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10 oeuvres 133 utilisateurs 11 critiques

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Comprend les noms: Fausto Gilberti

Séries

Œuvres de Fausto Gilberti

Marcel Duchamp (2015) 4 exemplaires
L'orco che mangiava i bambini (2012) 2 exemplaires
Piero Manzoni (2014) — Auteur — 2 exemplaires
Lucio Fontana (2016) 1 exemplaire
Rockstars 1 exemplaire

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Critiques

Le opere d'arte del signor Duchamp erano strane e insolite. Non erano quadri e non erano sculture, eppure erano indubbiamente arte. Di un artista che ridendo e scherzando, spostò l'asticella dell'arte un po' più in là. Dopo i libri dedicati a Piero Manzoni, Yves Klein e Jackson Pollock, cresce la collana di libri in cui l'artista Fausto Gilberti ci racconta, con intelligenza e sguardo divertito, l'opera di grandi protagonisti dell'arte contemporanea. Età di da 6 anni.
 
Signalé
petervanbeveren | Feb 13, 2024 |
I liked the history of Jackson Pollock in the book but I didn't like that it was entirely black and white. Pollock had some very colorful paintings that I wish were displayed in the book.
 
Signalé
TikkunOlam | 1 autre critique | Jan 26, 2024 |
New Year's Day family picture book read-aloud celebration! (Book 4 of 5)

I've consistently enjoyed Fausto Gilberti's little series of picture book tributes to famous artists. I was unfamiliar with Yves Klein before, so I really appreciated this tongue-in-cheek introduction to a man who seems like a little bit of creative genius and a whole lot of con artist. I'm interested in learning more about him.
 
Signalé
villemezbrown | 1 autre critique | Jan 6, 2024 |
Anyone who’s known me since my blogger days knows that “I’m not sorry, because I’m fabulous,” so is it any wonder that I immediately had to pick up this adorable little book which proclaims that Yayoi Kusama is another woman who refuses to be apologetic?! Now, I may not be one to cover everything in dots (I’m more of a stripes girl), but I’ve been obsessed with Kusama’s dot-covered pumpkins since the first time I set eyes on them - not to mention her sparkle-filled infinity rooms - so I knew that this book was going to be a fun exploration of her unique art. Gilberti uses a simple black and white colour palette (with rare diversions of a neon red) and mimics Kusama’s geometric style of art to create a narrative that tells the story of the artist’s life in adventurous pictorials which take us from her hometown in Japan to New York City, and back again. Dots and the amorphous shapes Kusama is known for are integrated throughout each composition, which keeps the shifting narrative recognizable for even the youngest reader, while also providing appealingly dynamic visuals for adult readers. When Kusama arrives in New York she leaves behind the integrated world she had known in her hometown, Matsumoto, and the illustrations reflect her singularity in the city as she stands alone on the page with her dot-covered suitcase. As she begins creating a new style of art her life begins to slowly fill the page - not just her suitcases are covered in dots, she covers herself, other people, pumpkins, and then she creates the infinity rooms! Dots forever, no apologies! Not satisfied to just portray and imitate Kusama’s art, Gilberti takes care to include notes about her work as a protester and social advocate, before her return to Japan and her ongoing struggle with mental illness. The book may be for children, so these mentions are brief (and some very subtle), but it adds a depth to the book that allows it to finish triumphantly with a message about the healing abilities of art and the infinite love that one can find in the world.… (plus d'informations)
 
Signalé
JaimieRiella | 2 autres critiques | Nov 29, 2022 |

Statistiques

Œuvres
10
Membres
133
Popularité
#152,660
Évaluation
½ 3.5
Critiques
11
ISBN
13
Langues
2

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