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Witter Bynner (1881–1968)

Auteur de The Chinese translations

42+ oeuvres 269 utilisateurs 3 critiques

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Œuvres de Witter Bynner

The Chinese translations (1978) 29 exemplaires
Selected poems (1978) 25 exemplaires
The Spectra Hoax (1961) 22 exemplaires
Light verse and satires (1978) 15 exemplaires
Prose pieces (1979) 11 exemplaires
The New World (1919) 10 exemplaires
Indian earth (1929) 8 exemplaires
Against the Cold (1933) 8 exemplaires
Tiger (2007) 7 exemplaires
New poems, 1960 (1960) 7 exemplaires
Selected letters (1981) 7 exemplaires
Caravan (1925) 6 exemplaires
Book of Lyrics (1955) 6 exemplaires
A book of plays (1922) 6 exemplaires
Grenstone poems, a sequence (1917) 6 exemplaires
Eden Tree (1931) 5 exemplaires
Take away the darkness (1947) 5 exemplaires
The Little King (1914) 5 exemplaires
Cake : an indulgence (1926) 5 exemplaires
Guest book (1935) 4 exemplaires
The persistence of poetry (1929) 3 exemplaires
The Pamphlet Poets (1927) 2 exemplaires
Roots 1 exemplaire
Pins for wings 1 exemplaire
Witter Bynner 1 exemplaire
Laughing Horse No. 6 1 exemplaire

Oeuvres associées

Tao Te King (0400) — Traducteur, quelques éditions18,510 exemplaires
4 Plays: Cyclops / Helen / Heracles / Iphigenia in Tauris (0438) — Traducteur, quelques éditions424 exemplaires
19 Ways of Looking at Wang Wei: How a Chinese Poem is Translated (1987) — Traducteur — 187 exemplaires
Poets of World War II (2003) — Contributeur — 133 exemplaires
A Comprehensive Anthology of American Poetry (1929) — Contributeur — 129 exemplaires
Twentieth-Century American Poetry (1777) — Contributeur — 97 exemplaires
The Jade Mountain: A Chinese Anthology (Being 300 Poems of the T'ang Dynasty, 618-906) (1900) — Traducteur, quelques éditions92 exemplaires
60 Years of American Poetry (1996) — Contributeur — 28 exemplaires
Masquerade: Queer Poetry in America to the End of World War II (2004) — Contributeur — 19 exemplaires
Poetry in Crystal (1963) — Contributeur — 15 exemplaires
The Ethnic Image in Modern American Literature, 1900-1950 (1984) — Contributeur — 1 exemplaire

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Published in 1951 Bynner's well balanced account of his meeting and travels with the Lawrences in 1922/3 was bit of a find for me. My interest in D. H. Lawrence has led me to read a few biographies and selected letters therefore an account from a contemporary poet and writer whom I had not come across before, piqued my interest.

Witter Bynner was an American poet and translator who was based in Santa Fe New Mexico and the Lawrences had been given his address as somewhere to stay because of his association with other literary figures and his interest in Lawrences work. When the Lawrences arrived outside his house there was some kerfuffle because D. H. in his efforts to get out of the car, trod on the frame of a painting he was carrying, breaking it. He was hot and tired and flew into a temper with Frieda his wife blaming her for wanting him to carry the picture. This first sight of the Lawrences set a pattern for their stay with Witter and his secretary and lover "Spud" Johnson. However in spite of Lawrences quicksilver temper they became friendly enough to go together on a trip to Mexico. Witter's book describes their trip, their friendship with both D. H. and Frieda their subsequent communication by letter and finally Frieda's return to New Mexico after D. H.'s death. Witter also with the benefit of knowing Lawrence personally undertakes an evaluation of his work.

The book could be retitled Journey with a Genius behaving badly. D. H. Lawrence at this time was obviously not a well man and his constant restlessness did not make him an ideal travelling companion. Frieda was the rock on which he leant on, but their stormy relationship, which proved to be rock solid was just something friends and acquaintances had to deal with in entertaining them both. It would seem that Witter certainly had problems and their fairly long vacation at Lake Chapala where the Lawrences rented a house was difficult. The Lawrences wanted Witter to share the house with them, but Witter and Johnson wisely decided to keep a little distance by staying in a local hotel. D. H. Lawrence was certainly a presence and Witter sums up his feelings when thinking about him as:

'Little realizing that the goad of Lawrence's presence was good medicine for my complaisance, I continued fondly pitying Frieda and deploring the lack of love in her husband, deeming him full of fine, fussy, inconsistent theories: stubborn-minded, self willed, and as bloodless as a worm.'

D. H. Lawrence was an iconoclast intent on gouging his own path through life, not worrying at all what others thought of him. Frieda kept him in check to a certain extent, but was beginning to take on the role of nurse to her sick husband. Whatever the feelings were between the two couples they remained on good terms and they enjoyed good times at Lake Chapala.

D. H. Lawrence was busily writing his new novel which was eventually published as "The Plumed Serpent" it is set in Mexico and Lawrence used his experiences that he shared with Witter as events in his book. The bullfight so graphically described in the book and the dances of the native Indians are described by Witter though his own eyes and vouch for Lawrences depictions. Witter saw what Lawrence saw and was a witness to the events in the book, he also became a thinly disguised character in the book which did not please him overmuch. Witter tells of bathing parties in the lake with Frieda taking part, while Lawrence sat under the shade of a tree hunched over his cheap exercise books furiously writing his novel. Their friendship cooled a little, but when Witter got sick it was Lawrence that stepped in to help him.

Following his remembrances and lively description of the vacation, Witter launches into a criticism of The Plumed Serpent a novel which he did not like and then of Lawrences work in general. He proves to be an insightful critic, but like some critics he seems reluctant to separate the man from his work and this was probably even more difficult for Bynner because of his personal knowledge. He sees the author Lawrence and Frieda or a mixture of the two in many of the characters in the novels and blames them for spouting what he calls Lawrences ideological murk, which he sees as blocking up many of the books. He is a critic who becomes exasperated by Lawrences views on humankind and the meaning of life and the muddled theories expressed through his characters, which even the most stalwart admirers of D. H. Lawrence would be hard pressed to dismiss entirely. Despite the criticism; the admiration for Lawrences ability to evoke a sense of place, his originality and his probing of the human psyche is given plenty of space. Bynner published a review of The Plumed Serpent which Lawrence read, but in accordance with Lawrences attitude to adverse criticism it was like water of a ducks back and would not impair a friendship. There was also Frieda on hand to smooth things over and calm ruffled feathers. Frieda takes equal billing in Bynner's biography and remembrances.

A biography of an author and particularly ones that includes an evaluation of the oeuvre will appeal to those people who have read the books and who have some knowledge of the life and times. Bynner's recollections of a short period in the life of the D. H. Lawrences bridges a gap of some twenty eight years. Bynner says in his preface to the book that when he met Lawrence for the first time he had not found him an engaging or coercing writer, although he does admit to finding him magnetic and admires his individual, vigorous and imaginative use of English. Despite all this and the obvious difficulties of the Lawrences as travelling companions Bynner has produced an engaging and even handed portrait of the couple. A genuine affection for them comes across and the account of their time together in Mexico where Bynner was a witness to much of what Lawrence experienced is invaluable. He brings to life both D. H. Lawrence and Frieda Lawrence at Lake Chapala a place that Frieda held dear in her own memories. I rate this at 4.5 stars.
… (plus d'informations)
½
 
Signalé
baswood | Jan 1, 2023 |
An intriguing story of a book of poetry meant to be a hoax. After reading the poetry, included in the book, I have to say I rather liked Ann Knish's work.
 
Signalé
prosfilaes | 1 autre critique | Mar 7, 2011 |
This book first appeared in 1961. It is an unusual combination of a hoax about poetry. It includes the story and the poetry.

Amazon reviewers
http://www.amazon.com/review/product/1885266847/ref=dp_top_cm_cr_acr_txt?%5Fenco...
 
Signalé
carterchristian1 | 1 autre critique | Dec 26, 2008 |

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Statistiques

Œuvres
42
Aussi par
13
Membres
269
Popularité
#85,899
Évaluation
4.2
Critiques
3
ISBN
34

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