Photo de l'auteur

Daniel Mallory (2) (1979–)

Auteur de The Woman in the Window

Pour les autres auteurs qui s'appellent Daniel Mallory, voyez la page de désambigüisation.

3 oeuvres 6,241 utilisateurs 342 critiques

Œuvres de Daniel Mallory

The Woman in the Window (2018) — Pseudonym; Auteur — 6,094 exemplaires
End of Story (2024) 133 exemplaires
The Ways (2020) — Auteur — 14 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Mallory, Daniel
Nom légal
Mallory, Daniel
Autres noms
Finn, A.J.
Brown, Simon
Date de naissance
1979-01-02
Sexe
male
Nationalité
USA
Lieu de naissance
New York, New York, USA
Lieux de résidence
New York, New York, USA
Charlotte, North Carolina, USA
Professions
editor
publisher
author
Organisations
William Morrow and Company
Courte biographie
I'm A. J. Finn, author of THE WOMAN IN THE WINDOW -- a debut novel that Stephen King describes as "remarkable" and I call "the best I could do." Guess which quote appears on the jacket.

THE WOMAN IN THE WINDOW has been sold in 43 territories around the globe. The film adaptation, starring Amy Adams, Gary Oldman, and Julianne Moore, will be released worldwide in autumn 2019. The movie directed by Joe Wright, written by Tracy Letts, and produced by Scott Rudin.

I spent a decade working in publishing in both New York and London, with a particular emphasis on thrillers and mysteries. Now I write full-time, to the relief of my former colleagues. THE WOMAN IN THE WINDOW was inspired by a range of experiences: my lifelong love affair with suspense fiction, from the Sherlock Holmes stories I devoured as a kid to the work of Patricia Highsmith, whom I studied at the graduate level at Oxford; my passion for classic cinema, especially the films of Alfred Hitchcock; and my struggles with depression and mental health. The result, I hope, is a psychological thriller in the vein of Gillian Flynn, Tana French, and Kate Atkinson, among others.

Stuff I love: reading; swimming; cooking; dogs; ice cream; travel. (Note that third semicolon. It's crucial. I do not love cooking dogs.) I collect first-edition books and enjoy spending time with my French bulldog, Ike.

Membres

Critiques

This was okay to good. Occasionally found it a bit confusing and would have to re-read sentences trying to figure out what was the meaning was. I didn't expect the twist at the end so that was interesting. The description on the book jacket lays out the initial plot and then reads 'when a corpse appears in the family's koi pond...' so I thought hm, sounds intriguing. But I was more than half-way through the book before the corpse appeared. Setting up the plot therefore seemed to take forever, and nothing much was happening before that. So you need to have patience to read this book, and figure out that there are clues being given until the corpse appears. So, it was okay for the first half of the book and better during the 2nd half.… (plus d'informations)
 
Signalé
Sensory | 5 autres critiques | Apr 21, 2024 |
A stylized literary thriller and family mystery.

Nicky Hunter is somewhat an expert in mysteries and detective fiction, and she has been corresponding with a famous novelist, Sebastian Trapp, for years. Now that he is dying, she's invited out to San Francisco to meet him. He says he wants her to write his final story, sort of a biography, of his life. When she arrives at the mansion, she meets his current wife, Diana, his daughter, Madeleine, and some other extended family. Sebastian hints that the two, while working together on his story, might solve an old mystery -- perhaps to finally reveal what happened to Sebastian's first wife and his teen son who vanished on New Year's Eve in 1999.

This was long. And wordy. Other than that, the plot was interesting, and the characters were mysterious and somewhat hard to figure out. Not fast paced, it takes ages to get to the big reveals and I must admit there were a few surprises. There are lots of references to the works of other famous mystery writers of old, and many quotes. I read along while listening to the audiobook which was done well although it would have been even better with multiple narrators.

Thank you to NetGalley and the publisher for the e-book ARC to read and review.
… (plus d'informations)
 
Signalé
CelticLibrarian | 5 autres critiques | Apr 18, 2024 |
Although the story line was ok I didn’t care too much for the style of writing. It was a little hard foe me to follow and the one liners were not that great. Not sure I would recommend this one.
 
Signalé
Mariafrendo | 335 autres critiques | Apr 6, 2024 |
This was a fun book and for me a quick read. Anna is an agoraphobe who can't make herself go out of her house. She tries to cope by watching her neighbors, not unlike Jimmy Stewart in Rear Window. This movie is referenced several times along with other classic noir pictures of the 40s and 50s. One particular family she spies on has her fascinated and later obsessed with as she witnesses what she thinks is a murder by Alistair, the husband, of who she thinks is his wife. Turns out in a very twisted ending, it was the teenage son, Ethan, who has murdered his drug addict mother. Ethan then comes after Anna in her home in the climax where she manages to kill him by escaping to the roof in a rain storm. Wanted to read this prior to reading Finn's latest book, End of Story.

KIRKUS: Crackling with tension, and the sound of pages turning, as twist after twist sweeps away each hypothesis you come up with...

A lonely woman in New York spends her days guzzling merlot, popping pills, and spying on the neighbors—until something she sees sucks her into a vortex of terror.

“The Miller home across the street—abandon hope, all ye who enter here—is one of five townhouses that I can survey from the south-facing windows of my own.” A new family is moving in on her Harlem street, and Dr. Anna Fox already knows their names, employment histories, how much they paid for their house, and anything else you can find out using a search engine. Following a mysterious accident, Anna is suffering from agoraphobia so severe that she hasn't left her house in months. She speaks to her husband and daughter on the phone—they've moved out because "the doctors say too much contact isn't healthy"—and conducts her relationships with her neighbors wholly through the zoom lens of her Nikon D5500. As she explains to fellow sufferers in her online support group, food and medication (not to mention cases of wine) can be delivered to your door; your housecleaner can take out the trash. Anna’s psychiatrist and physical therapist make house calls; a tenant in her basement pinch-hits as a handyman. To fight boredom, she’s got online chess and a huge collection of DVDs; she has most of Hitchcock memorized. Both the game of chess and noir movie plots—Rear Window, in particular—will become spookily apt metaphors for the events that unfold when the teenage son of her new neighbors knocks on her door to deliver a gift from his mother. Not long after, his mother herself shows up…and then Anna witnesses something almost too shocking to be real happening in their living room. Boredom won’t be a problem any longer.

Crackling with tension, and the sound of pages turning, as twist after twist sweeps away each hypothesis you come up with about what happened in Anna’s past and what fresh hell is unfolding now.
… (plus d'informations)
 
Signalé
derailer | 335 autres critiques | Feb 29, 2024 |

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Statistiques

Œuvres
3
Membres
6,241
Popularité
#3,930
Évaluation
½ 3.7
Critiques
342
ISBN
90
Langues
13

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