Ronnie del Carmen

When Riley was born, a place inside her manifested beings that each control one of five basic emotions: Joy, Anger, Fear, Disgust, and Sadness. Each of these being loves Riley and wants what's best for her. The very first emotion to manifest was Joy, and it is Joy who generally dominates Riley's control room.

When Riley is 11, her dad's job leads to the family moving from Minnesota, where she had lots of good memories, friends, a nice house, and hockey, to San Francisco. From the very beginning, it isn't a good experience. Their new house is crammed in between other buildings, doesn't have a yard, looks shabby, and has a dead mouse on the floor. The moving truck is going to be several days late. But Joy is Riley's dominant emotion, and so she tries to make the best of things. However, something strange is going on. For some reason Sadness keeps accidentally affecting Riley's memories, including the most sacred ones of all, her core memories, the ones that define who she is.

I didn't go see this when it was in theaters, mostly because the previews made it difficult to tell what it was even about. But I kept hearing good things about it, so when it came out on DVD I decided to buy the bare bones "hardly any extras" version so I could give it a shot.

I don't know that I'll ever want to rewatch it, but it was still very good, an excellent representation of a young girl trying to process her emotions and deal with depression in the midst of changes in her life. There were basically two interconnected stories: what Riley was going through, and what Joy and the other emotions were going through as they tried to keep Riley's inner world functional.

Joy, as Riley's more dominant emotion, wanted Riley to be happy all the time. She understood the need for Disgust, Anger, and Fear, but Sadness just seemed useless and negative to her, not useful to Riley's well-being at all. Part of Joy's journey was discovering that Sadness did indeed have a purpose, and that it wasn't necessarily a bad thing if Riley's emotional world became a little more complex.

I found the way the movie represented emotions to be fascinating, and I wish longer glimpses had been provided of other characters' emotional control rooms. Did people's emotional control rooms and staff change over time? The end of the movie seemed to indicate that the rooms themselves probably did change, but I was less certain about the staff. For example, I think only some of the kid characters had mixed gender emotions, while all of the adults had single gender. Did the gender of the emotions change as their people got older or something? (And, if so, that's kind of messed up.) Was Riley's mom born with Sadness as her dominant emotion, and her dad with Anger? I'd assume that meant that Riley's mom struggled with depression when she was younger, and her dad probably had anger management issues, but in terms of their behavior in the movie it seemed as though their primary emotions, too, must have learned to share the driver's seat more, just like Riley's Joy.

The animation took a little getting used to. The humans were fine - it was the emotions that bugged me a bit, until I got used to it. Their skin wasn't like human skin - it reminded me of felt-covered plastic (or whatever the plastic some little toy animals are made of is called). And their hair looked weirdly synthetic. But like I said, I got used to it.

Despite my issues with parts of it, this was a good movie overall and I'm glad I finally watched it.

Extras:

Like I said, I bought the bare bones edition. The only extras it came with were commentary, which I didn't listen to, and a short film called "Lava," about a lonely volcano that sang in the hope of one day finding love. The short wasn't terrible, but it's definitely not one of my favorites.

(Original review posted on A Library Girl's Familiar Diversions.)… (plus d'informations)

Inside Out
USA 2015
GENERE: Anim. DURATA: 102′ VISIONE CONSIGLIATA: RAG.
CRITICA: 4 PUBBLICO: 4
REGIA: Pete Docter

Come tutti gli esseri umani, Riley, 11 anni, due adorabili genitori, una vita normalmente felice, dentro di sé prova una vasta gamma di emozioni, a seconda delle situazioni in cui si trova. Ognuna delle sue emozioni è personificata da un personaggino: Rabbia, Gioia, Disgusto, Tristezza, Paura. I suoi stati d'animo se ne stanno seduti a una console, pronti a intervenire, a prevaricarsi l'un l'altro, a mettersi d'accordo. Lo sviluppo della storia in sé non è particolarmente significativo – la famiglia si trasferisce dal Minnesota a San Francisco e riorganizzare la vita non è facile per nessuno – ma è l'idea degli stati d'animo personalizzati di questo nuovo gioiello Pixar Animation Studios, distribuito dalla Disney, che è meravigliosa, geniale, divertente. Sceneggiatura perfetta, disegni originali, animazione ricca di idee, per un'analisi psicologica – molto più acuta e profonda di quel che può sembrare a una prima lettura – di una ragazzina, quasi adolescente, in un momento di profondo cambiamento della sua vita che la mette in difficoltà con i genitori e con sé stessa. Non una caduta, non una sbavatura, non un momento sbagliato. Imperdibile.… (plus d'informations)

Cuenta la historia de Riley, una chica que, como todas las personas, tiene a las cinco emociones en su interior acompañándola. Su vida ha estado marcada por la Alegría, que se ocupa de que todo vaya bien en su vida, aunque las demás emociones también participan en el día a día de la chica. Por desgracia, el grupo de emociones, que por lo general tiene claro su papel, no entiende muy bien cuál es el motivo de que tenga que existir Tristeza. Una serie de acontecimientos llevan a que Alegría y Tristeza se vean introducidas en una peligrosa aventura en la cual el mundo interior de Riley se pondrá patas arriba.… (plus d'informations)