Nicolas Bourriaud
Auteur de Esthétique relationnelle
A propos de l'auteur
Œuvres de Nicolas Bourriaud
Postproduction : La culture comme scénario : comment l'art reprogramme le monde contemporain (2002) 83 exemplaires
Notre histoire : une scène artistique française émergente [exposition Palais de Tokyo, 21.1.2006 - 7.5.2006] = Notre (2006) 2 exemplaires
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BORDEAUX, capcMusée d'art contemporain --> 26 gennaio - 24 marzo 1996
Un libro molto interessante che dimostra come l'arte contemporanea trasfigura e trasforma qualsiasi residuo di realtà (oppure riutilizza opere d'arte già sul mercato culturale) e lo amalgama in una produzione nuova, in contesti nuovi e con significati nuovi. L'arte come magazzino infinito con cui comporre nuovi significati.
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Statistiques
- Œuvres
- 42
- Membres
- 550
- Popularité
- #45,355
- Évaluation
- 3.5
- Critiques
- 3
- ISBN
- 59
- Langues
- 11
The Exform felt like a necessary read after the first volume of Vollmann on Climate Change. One of the chief concerns about this crisis for WTV is the idea of waste and the consequent detritus in furthering the harm to planet. This accumulation of garbage, defunct ideas, post dated people is the point of departure for Bourriaud, who following Althusser sees the world as a series of constructive collisions, all the way building and discarding. Never cited is Marx's dustbin, which leaves me pondering Noddy Boffin and turns of fortune.
While the author appears concerned about artistic production and thus cites all sorts of aesthetic examples, his lodestars aside from Althusser appear to be the benchmarks Benjamin and Bataille, the latter's potlach in the Accursed Share demonstrating our present worth--as we toss our smartphones and flat screens into a landfill in an orgiastic triumph of our identity. Urban Planning leads to more favelas and Walmart will process your tax return.… (plus d'informations)