William Gaunt (1) (1900–1980)
Auteur de The Pre-Raphaelite Dream
Pour les autres auteurs qui s'appellent William Gaunt, voyez la page de désambigüisation.
Œuvres de William Gaunt
Flemish Cities : Their History and Art, Bruges, Ghent, Antwerp, Brussels by William Gaunt (1969) 18 exemplaires
SELECTED WRITINGS OF WILLIAM MORRIS 2 exemplaires
Kensington 2 exemplaires
Twentieth Century, The 1 exemplaire
British School, The 1 exemplaire
Richard Eurich 1 exemplaire
Hogarth (Faber Gallery) 1 exemplaire
George Stubbs 1 exemplaire
Oeuvres associées
Vies des artistes : (Vies des plus excellents peintres, sculpteurs et architectes) (1550) — Directeur de publication, quelques éditions — 725 exemplaires
Lives of the Painters, Sculptors and Architects (Everyman's Library Classics) (v. 3) (1927) — Directeur de publication, quelques éditions — 10 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1900-07-05
- Date de décès
- 1980
- Sexe
- male
- Nationalité
- UK
- Études
- Oxford University (Worcester College)
Ruskin School of Drawing - Professions
- art historian
artist - Organisations
- British Army (WWI)
Membres
Critiques
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 52
- Aussi par
- 2
- Membres
- 1,207
- Popularité
- #21,277
- Évaluation
- 3.9
- Critiques
- 5
- ISBN
- 91
- Langues
- 5
The first short chapter therefore introduces Millais, Holman Hunt, Rossetti and very briefly other members of the PRB and Ford Madox Brown.
Gaunt then chats on, discussing Millais’ meeting with Ruskin (with Ruskin’s wife subsequently divorcing Ruskin and marrying Millais), Rossetti’s meeting with Lizzie Siddal, Woolner’s emigration to Australia, Hunt’s travels to the Holy Land to paint The Scapegoat.
Then comes Rossetti’s meeting with Burne Jones and Morris, with a reinvigoration of the PRB ideals, however vague and dreamlike these are.
All told in an informal, colloquial fashion, assuming familiarity with the paintings made by the various artists.
Although a work of its time, which I initially felt would deter me from reading the whole book, it is charming, anecdotal and covers the whole of the artists later lives. For example there are fascinating details of Holman Hunt speaking to Charles Dickens about the financial aspects of negotiating the expected revenue from The Finding of Christ in the Temple , where Dickens did not look at the painting! (Page 101).
I found amusing the references to the bestselling author Hall Caine, who befriended Rossetti at the end of his life and rushed out his Recollections of Rossetti. Since this was written in 1942 Hall Caine has been mostly forgotten, but Rossetti and the PRB are still relatively well known.
This is not an introduction to the Pre-Raphaelites, as it assumes a knowledge of the artists’ works, but for those familiar with the paintings, it is a wonderful short overview of the movement as a whole.… (plus d'informations)