Hart Crane (1899–1932)
Auteur de L'oeuvre poétique
A propos de l'auteur
Born in Ohio, Hart Crane's early life was filled with change and trauma. His family's many moves and his parents' divorce turned him to writing at age 13. In 1923, Crane moved to New York, where he published his first book of poetry, White Buildings, in 1926. In 1930 he published The Bridge, afficher plus considered by most to be his best work. That same year he won the Levinson Prize from Poetry Magazine; he was awarded a Guggenheim Fellowship in 1931. Crane's life ended in 1932 when he committed suicide by drowning. He jumped from a ship as he was returning to the United States from a trip to Mexico. (Bowker Author Biography) afficher moins
Crédit image: From Wikipedia
Œuvres de Hart Crane
The poet's vocation; selections from letters of Hölderlin, Rimbaud, & Hart Crane (1967) — Contributeur — 6 exemplaires
The Complete Poems of Hart Crane - The Franklin Library - Joseph Stella Illustrations (1979) 2 exemplaires
< Edifici bianchi > ("White buildings", U.S.A., 1926) /// < Il ponte > ("The bridge", U.S.A., 1930) 1 exemplaire
Eternity 1 exemplaire
Moment Fugue 1 exemplaire
Il ponte e altre poesie 1 exemplaire
“Chaplinesque” 1 exemplaire
Rare Hart Crane THE BRIDGE Limited Editions Club in Slipcase, 1981 w/ Benson Photos (1981) 1 exemplaire
North Labrador 1 exemplaire
Prose and Poetry 1 exemplaire
To Brooklyn Bridge 1 exemplaire
Three poems by Hart Crane from the bridge 1 exemplaire
Seven lyrics 1 exemplaire
Broen 1 exemplaire
The Bridge. One of 2000 copies. 1 exemplaire
Il ponte 1 exemplaire
The complete poems of Hart Crane 1 exemplaire
Oeuvres associées
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributeur — 1,049 exemplaires
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributeur — 448 exemplaires
American Poetry: The Twentieth Century, Volume Two: E. E. Cummings to May Swenson (2000) — Contributeur — 407 exemplaires
The Fugitive Poets: Modern Southern Poetry (Southern Classics Series) (1991) — Contributeur — 112 exemplaires
The Poet's Work: 29 Poets on the Origins and Practice of Their Art (1979) — Contributeur — 88 exemplaires
Holy Fire: Nine Visionary Poets and the Quest for Enlightenment (1994) — Contributeur — 61 exemplaires
Masquerade: Queer Poetry in America to the End of World War II (2004) — Contributeur — 19 exemplaires
Sunlight on the River: Poems About Paintings, Paintings About Poems (2015) — Contributeur — 10 exemplaires
A Pagan anthology composed of poems by contributors to the Pagan magazine — Contributeur — 2 exemplaires
Tennessee Williams: Die tätowierte Rose — Contributeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Nom légal
- Crane, Harold Hart
- Date de naissance
- 1899-07-21
- Date de décès
- 1932-04-27
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- Garrettsville, Ohio, USA
- Lieu du décès
- Gulf of Mexico
- Cause du décès
- probable suicide
- Lieux de résidence
- Cleveland, Ohio, USA
New York, New York, USA
Paris, France
Mexico - Études
- self-educated
- Professions
- poet
advertising manager
advertising copywriter
shipyard laborer
reporter
shipping clerk (tout afficher 7)
salesman - Relations
- Tate, Allen (friend)
Frank, Waldo (friend)
Munson, Gorham (friend)
Cowley, Malcolm (friend)
Winters, Yvor (friend) - Organisations
- The Fugitives
- Prix et distinctions
- Levinson Prize (1930)
Guggenheim fellow (1931-1932)
Membres
Critiques
Listes
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 46
- Aussi par
- 36
- Membres
- 1,737
- Popularité
- #14,807
- Évaluation
- 4.1
- Critiques
- 11
- ISBN
- 50
- Langues
- 6
- Favoris
- 21
I made the mistake of reading the dreadful Harold Bloom introductory essay first. What a pile of bullshit. It was awful.
I'll give you a taste:
"Crane who suffered forever the curse of sundered parentage, never could settle on a single erotic partner, hence his quest for every sailor in his generation. But I doubt - after reading Paul Mariani, the best of Crane's biographers - that a happy domestic life, and even a steady income, would have saved Crane. No nature could have been less compromising; like a new Byron or Shelley, Crane was a Pilgrim of the Absolute. His quest for agonistic supremacy, against Eliot, to join Whitman, Dickinson, Melville in the American Pantheon. No one can read all of Crane's poetry, across sixty years as I have, [Oh, God] and miss the accents of the Sublime, of the Nietzschean quest for the foremost place.[I'm about gonna die here...] Since Crane is, in his unchurched way, a great religious poet, a Shelleyan myth-maker hymning an Alien God, the tonalities of transcendence [just shoot me] haunt The Bridge and "The Broken Tower," and even the erotic raptures and anguishes of "For the Marriage of Faustus and Helen" and the "Voyages."
There's another beauty but I can't bring myself to type it up. I can't help myself:
Who or what is such a "Thou" in The Bridge? Hart Crane's kind of negative transcendence represents what ought to be called the American Religion, a gnosis endemic in the United States where, for at least two centuries now, religion has been not the opiate, but the poetry of the people. Crane's actual religious heritage was his mother's Christian Science, which never affected him [Why is all this here then?]. In the spiritual exaltation of "The Proem: To Brooklyn Bridge," as in the spiritual anguish of "The Broken Tower," one can hear a mystical yearning that renders Hart Crane akin to St. John of the Cross, in sensibility though not in faith. Crane's deep attachment to William Blake's poetry, and to Emily Dickinson's, reflects his own stance as an autonomous visionary, distrustful of every creed or ideology, yet questing always for intimations of transcendence. [I just wanna puke...]
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