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58+ oeuvres 412 utilisateurs 3 critiques 2 Favoris

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Comprend les noms: John Cale

Œuvres de John Cale

Songs for Drella - A Fiction (1990) — Artist — 29 exemplaires
Paris 1919 (1973) — Artist — 25 exemplaires
Wrong Way Up (1990) — Artist — 23 exemplaires
Words for the Dying (1989) 13 exemplaires
Fragments of a Rainy Season (1992) — Artist — 12 exemplaires
Fear (1974) 10 exemplaires
Slow Dazzle (1975) 10 exemplaires
Sabotage (Live) (1981) 9 exemplaires
HoboSapiens (2003) — Artist — 9 exemplaires
Church of Anthrax (1971) — Artist — 8 exemplaires
Walking on Locusts (1996) 8 exemplaires
Last Day on Earth (1994) 8 exemplaires
June 1, 1974 (1974) — Artist — 8 exemplaires
Shifty adventures in nookie wood (2012) 8 exemplaires
John Cale - The Academy in Peril (1989) 7 exemplaires
Helen of Troy (1975) 7 exemplaires
Honi Soit (1981) 6 exemplaires
Music For A New Society (1982) 6 exemplaires
Vintage Violence (1970) 6 exemplaires
Close Watch (1999) 5 exemplaires
Circus Live (2006) 5 exemplaires
5 Tracks (2003) — Artist — 5 exemplaires
Black Acetate 5 exemplaires
The Island Years (1996) 5 exemplaires
MERCY 4 exemplaires
Artificial Intelligence (2001) 4 exemplaires
Gold 2 exemplaires
Guts (2001) 2 exemplaires
caribbean sunset 2 exemplaires
Animal Justice 2 exemplaires
The Academy in Peril 2 exemplaires
Paris S'Eveille 2 exemplaires
Poetas malditos del Rock Vol. I — Auteur — 1 exemplaire
Honi Soit 1 exemplaire
Travel-Log 1 exemplaire
Mercy / John Cale 1 exemplaire
Céu Faminto 1 exemplaire
Animal Justice EP 1 exemplaire
Mercenaries [7,nd] 1 exemplaire
Live at Rockpalast (2010) 1 exemplaire
Process [soundtrack] 1 exemplaire
Extra Playful (2011) 1 exemplaire
Comes Alive 1 exemplaire

Oeuvres associées

American Psycho [2000 film] (2000) — Music — 297 exemplaires
Hark! (2020) — Compositeur — 2 exemplaires
Ah Pook is here (Animated short, 1994) — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Membres

Critiques

1 No Artist– Van Gogh Boat
Voice [Spoken By] – Michael Wincott
Written-By [Dialogue] – Rene Ricard
0:10
2 Public Image Ltd.*– Public Image
Producer – Public Image Ltd.*
Written-By – J. Walker*, J. Lydon*, J. Wardle*, K. Levine*
2:58
3 Them (3)– It's All Over Now, Baby Blue
Producer – Tommy Scott
Written-By – B. Dylan*
3:48
4 Nick Marion Taylor*– Suicide Hotline (Dialogue And Music Montage)
Producer, Engineer – Nick Marion Taylor*
Written-By – J. Schnabel*, N. M. Taylor*
Written-By [Dialogue] – Julian Schnabel
2:07
5 Toadies– I'm Not In Love
Mixed By – Paul Leary, Stuart Sullivan
Producer – Stuart Sullivan
Written-By – D. Byrne*
4:28
6 PJ Harvey– Is That All There Is?
Engineer – Head
Engineer [Additional] – John Parish
Producer – John Parish, Mick Harvey, PJ Harvey
Written-By – J. Leiber/M. Stoller*
5:07
7 Grandmaster Flash & Melle Mel– White Lines
Producer – Sylvia Robinson
Written-By – M. Glover*, S. Robinson*
4:27
8 Tripping Daisy– Rise
Engineer – Eugene Rizzo, Keith Rust, Sia Ahmadzadeh
Producer – Tripping Daisy
Written-By – B. Laswell*, J. Lydon*
4:14
9 Joy Division– These Days
Producer – Joy Division, Martin Hannett
Written-By – B. Albrecht*, I. Curtis*, P. Hook*, S. Morris*
3:26
10 Brian Kelly– She Is Dancing
Engineer – Dave Lee
Producer – Brian Kelly, Julian Schnabel
Written-By – B. Kelly*, J. Schnabel*, P. Place*
2:54
11 Tom Waits– Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen)
Producer – Bones Howe
Written-By – T. Waits*
6:26
12 David Bowie– A Small Plot Of Land
Engineer – Dave Richards*
Producer – Brian Eno, David Bowie
Written-By – B. Eno*, D. Bowie*, E. Kizilcay*, M. Garson*, R. Gabrels*, S. Campbell*
2:48
13 The Pogues– Summer In Siam
Producer – Joe Strummer
Written-By – S. MacGowan*
4:05
14 Gavin Friday– The Last Song I'll Ever Sing
Mixed By – Tim Simenon
Producer – Tim Simenon
Producer [With] – Gavin Friday, Maurice Seezer
Written-By – G. Friday*, M. Seezer*
3:49
15 John Cale– Hallelujah
Producer – Jean-Michel Reusser, John Cale
Written-By – L. Cohen*
4:05
… (plus d'informations)
 
Signalé
carptrash | May 5, 2022 |
This was good for the information, but you have to work for it. What the hell was up with the editing? Or the lack of it? It reads like an exact transcription of Cale talking about his life--so much of it is him talking in circles, and there are typos like crazy. The layout of the text made it difficult to read at times, though after reading a recent interview with Cale, I found that was intentional and meant to resemble TV (which makes sense as I can't bear to watch most TV anymore...and anyway, it seems it would have been more apropos had it been published a decade prior). Ah well. I'm a big fan of Cale's solo work as well as his time with the VU, so I'm glad I picked this up. I was amused to find this was co-written by the same guy who wrote Lou Reed's bio--which my dad read while he waited for me to finish music lessons in 9th grade and regaled me with juicy stories when I returned--so I am both curious to read Reed's side but reluctant if the ridiculousness of the text is Bockris' doing.… (plus d'informations)
 
Signalé
LibroLindsay | Jun 18, 2021 |
The sexism is at 18th century levels, and the lack of self-insight could only be achieved by the long-term serial addictions he freely discusses. That aside, it's a really interesting book about Cale's life of creativity and living a creative life in general.
 
Signalé
claire.rivers | Feb 23, 2018 |
The only recording of the “classic” Theater of Eternal Music (ToEM) ensemble of John Cale, Tony Conrad, Angus MacLise, La Monte Young and Marian Zazeela to emerge is the August 8, 2000 release of Inside the Dream Syndicate, Vol. 1: Day of Niagara. The formal title of this by La Monte Young's dating/cataloging method is "25 IV 65 c. 8:15-8:45 PM NYC day of niagra". The spelling of "niagra" is from hand drummer/artist Angus MacLise's calendar. The disc is only 30 minutes long and has very distorted sound. Angus MacLise's hand drums are barely audible as a dull thump for only the first several minutes and the drone vocals (sort of an "OM" sound) of La Monte Young are only rarely heard (Marian Zazeela maybe not at all) and the sound is dominated by Conrad's and Cale's red-zone strings. Still, it is a rare chance to hear an approximation of what the classic ToEM sounded like. For sound quality this is 1 star, for rarity value it is a 5. So let's call it a split as a 3.
Adapted from my original amazon.com notes on La Monte Young and The Theater of Eternal Music at: http://www.amazon.com/gp/richpub/syltguides/fullview/1LRIRPRNIAZD2/ref=cm_srch_r...
… (plus d'informations)
 
Signalé
alanteder | Aug 6, 2010 |

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Statistiques

Œuvres
58
Aussi par
5
Membres
412
Popularité
#59,116
Évaluation
3.9
Critiques
3
ISBN
10
Langues
1
Favoris
2

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