Benjamin H. D. Buchloh
Auteur de Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975
A propos de l'auteur
Benjamin H.D. Buchloh is Andrew W. Mellon Professor of Modern Art at Harvard University. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press, 2001) and editor of October.
Œuvres de Benjamin H. D. Buchloh
Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (2001) 52 exemplaires
Premises: Invested Spaces in Visual Arts, Architecture, & Design from France : 1958-1998 (Guggenheim Museum… (1656) 18 exemplaires
Formalism and Historicity: Models and Methods in Twentieth-Century Art (October Books) (2004) 12 exemplaires
Experiments in the Everyday: Allan Kaprow and Robert Watts--Events, Objects, Documents (an exhibition catalogue) (2000) 8 exemplaires
Dan Graham Video-Architecture-Television: Works, Propositions and Projects, Writings 1970-1978 (The Nova Scotia… (1979) 6 exemplaires
Gerhard Richter [3 Volume Boxed Set] Band I: Katalog Der Ausstellung, Band II Texte, Band III Werkubersicht/Catalogue… (1993) 5 exemplaires
Gerhard Richter [glass strips glass ; new works by Gerhard Richter: 2010 to 2013 ; on the occasion of the exhibition of… (2014) 3 exemplaires
Gerhard Richter : Bilder 1996 - 2001 ; [anlässlich der Ausstellung Gerhard Richter: Bilder 1996 - 2001 in der Marian… (2002) 2 exemplaires
Gerhard Richter [3 Volume Boxed Set] Band III: Werkubersicht / Catalogue Raisonne, 1962-1993 1 exemplaire
Gerhard Richter: [exposition], 1er fevrier--21 mars 1977, Centre national d'art et de culture Georges Pompidou, Musee… (1977) 1 exemplaire
OCTOBER 132: Andy Warhol, A Special Issue 1 exemplaire
30th year anniversary publication 1 exemplaire
Art & Ideology. 1 exemplaire
Prospectretrospect. Europa 1946-1976 1 exemplaire
Oeuvres associées
OCTOBER 111: ART/ THEORY/ CRITICISM/ POLITICS - WINTER 2005: ED RUSCHA (2005) — Contributeur — 7 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1941-11-15
- Sexe
- male
- Nationalité
- Germany
- Lieu de naissance
- Cologne, North Rhine-Westphalia, Germany
- Professions
- art historian
Membres
Critiques
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Auteurs associés
Statistiques
- Œuvres
- 37
- Aussi par
- 4
- Membres
- 300
- Popularité
- #78,268
- Évaluation
- 4.0
- Critiques
- 6
- ISBN
- 49
- Langues
- 3
Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.
This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).
One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.… (plus d'informations)