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52+ oeuvres 95 utilisateurs 2 critiques

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Crédit image: Sir Francis Burnand

Œuvres de Francis Burnand

Punch, or the London Charivari, vol 101. July - December 1891 (2012) — Directeur de publication — 7 exemplaires
Happy Thoughts (1999) 5 exemplaires
Punch, or the London Charivari, vol 103. July - December 1892 (2012) — Directeur de publication — 5 exemplaires
Punch, or the London Chariavari, vol 83. 1882 (1882) — Directeur de publication — 4 exemplaires
Cox and Box: Vocal Score (1866) — Librettist — 3 exemplaires
Punch, Or the London Charivari. July - Dec 1898 Vol. 115 (1896) — Directeur de publication — 3 exemplaires
Happy-Thought Hall (2010) 3 exemplaires
Punch 0r The London Charivari, 4 vols bound as 1. (Vols 97-100) 1887 to 1889 (1889) — Directeur de publication; Directeur de publication — 3 exemplaires
Punch, or the London Chariavari, vol 92. 1887 — Directeur de publication — 2 exemplaires
Punch, or the London Chariavari 1890 (2016) — Directeur de publication — 2 exemplaires
Punch, or the London Charivari 1880 — Directeur de publication — 2 exemplaires
Punch, Or the London Charivari. Jan - June 1884 Volume 86. Red half leather cover (1884) — Directeur de publication — 2 exemplaires
Punch, Or the London Charivari. Jan. - June. 1892. Vol 102 — Directeur de publication — 2 exemplaires
Punch Vol. CII - CIII Volumes 102-103 January - December 1892 In Two Volumes (1892) — Directeur de publication — 2 exemplaires
More happy thoughts, &c. &c (2010) 2 exemplaires
Punch, or the London Charivari, vol 100. January - June 1891 — Directeur de publication — 1 exemplaire
Out of Town (2010) 1 exemplaire
Punch 1905 vol 129 — Directeur de publication — 1 exemplaire
Punch, Or the London Charivari. July - Dec. 1904. Vol 127 — Directeur de publication — 1 exemplaire
Punch, Or the London Charivari. Jan - June 1904 Vol. 126 — Directeur de publication — 1 exemplaire
Punch, or the London Chariavari 1888 — Directeur de publication — 1 exemplaire
Punch, Or the London Charivari. Jan. - June. 1899. Vol 116 — Directeur de publication — 1 exemplaire
Punch September 17, 1902 — Directeur de publication — 1 exemplaire

Oeuvres associées

A Century of Humour (1934) — Contributeur — 42 exemplaires
Cox and Box; Trial by jury — Contributeur — 1 exemplaire
Ruddigore ; Cox and Box (CD) — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Burnand, Francis Cowley
Date de naissance
1836-11-29
Date de décès
1917-04-21
Sexe
male
Nationalité
UK
Professions
editor (Punch magazine 1880-1906)
Organisations
Punch magazine (editor, 1880-1906)

Membres

Critiques

still funny today
 
Signalé
AndyHolland | Apr 4, 2020 |
The traditional English fox hunt is re-imagined in this comical poem from Sir Francis Burnand, who, as F.C. Burnand, is best remembered as a playwright and librettist. The poem, profusely illustrated by Harry B. Neilson, imagines the hunters as foxes, mounted on canine steeds, who pursue "the brush" (AKA broom) carried by the human Master Hodges across the countryside. Amusing accidents befall a number of the vulpine hunters, but the two leaders - the married Mr. Felix Fox and the pretty Miss Reynard - are in it until the end, successfully capturing the brush, and (it is hinted) sharing an extra-marital kiss...

Given some of the more suggestive asides, it's difficult to imagine that The Fox's Frolic; or, A Day With The Topsy Turvy Hunt was written for children. Its presentation here as an illustrated picture-book however, suggests that it was thought suitable enough, despite the sly adult references, for a juvenile audience. Whatever the case may be, the book, originally published in 1917, is an interesting little period piece. I don't think, despite the inversion of human and vulpine roles in the hunt, nor the use of canines as steeds rather than hunting dogs, that the poem can really be read as a critique of the hunt. Rather, I think it was simply intended as a humorous homage to this pursuit, one that subtly emphasizes the "sporting" nature of the fox. Consider such lines as "the Foxy Folk are a sporting race," and how it seeks to cast the vulpine specoes as an active, even willing participating in the hunt. This bolsters the idea of fox hunting as a pleasurable sporting contest, rather than a form of barbaric cruelty.

However one chooses to read Burnand's choice to make the foxes the hunters and a human (or the human's broom) they prey, there is no doubt that the narrative here is involving, and the artwork from Harry B. Neilson simply beautiful. I read an edition printed in London in 1917, and it is a thing of beauty! Each two-page spread features a full-page color plate on the right, and a page with a verse or two, embellished with smaller black & white illustrations, on the left. Whatever the philosophy behind it, however one chooses to read the poem itself, there is something amusing about a scene in which canine-mounted foxes come rushing across a field. As someone interested in the depiction of foxes in children's books, I found The Fox's Frolic fascinating, although I am not sure to whom I would recommend it. Perhaps to those seeking early twentieth-century depictions of the fox hunt, or perhaps to fans of comic poetry in general, and Burnand in particular?
… (plus d'informations)
 
Signalé
AbigailAdams26 | Mar 23, 2019 |

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Statistiques

Œuvres
52
Aussi par
3
Membres
95
Popularité
#197,646
Évaluation
½ 3.5
Critiques
2
ISBN
11

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