David Copperfield (1) (1956–)
Auteur de David Copperfield's History of Magic
Pour les autres auteurs qui s'appellent David Copperfield, voyez la page de désambigüisation.
Œuvres de David Copperfield
David Copperfield's Beyond Imagination (1996) — Directeur de publication; Introduction; Contributeur — 46 exemplaires
David Copperfield's Project Magic Handbook 3 exemplaires
David Copperfield Signed Playing Card 1 exemplaire
David Copperfield Journey of a Lifetime Playbill 1 exemplaire
Copperfield - Journey of a Lifetime 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Copperfield, David
- Nom légal
- Kotkin, David Seth
- Date de naissance
- 1956-09-16
- Sexe
- male
- Lieu de naissance
- Metuchen, New Jersey, USA
- Professions
- Magician
Membres
Critiques
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Auteurs associés
Statistiques
- Œuvres
- 10
- Membres
- 216
- Popularité
- #103,224
- Évaluation
- 4.1
- Critiques
- 4
- ISBN
- 16
- Langues
- 2
The book begins with an essay on the 16th century book, The Discoverie of Witchcraft by Reginald Scot, and concludes with a discussion of some of David Copperfield’s own illusions, including The Death Saw. Almost the entire book focuses on the 19th and 20th centuries.
It covers a wide range of fascinating topics including: automatons, levitation, card sharps, mentalists, and the evolution of cutting people in half. It analyzes the work of well-known names like Harry Houdini and Doug Henning; it also introduces readers to the amazing feats and careers of a number of largely forgotten artists like Buatier de Kolta, Adelaide Herrmann, and Chung Ling Soo.
Great magicians never reveal their secrets, and David Copperfield (arguably the greatest of them all) is no exception. Those looking to uncover the back stage secrets behind popular illusions will be disappointed. However, those looking for an engaging read about the history of illusions and illusionists will be more than satisfied.
There are a few typographical errors that mar this otherwise delightful book. For example, “Blackstone’s ashes were interned at the cemetery.” rather than the correct word ‘interred’. Conscientious publishers/editors should not be letting sloppy mistakes like this get by, but they increasingly do. Do they just not care, or are they just so illiterate themselves they are incapable of catching incoherent sentences and misused words? I wonder.
Nevertheless, this is a thoroughly fun, informative, and entertaining read that will appeal to general audiences. It should also be of particular interest to David Copperfield fans, fans of magic, vaudeville/music hall enthusiasts, curators, and archivists.
It is a difficult book to put down!… (plus d'informations)