Photo de l'auteur

Lorenzo Da Ponte (1749–1838)

Auteur de Don Giovanni

60+ oeuvres 1,722 utilisateurs 18 critiques 1 Favoris

A propos de l'auteur

Crédit image: 18th century portrait of Lorenzo da Ponte

Œuvres de Lorenzo Da Ponte

Don Giovanni (1787) — Librettist — 265 exemplaires
Don Giovanni [sound recording] (1946) — Librettist; Librettist — 220 exemplaires
Memoirs of Lorenzo da Ponte (1959) 189 exemplaires
The marriage of Figaro [complete sound recording] (1951) — Librettist — 179 exemplaires
The marriage of Figaro [score : vocal : Italian/English] (1947) — Librettist — 109 exemplaires
Die Hochzeit des Figaro. (1940) — Librettist — 93 exemplaires
Mozart’s Operas: The Marriage of Figaro & the Magic Flute (1999) — Librettist — 74 exemplaires
Mozart : The marriage of Figaro [score : full] (1983) — Librettist — 72 exemplaires
Don Giovanni [score : vocal] (1900) — Librettist — 69 exemplaires
English National Opera Guide : Mozart : Don Giovanni (1983) — Librettist — 54 exemplaires
The marriage of Figaro [video recording] (1988) — Librettist — 43 exemplaires
English National Opera Guide : Mozart : Così fan tutte (1983) — Librettist — 41 exemplaires
Mozart : The marriage of Figaro [libretto : Italian/English] (1986) — Librettist — 33 exemplaires
Cosi Fan Tutte (1984) — Librettist — 25 exemplaires
Dover Opera Guide and Libretto Series : Don Giovanni (1964) — Librettist — 22 exemplaires
The marriage of Figaro [sound recording highlights] (1986) — Librettist — 21 exemplaires
Mozart : Don Giovanni [libretto : Italian/English] (1961) — Librettist — 20 exemplaires
Memorie-Libretti mozartiani (1976) 13 exemplaires
Mozart : Così fan tutte [libretto : Italian/German] (1992) — Librettist — 12 exemplaires
The Marriage of Figaro: Glyndebourne [1994 film] (1999) — Writer — 11 exemplaires
Mémoires et livrets (1980) 6 exemplaires
Mozart : Così fan tutte [libretto : Italian/English] (1986) — Librettist — 5 exemplaires
Overture Opera Guides : Mozart : Don Giovanni (2010) — Librettist — 2 exemplaires
Overture Opera Guides : Mozart : Così fan tutte (2014) — Librettist — 2 exemplaires
Mozart : Così fan tutte [libretto] (1951) — Librettist — 2 exemplaires
Dies Irae 1 exemplaire
Dante Alighieri (2004) 1 exemplaire
Le memorie 1 exemplaire
Mozart : The marriage of Figaro [libretto] (1959) — Librettist — 1 exemplaire
Mozart : Così fan tutte [libretto] {Ricordi} (2003) — Librettist — 1 exemplaire

Oeuvres associées

Le Nozze di Figaro (1786) — Librettist — 113 exemplaires

Étiqueté

Partage des connaissances

Autres noms
Ponte, Lorenzo da
Conegliano, Emanuele (birth name)
Date de naissance
1749-03-10
Date de décès
1838-08-17
Lieu de sépulture
Calvary Cemetery, Queens, New York, USA
Sexe
male
Nationalité
Venice
USA (naturalized)
Lieu de naissance
Ceneda
Lieux de résidence
Ceneda, Veneto (birth ∙ now Italy)
New York, New York, USA (death)
London, England, UK
Prague, Austrian Empire
Philadelphia, Pennsylvania, USA
Professions
librettist
priest
poet
Relations
Mozart, Wolfgang Amadeus (colleague)
Courte biographie
Lorenzo Da Ponte was born into a Venetian Jewish family that converted to Roman Catholicism. He emigrated to the USA and became a citizen in 1828. During his career, he wrote the librettos for 28 operas by 11 composers, including three of Mozart's greatest.

Membres

Critiques

This libretto, a comedy, is a little complex- but I still found it to be appealing. There are many twists and turns to it and, for a modern reader, it offers a glimpse into the aristocratic intrigues that revolved around the heights of the time that this was composed. I read an edition that had the original Italian libretto next to it, so it was also useful in teaching me a few Italian words at the same time.

Worth it! 3.5 stars.
½
 
Signalé
DanielSTJ | Sep 12, 2019 |
CD and accompanying book. Excellent performance, plus an informative short book with archive illustrations of famous performances/performers.
 
Signalé
captbirdseye | 1 autre critique | Sep 10, 2018 |
Not sure if it's my familiarity with the material or that Tatiana Troyanos can enunciate the hell out of her part. Her tone is just a bit too mellow for a very young man, but ee-by-gum you can understand everything she says. Fischer-Dieskaw as the Conte comes off dark throughout. Surely there's room for some lightness. Delightful recording that includes some arias often left out of staged productions.
1 voter
Signalé
marfita | 1 autre critique | Jun 19, 2016 |

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Statistiques

Œuvres
60
Aussi par
1
Membres
1,722
Popularité
#14,919
Évaluation
4.1
Critiques
18
ISBN
180
Langues
10
Favoris
1

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