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James Cahill (1)

Auteur de La peinture chinoise

Pour les autres auteurs qui s'appellent James Cahill, voyez la page de désambigüisation.

26 oeuvres 430 utilisateurs 5 critiques

A propos de l'auteur

James Cahill is professor emeritus of the history of art at the University of California, Berkeley.

Séries

Œuvres de James Cahill

La peinture chinoise (1960) 168 exemplaires
The Restless landscape: Chinese painting of the Late Ming period — Directeur de publication — 12 exemplaires
The art of Southern Sung China (1962) 5 exemplaires

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Catalogue published on the occasion of the exhibition, curated by Professor James Cahill and 8 other graduate seminar students and held at the University Art Museum at Berkeley University.

Each student was assigned a branch of Late Ming Painting, compiled the catalogue material for the paintings, and composed an essay discussing the works.
 
Signalé
Centre_A | Nov 27, 2020 |
This is a catalogue for a travelling exhibition of Japanese Nanga painting, curated by Dr. James Cahill.

'"Scholar Painters of Japan: The Nanga School" represents the first American attempt to present Nanga painting as a whole and to introduce its principal artists at their best.'

(Abstract from a quote by Dr. James Cahill)
 
Signalé
Centre_A | Nov 27, 2020 |
This is a catalogue of an exhibition of Southern Sung paintings, sculptures, and ceramics, held at the Asia House Gallery in 1962. James Cahill, who curated the exhibition, was the Associate Curator of Chinese Art at the Freer Gallery in Washington, DC.
 
Signalé
Centre_A | Nov 27, 2020 |
For a summary of the book, read David's Goodreads review; it's very well written and summarises the content. The final chapter that covers 'ghost painters' and related topics is a 'must read' and a topic not many art historians before Cahill's time were willing to share in print.

For my part, I love James Cahill's work and only wish I had been fortunate enough to study under him. That said, this was undoubtedly a wonderful lecture series, but was a bit repetitive as a book and the black & white photographs were such a disappointment (even though most of the paintings were ink drawings, one still needs to see those slight colour washes and the colour of the background silk, etc.).

If you're serious about Chinese art, you need to read this volume to blow away some of those platitudes one has heard or read about the 'amateur status' of literati artists. Everyone needs to eat. And like all Cahill works, be sure to read the footnotes; they're loaded with valuable information. The bibliography is also excellent and provides the perfect leads into your next 'want to reads'. Do pull out and re-read any of the referenced works you might have that are listed in the footnotes; you will get double the value out of them re-reading them in the context of this volume (for example, Cahill's chapter on the Confucian influence in Chinese paintings in [b:The Confucian Persuasion|7455905|The Confucian Persuasion|Arthur Wright|https://d.gr-assets.com/books/1404591713s/7455905.jpg|9504455]).
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Signalé
pbjwelch | Jul 25, 2017 |

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Peter Selz Acknowledgments
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Marscha Smith Contributor
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Stella Lee Contributor

Statistiques

Œuvres
26
Membres
430
Popularité
#56,815
Évaluation
3.9
Critiques
5
ISBN
47
Langues
4

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