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David Cronenberg

Auteur de Consumed

53+ oeuvres 2,203 utilisateurs 33 critiques 6 Favoris

A propos de l'auteur

Séries

Œuvres de David Cronenberg

Consumed (2009) 311 exemplaires
A History of Violence (2005) — Director — 264 exemplaires
Cronenberg on Cronenberg (1992) 241 exemplaires
Eastern Promises (Les promesses de l'ombre) (2007) — Director — 180 exemplaires
Videodrome [1983 film] (1983) — Directeur — 126 exemplaires
The Fly [1986 film] (1986) — Director — 101 exemplaires
Existenz (1999) — Director & Screenwriter — 94 exemplaires
Naked Lunch (1992) — Director — 90 exemplaires
The dead zone (1983) 89 exemplaires
Scanners (1981) — Directeur — 87 exemplaires
Crash (1996) — Director and Producer — 85 exemplaires
The Brood {1979 film} (2004) 58 exemplaires
Dead Ringers [1988 film] (1988) — Director; Screenwriter — 57 exemplaires
Crash [screenplay] (1996) 52 exemplaires
A Dangerous Method [2011 film] (2011) — Director — 51 exemplaires
Spider [2002 film] (2003) 45 exemplaires
Cosmopolis [2012 film] (2012) — Director/Screenwriter — 38 exemplaires
Rabid [1977 Film] (1977) — Directeur — 36 exemplaires
Shivers [1975 Film] (1975) — Directeur — 35 exemplaires
Maps to the Stars [2014 film] (2016) — Director — 22 exemplaires
eXistenZ: A Graphic Novel (1999) 18 exemplaires
Crimes of the Future [2022 film] (2022) — Directeur — 15 exemplaires
Double Feature: The Fly {1986 film} / The Fly II {1989 film} (2000) — Directeur — 15 exemplaires
M. Butterfly [1993 film] (1993) — Directeur — 11 exemplaires
Le scénario du "Festin nu" (1992) 7 exemplaires
Fast Company [1979 film] (2004) 6 exemplaires
10-Movie Sci-Fi Pack (2011) — Directeur — 6 exemplaires
The Fly [1958] / The Fly [1986] (2008) — Directeur — 4 exemplaires
The Fly: Ultimate Collection (2014) — Directeur — 3 exemplaires
Crimes of the Future [1970 film] — Directeur — 3 exemplaires
Map to the stars 1 exemplaire
eXistenZ 1 exemplaire
Stereo [1969 film] 1 exemplaire
The fly [screenplay] 1 exemplaire
Faith Healer [Friday the 13th: The Series 1988 TV Episode] (1988) — Directeur — 1 exemplaire
Naked Lunch / Crash 1 exemplaire

Oeuvres associées

La Métamorphose (1915) — Introduction, quelques éditions12,456 exemplaires
Rêves et cauchemars (1993) — Narrateur, quelques éditions8,338 exemplaires
Jason X [2001 Movie] (2001) — Actor — 49 exemplaires
Nightbreed [Theatrical Cut] (1990) — Actor — 36 exemplaires
The Artist as Monster: The Cinema of David Cronenberg (2006) — Associated Name — 28 exemplaires
Into the Night [1985 film] (1985) — Actor — 25 exemplaires
Nightbreed: The Director's Cut (2014) — Actor — 17 exemplaires
Alias Grace [2017 mini series] (2018) — Actor — 14 exemplaires
Scanners II: The New Order [1991 film] (1991) — Original book — 9 exemplaires
Scanners III: The Takeover [1991 film] — Original characters — 6 exemplaires
Rue Morgue Library: Horror Movie Heroes (2014) — Interview — 6 exemplaires
Fangoria Horror Magazine #3, December 1979 (1979) — Interview — 4 exemplaires
Tales from the Organ Trade [2013 film] — Narrateur — 2 exemplaires
Fangoria Horror Magazine #25, February 1983 — Interview — 2 exemplaires

Étiqueté

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Membres

Critiques

 
Signalé
BooksInMirror | 4 autres critiques | Feb 19, 2024 |
This movie isn't for everyone. Cronenberg cranks up the nihilism to eleven, but he creates a film that is as hard to look away from as it is to watch. The cast is almost uniformly superb: Elias Koteas disturbs and compels as the charismatic Vaughn; James Spader is captivating as the neophyte entering Vaughan's surreal world of car crash fetishism; Holly Hunter is commanding and assured; and Rosanna Arquette imbues her character with an unapologetic sensuality. The only clunker in the cast is Deborah Kara Unger, who is significantly less life-like than a department store mannequin.

Fun fact: J. G. Ballard greatly admired the film, and actually thought it better than his book.
… (plus d'informations)
 
Signalé
amanda4242 | 1 autre critique | Apr 26, 2022 |
Cronenberg was the 1st horror director to get me interested in the genre. I saw "Scanners" in a movie theater in Baltimore in the 1980s & I was hooked. He's still one of my favorite directors but I keep waiting for him to become even more transcendentally brilliant & he.. doesn't.. quite.. make it. I love the early stuff I've been able to check out: "Shivers", "Rabid", "The Brood", "Scanners", "Videodrome" - & then started to lose interest in him from around "The Dead Zone" onward. I mean, Stephen King? I know you need to make money n'at but did you have to jump on the King bandwagon? I mean in the 1980s American society cd practically be divided into: 1. people who don't read, 2. people who only read Stephen King bks, & 3. people who read other stuff. Anyway, Cronenberg still continues to be a great director - I DID like "Dead Ringers" & "Exiztenz" (or whatever it was called), etc.. This bk covers the period up to "Crash".… (plus d'informations)
 
Signalé
tENTATIVELY | 3 autres critiques | Apr 3, 2022 |
What a messed up book. I mostly mean that in a good way, but it makes this a tough one to review.

On the one hand, you've got an author, and therefore characters who are obsessed with various things: technology, insects, North Korean films, body abnormalities, sex, 3D printing... the list goes on. There's not, what I would call a "relatively normal" character in this book. Again, not a bad thing, but whenever someone new was introduced, I found myself asking, "what's their obsession going to be?"

And I'm no prude--not by a long shot--but even to me, these characters seemed obsessed with sex.

On the other hand, you've got an author who's taking ridiculously disparate ideas and storylines and mashing them together in a way no one has ever done before, and creating something new and horribly beautiful. There's no denying this story is compelling as all hell, simply because it's so strange, you have no idea what's going to come out next.

And quite honestly, I was ready to give this a 4, maybe a 4.5 rating, but then I finished the novel. That is, I came to the end. And though it truly was the end, there were no additional pages to go, it feels like Cronenberg somehow lost power to his Mac, couldn't write any more, and decided to call it a day. Virtually every single plot point is left wide open, with only the central initial mystery somewhat resolved.

The reader is left with some answers as to what happened, but very, very little as to why?

And I hate that.
… (plus d'informations)
 
Signalé
TobinElliott | 8 autres critiques | Sep 3, 2021 |

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Mika Siltala Translator

Statistiques

Œuvres
53
Aussi par
15
Membres
2,203
Popularité
#11,647
Évaluation
3.8
Critiques
33
ISBN
123
Langues
16
Favoris
6

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