Georges Feydeau (1862–1921)
Auteur de La puce à l'oreille
A propos de l'auteur
Œuvres de Georges Feydeau
Feydeau Plays: Two: The Girl from Maxim's, She's All Yours, A Flea in her Ear, and Jailbird (Methuen World Classics) (2002) 9 exemplaires
Feydeau Plays: One: Heart's Desire Hotel, Sauce for the Goose, The One That Got Away, Now You See It, and Pig in a… (2001) 7 exemplaires
Theatre Inc Fil a La Patte 5 exemplaires
Boulevard comedies : free adaptations of Becque, Feydeau, and Molière (2000) — Contributeur — 4 exemplaires
een vrouw aan het been 2 exemplaires
Théâtre complet II 2 exemplaires
Budding Lovers: A Comedy in One Act 2 exemplaires
Monsieur chasse 2 exemplaires
La duchesse des Folies-Bergère- Séance de nuit - La Lycéenne - Dormez, je le veux ! (1977) 2 exemplaires
Hi ha un gall dins el piano 1 exemplaire
La pulga en la oreja : Vodevil, 2 1 exemplaire
Champignol per forza ; La purga di Bebè 1 exemplaire
Kial Ili Estas Famaj??? 1 exemplaire
Occupe-toi d'Amlie & La Dame de chez Maxime 1 exemplaire
Hotel Paradiso A farce-comedy in tree acts 1 exemplaire
Commedie 1 exemplaire
QUATRE PIECES POUR RIRE : LE DINDON - FEU LA MERE DE MADAME - ON PURGE BEBE - MAIS N'TE PROMENE DONC PAS TOUTE NUE. (1956) 1 exemplaire
Premières pièces 1 exemplaire
Hotel Casanova 1 exemplaire
Fanny 1 exemplaire
Sarto per signora 1 exemplaire
Amour et piano / La Cantatrice chauve. Le Theatre du Boulevard / Le Theatre de l'absurde. (1999) 1 exemplaire
Commedie (due volumi) 1 exemplaire
Where There's a Will [theatre programme] 1 exemplaire
Tri komada u tri čina 1 exemplaire
Happy Hunter (Acting Edition) 1 exemplaire
The Edouard Case 1 exemplaire
Un Fil a la patte suivi de Le Dindon 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Feydeau, Georges
- Nom légal
- Feydeau, Georges Léon Jules Marie
- Date de naissance
- 1862-12-08
- Date de décès
- 1921-06-05
- Lieu de sépulture
- Cimetière de Montmartre, 30e division, Paris, Île-de-France, France
- Sexe
- male
- Nationalité
- France
- Pays (pour la carte)
- France
- Lieu de naissance
- Paris, Île-de-France, France
- Lieu du décès
- Paris, Île-de-France, France
- Lieux de résidence
- Paris, Île-de-France, France
- Professions
- Dramaturge
Scénariste - Relations
- Feydeau, Ernest (Père)
- Courte biographie
- Georges Feydeau was born to Ernest Feydeau, a renowned French writer and scholar, and Léocadie Zalewska (Lodzia Slewska), a Polishwoman. Paris at that time was the intellectual and artistic capital of the western world, and Feydeau aspired at an early age to join its theatrical life. After his first comic monologue written at age 20, Par la fenêtre (Through the Window, 1882), he composed two one-act plays that won praise from critics, but failed to do well at the box office. His first major theatrical success was a three-act work, Tailleur pour dames (Ladies’ Dressmaker, 1886). In 1889, he married Marianne Carolus-Duran, the daughter of a wealthy painter.
Feydeau then had the means to stop writing for a while in order to study authors who had succeeded in farce. The result was Champignol malgré lui (Champignol in Spite of Himself, 1892), which became a major success and made Feydeau famous both in France and overseas. He became the most popular French playwright of his era. A Flea in Her Ear (La Puce à l’oreille, 1907) become his most popular play in English-speaking countries. He wrote a total of 39 plays during his career. While his works are known for their nonsense, fantasy, and bedroom farce, they also feature a sense of madness and geometric precision. Feydeau and his wife divorced in 1916, and their unhappy marriage is perhaps reflected in his last five short plays, in which the wife persecutes her husband almost to the point of madness. Feydeau himself suffered from melancholia and in 1919 moved to a sanatorium for treatment; he died insane in 1921.
Twenty years later, his play Feu la mère de madame (Madame’s Late Mother) entered the repertory of the Comédie-Française, soon to be followed by some of his other plays, thus validating him as a modern classic.
Some critics see in Feydeau's work a precursor to Dadaism, Surrealism, and Theatre of the Absurd. They are still performed regularly.
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Statistiques
- Œuvres
- 85
- Membres
- 605
- Popularité
- #41,547
- Évaluation
- 3.7
- Critiques
- 12
- ISBN
- 125
- Langues
- 5
- Favoris
- 1
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