Photo de l'auteur

Aldo Buzzi (1910–2009)

Auteur de The Perfect Egg

11+ oeuvres 262 utilisateurs 8 critiques 1 Favoris

A propos de l'auteur

Aldo Buzzi trained as an architect in Milan, where he now lives. He worked in the Italian cinema for many years and then as a publisher.

Comprend les noms: Aldo Buzzi

Œuvres de Aldo Buzzi

The Perfect Egg (2002) 99 exemplaires
Reflections and Shadows (2001) — co-Author; Auteur — 45 exemplaires
Cechov a Sondrio e altri viaggi (1991) 10 exemplaires
Parliamo d'altro (2006) 3 exemplaires
Tutte le opere (2020) 3 exemplaires
La lattuga di Boston (2000) 2 exemplaires
Taccuino dell'aiuto-regista (2007) 1 exemplaire
Lettere sul brodo (2014) 1 exemplaire

Oeuvres associées

Love in the City [1953 film] (1953) — Contributeur — 7 exemplaires
Carnival in Flanders [1935 film] — Contributeur — 6 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Buzzi, Aldo
Date de naissance
1910-08-10
Date de décès
2009-10-09
Sexe
male
Nationalité
Italy
Lieu de naissance
Como, Italy
Lieu du décès
Milan, Italy
Lieux de résidence
Milan, Italy
Rome, Italy
France
Études
Milan School of Architecture, Milan, Italy
Professions
filmmaker
cookbook writer
screenwriter
essayist
architect

Membres

Critiques

Lettura piacevole, colta e, ovviamente, da far venir e l'acquolina in bocca. Deludenti le illustrazioni di Steinberg, decontestualizzate e mal riprodotte.
 
Signalé
d.v. | 2 autres critiques | May 16, 2023 |
 
Signalé
giovannaz63 | 2 autres critiques | Jan 18, 2021 |
 
Signalé
vecchiopoggi | Dec 20, 2016 |
Very odd. The other reviewers say about the same thing I do. Let me just add that I found none of it memorable. Here it is, the next day, and all I remember is one image of a beautiful girl.

However, here's a bookdarted quotation (from, actually, that same train of thought):

[re'] the best way of describing a person. The meticulous enumeration of physical characteristics, used so much in bad novels, serves no purpose. Every new characteristic, rathe than blending with the preceding ones and little by little completing the portrait, cancels them, so to speak, and increases the fog that forms between the page and the reader. On the other hand, when Gide says of Claudel, 'As a young man he had the look of a nail; now he seems a pestle,' Claudel is immediately present, vivid, even though we do not know if he is tall or short, or what color his eyes are."

If you agree with that sentiment, and like how it is expressed, you might like bits of this book. If you know who Gide or Claudel are, you might like more bits. I'm glad I read the book just for that sentiment - but I still, in all honesty, didn't 'enjoy' the book. Hence the low rating.

(btw, I've no idea what 'abridged' means in the book description. Buzzi says this is a reworking of previous works, but there's no longer, 'unabridged' edition of this...)"
… (plus d'informations)
 
Signalé
Cheryl_in_CC_NV | 1 autre critique | Jun 6, 2016 |

Prix et récompenses

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Statistiques

Œuvres
11
Aussi par
2
Membres
262
Popularité
#87,814
Évaluation
3.2
Critiques
8
ISBN
34
Langues
5
Favoris
1

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