Robert Crawford (1) (1959–)
Auteur de Young Eliot: From St. Louis to The Waste Land
Pour les autres auteurs qui s'appellent Robert Crawford, voyez la page de désambigüisation.
A propos de l'auteur
Robert Crawford's collections of poetry include A Scottish Assembly (1990) and Full Volume (2008). His biography of Burns, The Bard (2009), won the Saltire Scottish Book of the Year Award. His other books include Scotland's Books (2007) and On Glasgow and Edinburgh (2013). Professor of Modern afficher plus Scottish Literature at the University of St Andrews, he is writing a biography of T. S. Eliot. afficher moins
Crédit image: Robert Crawford, author of "The Book of St. Andrews"
Œuvres de Robert Crawford
The Penguin Book of Poetry from Britain and Ireland Since 1945 (1998) — Directeur de publication — 30 exemplaires
The Beginning and End of the World: St. Andrews, Scandal, and the Birth of Photography (2011) 3 exemplaires
Sterts & stobies : poems in Scots 1 exemplaire
Vestigial power 1 exemplaire
Oeuvres associées
Living Classics: Greece and Rome in Contemporary Poetry in English (Classical Presences) (2009) — Contributeur — 7 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1959
- Sexe
- male
- Nationalité
- UK
- Lieu de naissance
- Bellshill, Scotland, UK
- Lieux de résidence
- St. Andrews, Scotland, UK
- Études
- Balliol College, Oxford
University of Glasgow - Professions
- Professor of Modern Scottish Literature (University of St. Andrews)
- Organisations
- University of St Andrews
- Prix et distinctions
- Eric Gregory Award (1988)
Membres
Critiques
Listes
Best Biographies (1)
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 43
- Aussi par
- 3
- Membres
- 597
- Popularité
- #42,085
- Évaluation
- 3.8
- Critiques
- 5
- ISBN
- 132
- Langues
- 2
Equally deft is the author's sensitive yet smart portrait of the extremely complicated figure of Vivienne Eliot, one-half of one of the most interesting marriages in literary history. Vivienne is a difficult figure to capture and Crawford succeeds by never trying to pin her down as villain, vixen or witch.
Crawford's Eliot was a man both strange and normal, ordinary and extraordinary, doomed and saved. He is hard to like, yet endearing.… (plus d'informations)