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3 oeuvres 18 utilisateurs 11 critiques

Œuvres de Chella Courington

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This book, a collection of vignettes, moments in the life of main character Diana, an English major struggling to survive on an adjunct professor's meager salary, paints a picture that the reader is truly able to visualize. The prose is clear and descriptive. I just ate it up, really enjoyed it, and would have liked to have kept reading. The title is what initally attracted me, and the writing lived up to my expectations.
 
Signalé
mclesh | Sep 2, 2014 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
Two reviews in one by
Jim McGuire

Rock Covers Paper Chella Courington
Triplicity Kristen McHenry

Two books in one, two poets, two reviews. An Indigo Ink Press Flip Side Edition. Which side to start on? Which side is up? I flipped in the air and retrieved Paper Covers Rock by Chella Courington. I begin to read poetry as southern and beyond. The lines are familiar, but new. Language and experience a treat, a wonder. Lynette, Loretta, the Sonic Drive-In in Crossville become people and places of interest.

The flip side

Triplicity by Kristen McHenry

Kristen McHenry moves through diversity of subject and mood finding insight in examination of the everyday self in “A Questionnaire for determining those deserving of care,” to three poems concerning pigs in a section called “Pondering Pigs” in which the subject matter is examined in terms of the human condition. In the final poem in the volume McHenry examines death in “Drowning Girls” where shared experience is expressed in the final line. “All of us who drown belong to one another.”

Both books, both poets a treat for you to flip.
… (plus d'informations)
 
Signalé
biblio99 | 9 autres critiques | Nov 23, 2011 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
After reading the poems in the first part of Paper Covers Rock, I felt as if I had stumbled upon the journal of a teenage girl who desperately needs to speak to the school nurse and practice slipping condoms on bananas. Needless to say, they didn't resonate with me. However, Courington's poem "Jeopardy", was especially evocative (and strangely personal), and I have returned to it several times since receiving the book.

On the flip side, McHenry's poems take more chances and exhibit more imagination. Her poem, "Spock: A Romance Story", contains the most memorable lines in the last stanza. But, it took me several attempts at reading the poem before I could earnestly make it there. There is just too much prologue and exposition, but there is the occasional payoff: In pig days, we are meticulously / counted and divided by our thickness (from "Slaughtering Season").… (plus d'informations)
 
Signalé
gila_mon | 9 autres critiques | Nov 17, 2011 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
I always find it difficult to formulate my thoughts on why I love a certain collection of poetry, and this book contains two such collections by two fabulous writers. Both these women write about the pain and awkwardness of female adolescence straying into adulthood. Though they are very different writers with very different takes on the world, both writers provide readable and textural poems with darkly playful relevance and depth. They were a good, cohesive pair to put side-by-side.
 
Signalé
andreablythe | 9 autres critiques | Nov 1, 2011 |

Statistiques

Œuvres
3
Membres
18
Popularité
#630,789
Évaluation
3.8
Critiques
11
ISBN
1