Photo de l'auteur

Rose Franken (1895–1988)

Auteur de Claudia

38 oeuvres 281 utilisateurs 5 critiques

A propos de l'auteur

Séries

Œuvres de Rose Franken

Claudia (1939) 57 exemplaires
Made for Each Other [1939 film] (1939) — Original story — 54 exemplaires
Claudia and David (1940) 36 exemplaires
Young Claudia (1946) 22 exemplaires
Another Claudia (1943) 20 exemplaires
The Marriage of Claudia (1948) 11 exemplaires
From Claudia to David (1949) 9 exemplaires
Those Fragile Years (1952) 8 exemplaires
When All Is Said And Done (1963) 4 exemplaires
Another Language (1933) 3 exemplaires
Outrageous Fortune 3 exemplaires
The complete book of Claudia (1967) 3 exemplaires
Mr. Dooley Jr. (1932) 3 exemplaires

Étiqueté

Partage des connaissances

Autres noms
Meloney, Franken (pseudonym with spouse)
Date de naissance
1895-12-28
Date de décès
1988-06-22
Sexe
female
Nationalité
USA
Lieu de naissance
Gainesville, Texas, USA
Lieux de résidence
Gainesville, Texas, USA(birth)
New York, New York, USA
Hollywood, California, USA
Tucson, Arizona, USA(Death)
Lyme, Connecticut, USA
Études
Ethical Culture School
Professions
playwright
novelist
director
screenwriter
Courte biographie
Rose Dorothy Lewin was the youngest of four children. Her parents separated shortly after her birth. Her mother moved from Texas to Harlem in New York City, where the children were raised. Rose attended the Ethical Culture School and was accepted by Barnard College. In September 1913, instead of entering Barnard, she married Dr. Sigmund Franken, an oral surgeon. He was diagnosed with tuberculosis and the couple spent the first ten months of their marriage at a sanitarium at Saranac Lake, New York. Rose Franken began her long, productive career by writing short stories. She persisted in the face of repeated rejection of her first novel, Pattern, until Max Perkins accepted it for Charles Scribner’s Sons in 1925. The editor and the writer became lifelong friends. Rose continued to write while raising three sons. She was a self-taught playwright who learned how to construct a drama from textbooks. Another Language, her third play, was produced at the Booth Theatre in 1932, and ran for a remarkable 453 performances. Helen Hayes starred in the 1933 film version. After her first husband’s death from TB, Rose Franken moved to Hollywood and became a successful screenwriter and novelist. Over the next five years she wrote scripts such as Say Goodbye Again, 1934; Beloved Enemy, 1936; and novels such as Of Great Riches and Twice Born, along with more short stories, which were published primarily by Redbook magazine. In 1937 she married William Brown Meloney, a lawyer, writer and executive for The New York Herald Tribune’s This Week magazine. They relocated to Longmeadow, a working farm in Lyme, Connecticut. Under their management, Longmeadow became a model of diversified farming for the local agricultural college at Storrs. The couple collaborated on film scripts and serial fiction, usually under the pseudonym Franken Meloney. Their joint novels include Strange Victory (1939), When Doctors Disagree (1940), and American Bred (1941). While still in Hollywood, Rose Franken began to publish the Claudia short stories. In 1939, she compiled them into the first of eight novels, and the Claudia works became her most popular. The books were frequently reissued, sometimes with variant titles, and translated into several languages. Rose Franken returned to the theater in 1941 after a long absence with a play called Claudia, a dramatization of her fiction. This story of a newlywed couple adjusting to marriage ran for a successful 722 performances. The play toured the USA, Australia and England, and also became a radio series. A 1943 film version starred Dorothy McGuire and Robert Young. Rose Franken continued to write and direct plays until 1948. Her autobiography, When All is Said and Done, appeared in 1962.

Membres

Critiques

Family Values
 
Signalé
BooksInMirror | 2 autres critiques | Feb 19, 2024 |
This touching film following the trials and tribulations of a newly married couple moves from humor to drama with ease thanks to fine performances from Jimmy Stewart and Carole Lombard, a good screenplay from Jo Swerling, and deft direction from John Cromwell.

Jimmy Stewart is young attorney John Mason, who returns from a recent trip a married man, after a whirlwind romance with Jane. He can’t wait to put his wife’s picture on his desk and the two can barely contain their bliss. Carole Lombard glows in her role as Jane, capturing that feeling of newfound love in her performance. Charles Coburn is the head of the law firm James works for and whose daughter he was expected to marry. This causes regret on the part of his mother, portrayed by Lucille Watson. Forced to live with the struggling young couple, her loneliness and frustration vents itself in unfair criticism of Jane.

Jane’s mother-in-law is not the only thing weighing the young couple down, however. Their planned honeymoon aboard the Normandy sails into the sunset when the ship leaves without them after he is called back to work at the worst possible moment. Soon John is passed over for junior partner and forced to accept a cut in pay, resulting in more financial difficulties for the couple, who now have a baby on the way.

Cromwell lets this play out naturally, with humor and tenderness, making for a realistic and sentimental slice of life, but avoiding the maudlin. It is the small moments such as a wedding ring discussion and cut in pay which give this film a poignancy anyone who was once young and married can relate to. When their baby becomes ill, what happens might seem contrived were it not handled so well by director Cromwell. If fact, this was not a contrivance at all, but an actual event in the life of producer David O. Selznick, mirroring something which happened to his brother.

A sweet and rewarding ending proves all the viewer has hoped for in this terrific film full of warmth and sentiment. Those who enjoy a sentimental tear-jerker once in a while will find a new favorite in this one.
… (plus d'informations)
 
Signalé
Matt_Ransom | Nov 27, 2023 |
Well isn't that cover appalling? :)

Trust me, the book is so much better than any of the covers.*

This was a beautiful revelation of a book. Franken captures, I think, perfectly so many of the transformative moments in life-- from love, to death, faith, loss, growth and (I'm blinding trusting in this one) birth. Some may complain that Claudia is flawed and David is perfect... I didn't read it that way. In fact, David is remarkably flawed and I saw so much of myself in their newly-married relationship-- the well-meaning misunderstandings, the first disagreements, the worry, the absentminded lack of communication (because you didn't have to communicate these things before you were married).

Claudia's grief, in particular, struck home for me. Don't we all wonder, at some point, why those who have so much to do are taken before those who have seemingly have so little to do and do it for so long. It was a realistic reaction that all of us childishly have at some point in our lives. While I found her rather naive in first chapters, life, as it does with all of us, realistically rounded her out into a multi-faceted character.

Some may squirm at the lack of ingenuity in their family roles... but I found that it was pretty forward for its day. David, after all, is okay with Claudia leaving and pursuing an acting career. He wants her to feel fulfilled. It is the culture of the day (you can't act while pregnant) rather than David and an over-attachment to old-fashioned roles that keeps her from following her dream.

* For once, and in spite of the mega-talented Dorothy Maguire, the book was better than the film.
… (plus d'informations)
 
Signalé
OutOfTheBestBooks | 2 autres critiques | Sep 24, 2021 |
I love Claudia. I feel like I lived with her for the twelve years of this book, and that she will continue to live with me. There's a lot of poignancy here, particularly due to the unusually high mortality rate that follows the family. Even so, nothing is overblown, nobody is given license to act way out in response to unhappiness, and reality maintains a pretty even keel. It felt at once aspirational (how to be an adult in relation to others and stay sane) and human (we don't outgrow all our weaknesses immediately upon passing some demarcation). The sense of humor between her and David, and both and their children, was particularly sweet, and it was refreshing to see parents who were constantly fed up but also managed to parent lovingly. And finally, it's an odd mix of charmed and cursed lives; I suppose it's the mix of both that evens things up for most of us.

Quotable: "She would never forget the day that David scythed the meadow, with his shirt off, and came in to lunch looking and smelling like a hired man out of a book. It was a special, very stirring kind of sweat and had given her exactly the same feeling as the first time she'd watched him bathe the baby."
… (plus d'informations)
 
Signalé
beautifulshell | Aug 27, 2020 |

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Statistiques

Œuvres
38
Membres
281
Popularité
#82,782
Évaluation
½ 3.6
Critiques
5
ISBN
46
Langues
1

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