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Paul Cavanagh

Auteur de After Helen

3+ oeuvres 31 utilisateurs 7 critiques

Œuvres de Paul Cavanagh

After Helen (2006) 23 exemplaires
Weekend Pass (2021) 5 exemplaires
Missing Steps (2015) 3 exemplaires

Oeuvres associées

The Kennel Murder Case [1933 film] (1933) — Actor — 44 exemplaires
The House of Fear [1945 film] (1945) — Actor — 20 exemplaires
Dishonoured Lady [1947 film] (1947) — Actor — 11 exemplaires
Goin' to Town [1935 Film] (1935) — Actor — 6 exemplaires
Magnificent Obsession [1935 film] (1935) — Actor — 4 exemplaires

Étiqueté

Partage des connaissances

Sexe
male
Nationalité
Canada
Lieux de résidence
London, Ontario, Canada

Membres

Critiques

Weekend Pass explores the world of addiction and the impact it has on loved ones and anyone who cares about them. I enjoyed the realistic look into one family’s lives of addictions, secrets, loss, and infidelity. Weekend Pass was a fast and easy read. A must read novel for those who want to know what the tolls of addiction and it’s long term multigenerational side effects can have on any family.

I would like to thank Lauren from iRead Book Tours, and the author for the copy of this book in exchange for my honest review. This does not affect my opinion of the book or the content of my review.… (plus d'informations)
 
Signalé
JKJ94 | 3 autres critiques | Jul 27, 2023 |
I liked this book far more than I expected to. It was raw and emotional, and at times it was difficult to read, but it's definitely worth the read. The book is pretty fast-paced, but it isn't overwhelming in the least. It's a quick read, and it'll keep you invested despite the tough subject matter.

The characters were real and relatable. I found myself sympathizing with Tasha despite everything. Though I was rooting for her, especially with her son, I also understood Baker's wariness and caution, so he wasn't as frustrating as I would have expected; there were times he annoyed me, but it was never for his concern about his son. Milt, though a bit frustrating, felt genuine, so I felt for him. My favorite character, though, is Charlotte; she's such a strong woman, and I thought she was wonderfully written.

The book takes place during Tasha's first weekend away from the treatment center, but there is a short part in which we see where everyone has come out ten years later. This tied the book up perfectly and realistically, which I appreciated.

This was my first novel by Paul Cavanagh, but I'll be looking into his other works after reading this. If drug addiction, cancer, and death don't trigger you, I absolutely recommend this one. I loved his writing style and how he handled this book. I haven't read many books about addiction, but this is probably the best one I've found.

Disclaimer: I received a copy of this book via the author and iRead Book Tours. This did not influence my opinion in any way.
… (plus d'informations)
 
Signalé
angeljmartin | 3 autres critiques | Mar 10, 2021 |
Tasha has been in a rehab facility for three weeks for drug addiction when she is given a weekend pass. The question is, as expressed by her father Milt, whether “’she’s going to survive the weekend.’” She has to come to terms with the damage done to her family by her addiction. Her marriage to Baker is in tatters because their 8-year-old son Jake accidentally ingested some of her painkillers and may have permanent brain damage as a result. Tasha’s father Milt and her aunt Charlotte try to keep tabs on Tasha but some unforeseen events threaten to derail Tasha.

The book is not a challenging read; most readers will find it very readable. My issue with it is that there is a great deal of telling and not enough showing. For instance, we are told that Charlotte “has always been one for getting disgruntled on someone else’s behalf” and is “fond of taking on other people’s burdens.” Much of the narrative consists of flashbacks with paragraphs and paragraphs of exposition. Dialogue often doesn’t appear for pages. Though Tasha is the focus, the perspectives of Milt, Charlotte and Baker are also given. Each of these characters has a backstory which is developed.

The narrative often seems scattered and disorganized. Do we need to know that one of Tasha’s favourite foods is osso bucco and Jake’s is deep-fried squid tentacles and Milt’s is Cantonese steamed dumplings? Tasha’s having to deal with her mother’s alcoholism and her father’s infidelity have affected her so they are relevant, but is it necessary to give Milt’s thoughts about his marriage and to describe his attraction to young women? For example, when Milt meets a friend of his son-in-law, he thinks, “She’s exactly the kind of young woman Milt would have had a crush on at Jake’s age. Pretty, warm-hearted, and playful. He’s observed that much in the few seconds he’s laid eyes on her. Actually, Milt is plenty attracted to her now at the age fifty-eight. . . . If he were in Baker’s place, he’d be mightily tempted that’s for sure. . . . She reminds Milt a little of Josie, the woman he brought as his date to Tasha and Baker’s wedding, who shared his bed for nearly a year-and-a-half.” All this musing serves little purpose except to portray Milt as a lecher. Likewise, is it necessary to detail Charlotte’s rivalry with her sister, Tasha’s mother?

Occasionally, the writing style jars. There are sentences with slang like “he’d been shagging” and a woman wanting to “hurl garden stones at his melon.” Contrast these to the clinical description of a woman dying of cancer: “her left eye had stopped tracking to the left, meaning that her eyes sometimes pointed in different directions, a rather chilling spectacle. It was a sign that the cancer had likely spread to her sixth cranial nerve, maybe even her brain stem.”

In terms of its portrayal of a woman dealing with recovery from drug addiction, I think this novel is very realistic. It suggests that recovery is a long, difficult journey; one addict speaks of learning “to be thankful for what she has, even as she continues to grieve what she’s lost.” An important message is that addictions affect not just the addict; at one point, Tasha realizes “it’s not just her going through a kind of recovery.”

This novel is realistic and readable, but would be better if it were more focused. Because of its extensive use of local colour, it will definitely have interest to people living in London, Ontario.

Note: I received an eARC from the publisher via NetGalley.

Please check out my reader's blog (https://schatjesshelves.blogspot.com/) and follow me on Twitter (@DCYakabuski).
… (plus d'informations)
 
Signalé
Schatje | 3 autres critiques | Jan 21, 2021 |
You have heard me before talk about slow pacing books and how hard it is to stay connected with the story most of the time. However, in this case, it works with the story. The reason for this...the characters. Mr. Cavanagh wrote the characters with such good emotions and not just one dimensional.

I can't imagine or would ever wish what happened to Jake on anyone. Anyone who is a recovering addict like Tasha will probably relate to the aftermath of her decisions. Because this story is so character driven; the story and everything that all of the characters were experiencing felt "raw" with emotions. It was not just Tasha or Jake that were affected by the horrific situation but everyone else around them. Although, at times I did feel like the story was light on details but then in the next moment I was ok with what was missing. After reading this book, I would read another one by Mr. Cavanagh.… (plus d'informations)
 
Signalé
Cherylk | 3 autres critiques | Dec 19, 2020 |

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Statistiques

Œuvres
3
Aussi par
5
Membres
31
Popularité
#440,253
Évaluation
½ 3.4
Critiques
7
ISBN
8