte Anna Perkins
- Autres noms
- Stetson, Charlotte Perkins
- Date de naissance
- 1860-07-03
- Date de décès
- 1935-08-17
- Lieu de sépulture
- cremated
- Sexe
- female
- Nationalité
- USA
- Lieu de naissance
- Hartford, Connecticut, USA
- Lieu du décès
- Pasadena, California, USA
- Cause du décès
- suicide
- Lieux de résidence
- Providence, Rhode Island, USA
Pasadena, California, USA
New York, New York, USA
Norwich, Connecticut, USA - Études
- Rhode Island School of Design
- Professions
- novelist
short story writer
social reformer
magazine editor
public speaker
economist (tout afficher 8)
women's rights activist
suffragist - Relations
- Stowe, Harriet Beecher (great-aunt)
Beecher, Catharine (great-aunt)
Hooker, Isabella Beecher (great-aunt)
Stetson, Charles Walter (1st husband)
Gilman, Houghton (2nd husband) - Organisations
- Pacific Coast Women's Press Association
Ebell Society - Prix et distinctions
- National Women's Hall of Fame (1994)
- Courte biographie
- Charlotte Perkins Gilman was born in Hartford, Connecticut, to Frederick Beecher Perkins and his wife Mary Fitch Westcott.
Harriet Beecher Stowe, Catharine Beecher, and Isabella Beecher Hooker, three of the most distinguished 19th-century American writers and women's advocates were her great-aunts of whom she was very proud. Charlotte herself became a noted writer, public speaker, economist, and women's rights and suffrage activist. In 1884, at the age of 24, she married Charles Walter Stetson, an aspiring artist, and the following year gave birth to their daughter. Shortly after the birth, Charlotte suffered a serious bout of what today would be diagnosed as post-partum depression. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper," published in 1892. She also wrote a famous treatise, Women and Economics (1898), in which she said women could never be truly independent until they first had economic freedom. This theme was explored through her lectures, her more than 1,000 nonfiction publications, and her fiction. In 1900, Gilman remarried to her first cousin, George Houghton Gilman. Over the next 25 years, Charlotte also ran her own magazine, The Forerunner, in which many of her stories appeared. An advocate of euthanasia, Gilman ended her life at the age of 75 with an overdose of chloroform. Her work fell into obscurity until it was revived by the women’s movement in the 1960s. In 1994, Charlotte Perkins Gilman was inducted into the National Women’s Hall of Fame in Seneca Falls, New York.
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Statistiques
- Œuvres
- 131
- Aussi par
- 77
- Membres
- 12,800
- Popularité
- #1,833
- Évaluation
- 3.9
- Critiques
- 431
- ISBN
- 772
- Langues
- 18
- Favoris
- 22
Dans cette nouvelle, une femme jamais nommée tient son journal pendant les trois mois qu’elle passe avec son mari et son nouveau-né dans une demeure qu’ils ont louée. La femme est atteinte d’un mal qui lui non plus n’est jamais nommé, mais qui ressemble à une dépression, peut-être une dépression post-partum. Son mari médecin, dans son rôle d’homme protecteur et de scientifique lui préconise un repos absolu et une réclusion quasi carcérale. Logée dans l’ancienne nursery (quoi de mieux pour infantiliser quelqu’un ?), elle prend vite le papier peint jaune de la pièce en horreur. Passant tout son temps à observer ce papier peint honni, elle commence à s’y perdre, et sa dépression semble commencer à se transformer en hystérie comme on aimait le dire à l’époque. C’est donc une nouvelle qui montre le statut de la femme bourgeoise devant qui s’ouvrent deux voies : soit être une maîtresse de maison accomplie, soit être infantilisée et réduite au silence et à l’inaction.
Mais comme la version que j’en ai lue a été commise par les éditions Tendance Négative (le troisième en deux mois, les trois derniers publiés d’un catalogue qui compte à ce jour 7 titres), le texte bénéficie d’une mise en page particulière, avec un papier peint jaune dans lequel j’ai vu, caché sous les dessins de fleurs, des sortes de têtes de mort aux yeux plissés et au sourire sardonique, un papier peint qui envahit peu à peu la page comme il envahit la tête et les pensées de la narratrice. Et puis toutes les pages ne sont pas séparées, et toutes les 4 pages, il faut faire une pause dans la lecture pour couper les pages et découvrir ce qui se cache derrière, parfois un simple blanc, parfois la suite du texte. Il est facile de faire le parallèle avec
Il n’est pas impossible de voir dans les lés de papier peint les barreaux d’une prison que le lecteur découpe et que la narratrice veut arracher. Dans les notes qui accompagnent le texte, il est aussi suggéré que le choix de la couleur du papier peint n’est pas anodin : jaune se dit yellow en anglais, yell low peut-être, quelque chose comme hurler tout bas peut-être ? Mais est-ce du lacanisme à la petite semaine ?
Toujours est-il que ce texte est encore l’objet d’interprétations contradictoires, tant c’est un texte qui reste ouvert et riche. A découvrir avec délectation, et un petit frisson, de préférence dans l’édition de Tendance Négative.… (plus d'informations)