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Laura Gibson

Auteur de La Grande

10+ oeuvres 12 utilisateurs 1 Critiques

Séries

Œuvres de Laura Gibson

La Grande 2 exemplaires
Beast of Seasons 2 exemplaires
Handcuffs, Heels & Hallowe'en (2013) 1 exemplaire
Empire Builder (2016) 1 exemplaire
The Cause 1 exemplaire
Kelly Hill 1 exemplaire
Alice 1 exemplaire

Oeuvres associées

Alexander and the wonderful, marvelous, excellent, terrific ninety days (2007) — Illustrateur, quelques éditions93 exemplaires

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UK

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hmm. Another one of those "I've no bloody clue what to put in here" type of . . um . . comments.

I've no real clue what I just read. Over one or more months. I read it because I'd been intrigued by seeing some stuff Laura Gibson had put up on DeviantArt. Roughly similar to this here book. Pictures with captions, though. I mention only to note that I wasn't really sure what I was getting myself into when I started . . . and I'm still not really sure.

Apparently this is the "diary" of one "Sophie Aughton". I do not know the school system in England, but I believe she starts the book as a freshman in college. Or the equivalent. Other than every once in a while remembering to actually attend classes and study (actually, I think she did attend and study, she just was late a lot; and fell back on prior learning in moments when she was called upon to explain an assignment that she forgot to do, but had knowledge about from whatever comes before college in England). That was a completely messed up sentence. hmms. Other than attending classes, Sophie attended several clubs, specifically the Live Action Role Playing club, and the karate club. In attention she spent lots and lots of time in an online virtual world.

A shy woman at the start of the book. And mostly at the end. Though by the end she's just embarrased as she does stuff she would have been too shy to do at the beginning of the book. hmms. Is that a spoiler? I keep distracting myself. As I ramble. As the book unfolds Sophie plays at bondage games inside the virtual world, and real life bondage games by herself and with her roommate.

bah. I've no real idea what to put here for this book and instead of anything coherent, I have this. The book took me a lot longer than normal for me to complete. There's a definite beginning middle and . . . well, the end ended with one of those *stares at computer screen, squeaks "that's !"*. To a certain extent there were way too many characters. Especially since so many of them were more than just ciphers. Trying to keep track of them all was hard. In terms of the erotic nature of the book . . . - well, some was exciting, some was . . .well, it was mostly exciting.

Oh, the virtual world. I wanted to get back to that. The action in the virtual world and during the the role playing events were shown . . . . as if they were happening . . um . . .. Hmms. Let me try it this way. Sophie would log into the virtual world as Feline. As Feline, she did stuff. And reacted in a manner as if the action was occurring in real life. Instead of in a virtual reality. Like, Feline ended up exposed a few times, Sophie, controlling the avatar called Feline, became quite embarrased as she was exposed. So, an emotional connection. Another example, as Feline, Sophie did such things as get involved in hogtied races, dance on stripper poles, etc. All described as if she was actually doing them. And feeling them. And being embarrased by them. I'm probably not explaining this well. By "actually doing them" - obviously the avatar is "doing" something when the real life person controlling the avatar does it. What I meant by "actually doing them" can be best seen when Feline was on the stripper pole. Dancing. Getting tips. The person giving the tip made some kind of comment. Feline's dance routine was disrupted by her embarassment. Which . . . isn't what would happen in a virtual world. Well, a 3D virtual world. In a 3D virtual world the dance is preprogramed. The real life person clicks something, the avatar dances - the most that can be seen as controlling the dance is the ability to start, stop, change to a different dance. But the dance is preprogrammed. It's not going to morph, improve, degrade, based on the avatar. If it's a text virtual world, everything that happened would be whatever you typed. bah.

No matter. I've gone and confused myself. And anyone brave enough to reach this point in the review. So . . I'll just skip off to the side now and . . um . . stop typing.

ETA: I was going to make some comment on the virtual world in terms of - which virtual worlds might have been the basis for the one in the book? But, didn't.
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Signalé
Lexxi | May 28, 2015 |

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Œuvres
10
Aussi par
1
Membres
12
Popularité
#813,248
Évaluation
½ 3.3
Critiques
1
ISBN
1