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Rachel Bespaloff (1895–1949)

Auteur de War and the Iliad

9+ oeuvres 452 utilisateurs 2 critiques

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Comprend les noms: Rachel Bespaloff

Crédit image: Rachel Bespaloff

Œuvres de Rachel Bespaloff

Oeuvres associées

Camus: A Collection of Critical Essays (1962) — Contributeur, quelques éditions101 exemplaires
The Red Thread: Twenty Years of NYRB Classics: A Selection (2019) — Contributeur — 57 exemplaires
Readings on Homer (1997) — Contributeur — 15 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1895-05-14
Date de décès
1949-04-06
Sexe
female
Nationalité
Bulgaria (birth)
USA
Pays (pour la carte)
Bulgaria
Lieu de naissance
Nova Zagora, Bulgaria
Lieu du décès
South Hadley, Massachusetts, USA
Lieux de résidence
Geneva, Switzerland
Paris, France
Études
Geneva Conservatory of Music (Diploma|Piano Performance|1914)
Professions
philosopher
college professor
pianist
choreographer
Relations
Pasmanik, Daniel (father)
Shestov, Lev (mentor)
Marcel, Gabriel (correspondent)
Halévy, Daniel (correspondent)
Sartre, Jean-Paul (correspondent)
Wahl, Jean (correspondent) (tout afficher 7)
Bloch, Ernst (teacher)
Organisations
Mount Holyoke College
U.S. Office of War Information
Voice of America
Courte biographie
Rachel Bespaloff was born to a Ukrainian Jewish family in Bulgaria and spent her early childhood in Kiev before the family moved to Geneva, Switzerland. Her parents were Daniel Pasmanik, a Zionist writer-activist and physician, and his wife Debora Perlmutter, who held a doctorate in philosophy. Rachel studied dance and music and received a diploma in piano performance from the Geneva Conservatoire in 1914. She then moved to France and taught music at the Paris Opéra. She married Shraga Nissim Bespaloff, a Ukrainian businessman and had a daughter, after which she gave up her musical career. In 1925, she became a friend of the Russian philosopher Lev Shestov and after spending time with him and his friends, took up philosophy as a career. She became a leader in the areas of existentialism and phenomenology. Her first book was a collection of essays called Cheminements et carrefours (Paths and Crossroads), published in 1938. That year she began to re-read the Iliad, which her daughter was studying at school. In 1942, she fled the Nazis Occupation of France in World War II via Casablanca to the USA, where she worked for the French section of the Office of War Information before getting a job teaching French at Mount Holyoke College. There she continued her work as a philosopher and literary critic, and moved in intellectual circles. She published On the Iliad: A Study of Homer's Interpretation of Man in War and in Peace, written partly before the war, in 1947. She committed suicide at age 53 in 1949. Her correspondence with Gabriel Marcel, Daniel Halévy, Jean-Paul Sartre and others was published posthumously.

Membres

Critiques

This soaring and glorious meditation on the Iliad made me feel I’d learned something that only Simone Weil could teach me. In a way though it made me sad to read this essay, because I realized once again how few women write like this, absolutely sure of their superior intellect and expertise, and with absolute authority, and without a hint of apology for taking command of their thesis and telling the reader what’s what. No throat clearing clauses like “I’m not sure but” or “It’s possible that…”. Just a rush of knowledge written without doubt or equivocation.

Susan Sontag wrote this way. So did Gertrude Stein. Camille Paglia writes this way. In her case I disagree with most of what she writes but I still love what I would call her …a word comes to mind…see, here is the problem, the word that comes to mind is “I love her ballsy-ness.” My language for the act of writing with unapologetic authority is corrupted by a learned cultural sense that to write this way is inherently male. That's bad.
… (plus d'informations)
 
Signalé
poingu | Feb 22, 2020 |
Sophomoric patches, but some nuggets
 
Signalé
Patentnonsense | Jul 8, 2007 |

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Statistiques

Œuvres
9
Aussi par
3
Membres
452
Popularité
#54,272
Évaluation
3.9
Critiques
2
ISBN
19
Langues
6

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