Okwui Enwezor (1963–2019)

Extensively illustrated, the Catalog contains an essay of the artistic director, Okwui Enwezor, contributions from members of the Documenta11 curatorial team: Ute Meta Bauer, Carlos Basualdo, Sarat Maharaj, Mark Nash, and Angelika Nollert as well as texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists will be featured with illustrations of representative works, and the documentation of selected artist's projects and writings will facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. This book will be available in the United States mid month June 2002.… (plus d'informations)

Monography published for an retrospective exhibition held at the Vancouver Art Gallery from February 12 - September 15, 2011.

'The most extensive survey of Ken Lum’s work to date, the exhibition features a number of works not previously exhibited in North America, including Mirror Maze with 12 Signs of Depression, produced for Documenta 11 in 2002, House of Realization, produced for the Istanbul Biennale in 2007, and his recent Rorschach Shopkeeper Signs. The exhibition is accompanied by an illustrated catalogue, published in partnership with Douglas & McIntyre.'

(Abstract source: http://www.vanartgallery.bc.ca/the_exhibitions/exhibit_kenlum.html)… (plus d'informations)

Was it Joseph Cornell's dossiers on ballerinas and artists that first proposed the model of the archive as a creative storehouse, a vehicle for the ordering of chaotic fragments? Over the past 30 years, successive generations have taken wide-ranging approaches to archives, most of them (like Cornell) concentrating on photographic and filmic collections. Organized and written by renowned scholar and ICP Adjunct Curator Okwui Enwezor, and taking its title from Jacques Derrida's book of the same name, Archive Fever gathers leading contemporary artists who use archival materials in the fabrication of their work. As Derrida notes, the Greek etymology of "archive" connotes both "commencement" and "commandment," implying that authority is as much at stake as authenticity. For artists, of course, these imperatives provoke all kinds of exciting opportunities for eccentricity and falsification, and the works included herein take many forms, including physical archives arranged by bizarre cataloguing methods, imagined biographies of fictitious persons, collections of found and anonymous photographs, film versions of photographic albums and photomontages composed from historical photographs. These images offer a wide-ranging subject matter, but are linked by the artists' shared meditation on photography and film as the quintessential media of the archive. Artists include Tacita Dean, Stan Douglas, Felix Gonzalez-Torres, Zoe Leonard, Ilán Lieberman, Walid Raad, Thomas Ruff, Anri Sala, Fazal Sheikh, Eyal Sivan, Lorna Simpson and Vivan Sundaram, among others.… (plus d'informations)

Kerry James Marshall (born 1955) is widely admired for his painterly and sculptural explorations of Afro-American identity and history, and his attendant critiques of art history and the art economy. Among his well-known works are Rhythm Mastr, a comic book that transposes African mythology to a contemporary city; the Garden Project, which draws on the idyllic-sounding names given to housing projects; the Lost Boys series, which portrays young, disenfranchised black men; and his gigantic stamps of Black Power slogans. "I've always wanted to be a history painter on the grand scale of Giotto and Géricault," he once said, and he has created many mural-sized canvases interweaving heroic and everyday aspects of recent Afro-American history. This monograph offers the largest retrospective of his works in all media, from painting and sculpture to collage, photography and installation. Limited stock available.… (plus d'informations)