Photo de l'auteur

Meira Chand

Auteur de A Different Sky

10+ oeuvres 169 utilisateurs 9 critiques

A propos de l'auteur

Comprend les noms: Meira Chandra

Œuvres de Meira Chand

A Different Sky (2010) 77 exemplaires
The Bonsai Tree (1983) 18 exemplaires
A Far Horizon (2001) 17 exemplaires
Last Quadrant (1982) 16 exemplaires
The Gossamer-fly (Arena Books) (1979) 16 exemplaires
A Choice of Evils (1996) 14 exemplaires
The Painted Cage (1986) 7 exemplaires
Bonsaitreet 2 exemplaires
House of the Sun 1 exemplaire
Sacred Waters (2018) 1 exemplaire

Oeuvres associées

Étiqueté

Partage des connaissances

Sexe
female
Nationalité
UK
Lieux de résidence
Singapore

Membres

Critiques

“The races don’t mix here, you see. Chinese keep to themselves in Chinatown, as do the Malays in Geylang, the Indians in Serangoon Road, the Eurasians in their Eurasian pockets and we of course, being the ruling race, can’t afford to hobnob with any of them. Live apart, work apart, socialize apart. That old adage, familiarity breeds contempt, is more true than we know.”

Oh Singapore, land of my birth and residence for most of my 30-odd years of life. So I suppose I should know you well. But really, my Singapore is one from the 1980s onward, and having lived here in the US for a few years now, perhaps I don’t know Singapore as it is today anymore. It is after all a country that changes so much in such a short span of time. Buildings get pulled down and replaced, roads appear out of nowhere. Shops and restaurants pop up and fade away so quickly. I’m likely to get lost the next time I visit.

But one thing I do know, vaguely that is, is Singapore’s short history, as we were made to learn it in secondary school, although in a dull, bored-out-of-the-eyeballs kind of way. So it was with a little trepidation that I picked up A Different Sky from the library, for Indian-Swiss writer Meira Chand takes us through 1927 Singapore and the unrest stirred up by the communists, through to the horrors of WWII and the subsequent Japanese Occupation of Singapore, then to liberation and the promise of independence.

We first meet our three main characters on a trolley in Kreta Ayer, which has been stopped by communist demonstrating during the second anniversary of Sun Yat-Sen’s death. Young Howard is with his anxious mum Rose, little Mei Lan is on an outing with her amah Ah Siew, and Raj is heading back to the cloth shop in Serangoon Road where he works.

Their lives are so different, and Chand makes full use of her disparate characters to illustrate the broadness of Singapore society. Mei Lan, born into an elite Chinese family whose fortunes have now fallen. Howard, a Eurasian, furious at the way his people are treated by the colonial British. Indian-born Raj, an enterprising youth interested in working hard and making his fortune. Their lives intertwine in these tumultuous years of change, although early on, the different races tend to keep to their own kind.

Here I have to interrupt and add that Singapore was founded by the British in 1819 and became a major trade city, attracting many settlers from Malaya and the rest of Asia, especially China and India. During World War II, Singapore was occupied by the Japanese from 1942 to 1945. After the war, Singapore reverted to British control, with increasing levels of self-government being granted. It eventually became an independent republic in 1965.

“Howard found he had returned to a place of shifting landscapes, regroupigs, realignments and new beginnings. Singapore was now a place of strikes, mass meetings and general unrest, stirred up by communist activists and socialist-minded nationalists. Assassinations were commonplace, as was the sight of rioting school children proficient in mayhem as much as in study.”

While a work of fiction, Chand draws on important historical figures of Singapore such as its first Prime Minister Lee Kuan Yew, Japanese diplomat Mamoru Shinozaki (credited as the ‘Japanese Schindler’ for saving many Chinese and Eurasians during the Japanese occupation of Singapore), Singapore’s first Chief Minister David Marshall etc. Chand succeeds in bringing to life these crucial events in Singapore’s history. Perhaps if I had read this book in secondary school, I might have appreciated Singapore’s history more. Chand weaves in plenty of well-researched details about life in Singapore during those various times, perhaps the most interesting of which were the ethnic divides – Europeans vs everyone else:

“You can’t trust the Asiatics; most of the Malays are illiterate and, except for a minority of Straits Chinese who have been educated in English-medium schools, none of that lot can speak our language, and neither do the Indians, by and large. We depend upon the Eurasians to manage everything for us. They’re a dependable lot.”

The Eurasians, in particular, have a tenuous place in Singapore society, a “people of shadows”. Rose’s family, for instance, is described as such:

“Her ancestors carried the names of disparate European cultures: Pereira, Martens, Rodrigues, de Souza, O’Patrick, Thomas, McIntyre, van der Ven. Washed upon the shores of Malaya these men married local women, and their children then intermarried again and again until a hybrid people was formed.”

Yet for all it’s lush sweaty historical details, it is hard to really sink into this book. Perhaps its (too) many characters, and the way they are put together to showcase different aspects of Singapore’s history and its diversity, put me off a little. It felt a bit too heavy-handed. Still it makes a great introduction to Singapore, its history and its people.
… (plus d'informations)
 
Signalé
RealLifeReading | 6 autres critiques | Jan 19, 2016 |
An historical novel set in Calcutta in 1756 about events in the British colony leading up to its conquest and destruction by a native ruler.

Meira Chand specializes in accurate and well-researched historical novels. This one about India explores her own roots there. Her parents were European and Indian, and she lived in India and wrote there for years. In A Far Horizon, she explores relationships between the British and those they sought to colonize. She re-imagines how and why Calcutta was taken in the 1750s and that many English and Indians killed. The story was originally told with many exaggerations by the City Magistrate John Howell who survived the attack. His version of what happened in the “Black Hole of Calcutta” inspired much hatred of Indians by the British. While not excusing Indian cruelty, Chand offers a different narrative.
Read more: http://wp.me/p24OK2-17V
… (plus d'informations)
 
Signalé
mdbrady | 6 autres critiques | Jun 20, 2014 |
An historical novel set in Calcutta in 1756 about events in the British colony leading up to its conquest and destruction by a native ruler.

Meira Chand specializes in accurate and well-researched historical novels. This one about India explores her own roots there. Her parents were European and Indian, and she lived in India and wrote there for years. In A Far Horizon, she explores relationships between the British and those they sought to colonize. She re-imagines how and why Calcutta was taken in the 1750s and that many English and Indians killed. The story was originally told with many exaggerations by the City Magistrate John Howell who survived the attack. His version of what happened in the “Black Hole of Calcutta” inspired much hatred of Indians by the British. While not excusing Indian cruelty, Chand offers a different narrative.

The actions and reactions of the British leaders are the focus of much of this book. As the story opens, representatives of the East Indian Company govern the colony at Calcutta with Indian rulers in control nearby. The city itself is divided into White Town and Black Town. The British City Magistrate and his rival, the Governor, each try, through treachery and illicit means, to control the chain of succession after the death of the native ruler. When they fail, the new ruler gathers a large army to attack them. As the army approaches Calcutta, the British arrogantly assume themselves beyond harm when in fact they are terribly vulnerable. When the attack comes, chaos and humiliation of the British ensue, all described in detail by Chand. Out of his own anger and humiliation, the City Magistrate writes his own account, as account that has been challenged not only by Chand but by scholars.

Along the political and military narrative, Chand tells the stories of those related to them; mostly the stories of women. Sati is a young woman of both Indian and European descent. Sometimes she slips into trances where the powerful goddess, Druga, possesses and speaks through her. Because of this, she comes to be revered as God Woman by neighbors who revere her.

Read more: http://wp.me/p24OK2-17V
… (plus d'informations)
 
Signalé
mdbrady | 1 autre critique | May 26, 2014 |
A beautifully written book - was quietly and slowly drawn into the lives of Mei Lin, Howard and Raj as the story follows their lives, and the struggle for Independence of Singapore for 30 odd years. Starting when they first meet on a tram in a riot, through the invasion of Japan during WWII, and onto Independence, the lives of these three interconnect then separate as they follow their own lives.
 
Signalé
sally906 | 6 autres critiques | Apr 3, 2013 |

Prix et récompenses

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
10
Aussi par
1
Membres
169
Popularité
#126,057
Évaluation
½ 3.3
Critiques
9
ISBN
50
Langues
1

Tableaux et graphiques