Photo de l'auteur

Marcus Clarke (1846–1881)

Auteur de For the Term of His Natural Life

29+ oeuvres 993 utilisateurs 14 critiques

A propos de l'auteur

Marcus Clarke was born in London in 1846 and moved to Australia in 1863. He is the author of novels, plays, collections of stories and historical articles. He died in 1881.
Crédit image: Wikimedia

Œuvres de Marcus Clarke

For the Term of His Natural Life (1871) 931 exemplaires
Stories (1983) 4 exemplaires
Old tales of a young country (1972) 3 exemplaires
Long Odds (2013) 2 exemplaires
Human Repetends 2 exemplaires
Lebenslänglich (1874) 2 exemplaires
The Mystery Of Major Molineux (1996) 2 exemplaires
Austin Friars (1993) 1 exemplaire

Oeuvres associées

Empire Writing: An Anthology of Colonial Literature 1870-1918 (1998) — Contributeur — 84 exemplaires
Australian Ghost Stories (2010) — Contributeur — 35 exemplaires
The Anthology of Colonial Australian Gothic Fiction (2007) — Contributeur — 22 exemplaires
Australian Gothic: An Anthology of Australian Supernatural Fiction (2007) — Contributeur — 20 exemplaires
Australian Love Stories: An Anthology (1997) — Contributeur — 16 exemplaires
Macabre: A Journey Through Australia's Darkest Fears (2010) — Contributeur — 15 exemplaires

Étiqueté

Partage des connaissances

Membres

Critiques

It's fair to say that this quintessential work of 19th century Australian fiction is a bit dreary and dry to a lot of modern readers. Still, I first read this as a boy and still come back to it every now and then: a poignant melodrama that, despite its occasional silliness or longueurs, provides us with constant insight into the lives and thoughts of the first generations of white Australians. They still connected so much with the "empire", and yet already a very different society was emerging Down Under. Fantastic stuff.… (plus d'informations)
 
Signalé
therebelprince | 13 autres critiques | Apr 21, 2024 |
I was inspired to re-read this early Australian novel after a recent visit to Port Arthur and Macquarie Harbour.
The incredible plot coincidences may have been common in that era, but they just seem odd to modern readers. I found the book started slowly, with the author struggling to get on top of the long-format writing. But it improved considerably during the book. I loved the skewering characterisation of the foppish vicar, Meekin; while the vivid description of Mr North's battle with the bottle seemed surely to be autobiographical.… (plus d'informations)
 
Signalé
mbmackay | 13 autres critiques | Mar 21, 2019 |
This is a classic? How? How can this be considered a classic?

First of all. It's boooooooooooring. No, it's not because of the style of writing common back then, because I happen to usually really enjoy books written in the 19th century. Seriously, Dickens rules, and while I know one can't go around comparing everyone to Dickens because it will never end well for the other author, I do expect them to be able to write at least some dialogue that doesn't make me cringe and I certainly expect them to know the difference between "then" and "than".
What I don't look for is turgid monotonous narration interspersed with terrible dialogue that kills off the only likable character about a third of the way through the book.

Did I mention it's boring?

Still, this was a first for me. I hated it so much, that instead of procrastinating over finishing the book, I actually made myself read it quickly because I was desperate to replace it with something fun to "get the taste out of my mouth", so to speak.

I'm probably being overly harsh (I seem to have really started off this way this year! Normally I'm really nice, I promise! lol), but it really, really doesn't work for me.
… (plus d'informations)
 
Signalé
Sammystarbuck | 13 autres critiques | Jan 19, 2019 |
This classic Australian novel is based on a good deal of historical research. This particular version includes an appendix outlining the references for the historical information in each chapter. The story is rather gripping and although the coming together of the main characters at the climax is rather unlikely, it serves to render a sound plot. The conclusion wraps up a sad story with a paradisiacal ending that is satisfying if not happy. That Clarke died at age 35 serves as a reminder that such genius is routinely short-lived. Despite the numerous abridged versions and part-stories I have experienced of this novel in film and television, this is my first full reading and it was long overdue.… (plus d'informations)
 
Signalé
madepercy | 13 autres critiques | Nov 7, 2017 |

Listes

Prix et récompenses

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
29
Aussi par
7
Membres
993
Popularité
#25,942
Évaluation
½ 3.7
Critiques
14
ISBN
132
Langues
4

Tableaux et graphiques