Alan Furst

El corresponsal
Alan Furst
Publicado: 2006 | 228 páginas
Novela Drama Histórico

A finales del invierno de 1938 cientos de intelectuales italianos huyeron del régimen fascista de Mussolini y hallaron un refugio incierto en París. Allí, en medio de las dificultades propias de la vida del emigrado, fundaron varias células de resistencia que, mediante periódicos clandestinos, enviaban noticias y aliento a Italia. Combatiendo el fascismo con máquinas de escribir, sacaron a la luz más de quinientas publicaciones.… (plus d'informations)

We begin The World at Night on the 10th of May in 1940 before dawn. Jean-Claude Casson, film producer of forty-two years of age, is in bed with his assistant, Gabriella Vico. The phone rings...it's Casson's wife. Marie-Claire wants to talk about the dinner party she and Jean-Claude are throwing that night. Does this not sound like the start to a torrid romance novel? Far from it (although there is passion within the pages)! By the end of the first chapter Casson has received a telegram recalling him back to active duty. The Germans are on the move and will occupy France shortly. Without warning Corporal Casson is pulled into a completely different life and, after three months when he returns home to Paris, the old life he left behind has completely vanished. As a movie producer he needs a way to stay useful in the eyes of the enemy. What can he do to earn a living during the German occupation? Somehow, in some way, this line of work makes him the perfect recruit for espionage. The only convincing he would need would be political. Which side are you on, boy? This question becomes pertinent when a simple lie traps Jean-Claude. He realizes no one is one hundred percent evil or one hundred percent good which makes the danger all that more a stark reality. You don't know of whom you should stay clear or who you can trust.
If you are looking for a spy thriller with lots of violence, The World at Night is not for you. The dangers are subtle and barely suggested. Instead, Furst is a master of detail. From fashion and the automobiles to the food and drink and music, the culture of Paris lives and breathes alongside its society. Furst's imagery is perfection: what do you picture when he describes a young woman as having "hen-strangler hands"? Furst takes you into 1940s Paris with love. A commentary on authenticity. I believe authenticity comes from the ability to faithfully mimic primary sources; the ability to take first-hand accounts and recreate them exactly. Once you see faithful details repeated you assume a truthful interpretation. Such is The World at Night.
Speaking of characters and love, I could not help but fall in love with Jean-Claude Casson. His mature passion for beautiful women and the way he makes each one feel as though she were the only one in his life...sigh. When he finally settles on one particular woman you root for them to be together.… (plus d'informations)