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3 oeuvres 194 utilisateurs 7 critiques

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Comprend les noms: Rechel Hope Cleves

Crédit image: from author's webpage

Œuvres de Rachel Hope Cleves

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Charity Bryant and Sylvia Drake were two women who shared a home for 44-years in Weybridge, Vermont in the first half of the 19th century. They were generally recognized by their community as being in a marriage even if the nature of the relationship was treated more as an open secret. Through a remarkable amount of scholarship, Rachel Hope Cleves exhaustively examined the surviving records of Charity and Sylvia, their families and communities, and other women who were involved in lesbian relationships in the time periods to reframe our understanding of how a same sex marriage could thrive in a time period we'd expect that such a thing would be unthinkable. Interestingly, Charity and Sylvia were able to maintain their good standing in the Weybridge community by being active members in the church. They also became beloved aunts to both their blood relations and many younger members of their community including the young women who apprenticed in their tailor ship. This in an excellent microhistory of the LGBTQ experience in early America.… (plus d'informations)
 
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Othemts | 6 autres critiques | Sep 3, 2023 |
Reading history books, especially ones like this about the everyday lives of a few people, really makes me want a time machine. The only glimpse we get into their lives is through their writings that survived, and Charity asked a lot of her friends and family to destroy her letters, so there's not always a lot to go on. I want to go back in time and observe them from behind a tree or something. Pretend to be a turn-of-the-19th-century lady and become friends with them. But time travel is impossible I guess, so we just have letters and ledgers and wonderful people like Rachel Hope Cleves to read and interpret them.

Charity and Sylvia had such stressful lives that were yet still full of love and family! They were tailors who worked incredibly long hours to weather all of the financial instability of their time, they couldn't find time to sleep much which made them ill all the time and I can't imagine cutting and sewing fabric for sometimes up to 20 hours a day was great for repetitive stress injuries. Plus all the blood loss, which was prescribed by the doctors of the time FOR EVERYTHING. They were into each other in a way that wasn't socially sanctioned at the time, so they worried about how people would talk about them and about their families not accepting their unorthodox living situation. They agonized for their entire lives about how their lifestyle was an affront to God...they were in constant spiritual pain thinking that their attraction to each other was a major sin and that living as they did made them hypocrites. But, their family (mostly) accepted them, the church loved them, their local community regarded them as beloved aunts to look up to as spiritual mentors, and their contributions meant that everyone was also able to accept them as basically a married couple without having to actually talk about it. They appear to have done good, in comparison to other young ladies who were ostracized for never marrying and deciding instead to work for themselves, and to many of their male family and friends who underwent bankruptcy more than once. Despite their social and spiritual worries, they remained together for 44 years, so it must have been worth it.
… (plus d'informations)
 
Signalé
katebrarian | 6 autres critiques | Jul 28, 2020 |
In the first post-Revolutionary generation, Charity and Sylvia met each other—one after a few earlier love affairs, one apparently falling in love for the first time—and pretty immediately moved in together (cue jokes); they never left each other again. Their letters and even some public writing about them reveal that they spoke of each other using the same words opposite-sex spouses did; their families knew that they were to each other what spouses were supposed to be, although no one ever talked about sex. Cleves argues that they were tolerated and even respected because they made themselves helpful community members. Although there was gossip when they were young, when they were together and economically successful as trained seamstresses, the gossip subsided and they were pillars of the community.… (plus d'informations)
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rivkat | 6 autres critiques | Jun 2, 2020 |
This was interesting! There were a lot of cute moments in it, it just wasn't the most mind-blowing thing I've read about this topic. Cleves does a really good job of being accessible and clear with her evidence, and she uses her sources really well--she's uncovered a rich archive and she uses it well. Her engagement with the question of "lesbian" and her use of the term throughout is extremely lacking--I imagine she felt like she didn't need to engage in that debate, but it was definitely an interesting choice to leave it out (especially given her engagement with Faderman at the end.) I think this could be really useful in some history of sexuality or history of marriage classes for undergrads depending on what you pair it with; it's definitely accessible enough for them!… (plus d'informations)
 
Signalé
aijmiller | 6 autres critiques | May 30, 2018 |

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Œuvres
3
Membres
194
Popularité
#112,877
Évaluation
3.9
Critiques
7
ISBN
11

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