Photo de l'auteur
13+ oeuvres 3,491 utilisateurs 71 critiques 19 Favoris

A propos de l'auteur

Kate Bornstein is a performance artist, playwright, and advocate for teens, freaks, and other outlaws. She has authored several award-winning books, including Gender Outlaw: On Men, Women, and the Rest of Us, My Gender Workbook, and Hello, Cruel World: 101 Alternatives to Suicide for Teens, Freaks, afficher plus and Other Outlaws. Kate lives in New York City with her girlfriend, three cats, two dogs, and a turtle. afficher moins

Œuvres de Kate Bornstein

Oeuvres associées

Boys Like Her: Transfictions (1998) — Avant-propos, quelques éditions176 exemplaires
Live Through This: On Creativity and Self-Destruction (2008) — Contributeur — 125 exemplaires
Best of the Best Lesbian Erotica (2000) — Contributeur — 98 exemplaires
Take Me There: Trans and Genderqueer Erotica (2011) — Contributeur — 93 exemplaires
First Person Queer: Who We Are (So Far) (2007) — Contributeur — 91 exemplaires
Best Lesbian Erotica 1996 (1996) — Contributeur — 40 exemplaires
Ritual Sex (1996) — Contributeur — 31 exemplaires
Once Upon a Time: Erotic Fairy Tales For Women (1996) — Contributeur — 21 exemplaires
Noirotica 3: Stolen Kisses (2000) — Contributeur — 18 exemplaires
Noirotica 2: Pulp Friction (1997) — Contributeur — 14 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Bornstein, Kate
Nom légal
Bornstein, Katherine Vandam
Date de naissance
1948-03-15
Sexe
non-binary
Nationalité
USA
Lieu de naissance
Neptune City, New Jersey, United States
Lieux de résidence
New York, New York, USA
Études
Brown University (BA|1969)
Professions
writer
playwright
performance artist
Scientology ship crew
Relations
Carrellas, Barbara (partner)
Courte biographie
Kate was born outside of Fargo, North Dakota in a log cabin ze helped hir parents build. Hir father was a Lutheran minister, and hir mother was Miss Betty Crocker, 1939. Kate has lived in the queer ghettos of Philadelphia, San Francisco, and Seattle. Ze currently lives with hir partner--sex pioneer, writer and performance artist Barbara Carrellas--in New York City, along with their two pugs, two cats, two turtles, and a thriving well-populated ant farm.

In 1986, Bornstein identified as gender non-conforming, saying "I don't call myself a woman, and I know I'm not a man."

Per their website, Bornstein now (2021) identifies as nonbinary and uses the pronouns they/them or she/her.

Membres

Critiques

A chatty, breezy summary of an often-challenging, sometimes exceptionally difficult life. It provided some useful context to Bornstein's other work, but it stayed too surface level in some ways, did too much "telling" versus "showing," which is a significant danger in autobiography, especially one as wide-ranging and full of sensitive topics as this one.
 
Signalé
localgayangel | 14 autres critiques | Mar 5, 2024 |
Goofy, naive, messily plotted at best, definitely ~~~problematic. Written in the year of my birth, so it's about an era of the Internet that seems almost unreachably distant to me, but. There are conversations in this book I've had nearly verbatim; there's sex (cyber and otherwise) that I've had and never seen written anywhere else until this book. To be fair I am also goofy, naive, messy and problematic. I felt seen, and I can't help but say thank you to the authors, for being brave enough to write this and publish it, in all its glory.… (plus d'informations)
 
Signalé
localgayangel | 3 autres critiques | Mar 5, 2024 |
Read in college, for leisure. A lot of other books and blogs I was reading referenced My Gender Workbook, so I was excited to finally get my hands on a copy. Sadly, it's not really what it says on the tin. Rather than presenting different options and asking difficult interesting questions, My Gender Workbook has a strong agenda, all the exercises push you towards that agenda, and there's not a lot of other interesting stuff, especially if you're already familiar with the (101-level) arguments. I ended up skimming it.

tl;dr: Good for people who haven't ever thought about it before; less good for people who already have significant trangst.
… (plus d'informations)
 
Signalé
caedocyon | 6 autres critiques | Feb 21, 2024 |
Everything was related back to sex, which would have been fine if the book's intentions had been clearly stated to be this focused on sex. But it was not, so the constant metaphor and reference was uncomfortable and distracting.
 
Signalé
EmberMantles | 14 autres critiques | Jan 1, 2024 |

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Sara Quin Foreword

Statistiques

Œuvres
13
Aussi par
13
Membres
3,491
Popularité
#7,286
Évaluation
4.0
Critiques
71
ISBN
34
Langues
2
Favoris
19

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