Photo de l'auteur
6 oeuvres 206 utilisateurs 22 critiques

Œuvres de Martha Batalha

Étiqueté

Partage des connaissances

Date de naissance
1973
Sexe
female
Nationalité
Brazil
Pays (pour la carte)
Brazil
Lieu de naissance
Rio de Janeiro, Brazil
Lieux de résidence
New York, New York, USA
Santa Monica, California, USA
Professions
journalist
publisher
novelist
Courte biographie
Martha Mamede Batalha (Rio de Janeiro, 1973) é uma jornalista, editora e escritora brasileira.[1][2]

Estudou na PUC-Rio, onde se graduou em Jornalismo e mais tarde fez mestrado em Literatura Brasileira. Foi repórter e editora dos jornais O Dia, O Globo e Extra. Também colaborou com a revista Época.[3]

Fundou em 2003 a editora Desiderata, que publicou antologias de textos e ilustrações dos jornais humorísticos O Pasquim e O Planeta Diário. Também publicou obras de Millôr Fernandes, Ivan Lessa e André Dahmer e trouxe para o Brasil a exposição World Press Photo.[4] Vendeu a editora para a Ediouro em 2008.[5]

Prosseguiu seus estudos nos EUA, com um mestrado em Editoração na New York University, onde recebeu a bolsa Oscar Dystel.[6]

Seu primeiro romance, A Vida Invisível de Eurídice Gusmão, foi vendido para editoras da Alemanha e Noruega antes mesmo de ser publicado no Brasil.[7]

Membres

Critiques

Um belo retrato da classe média carioca da década de 40, da vida de uma mulher que sofre os pesares de ser mulher, mas nem tanto quanto outras mulheres pinceladas no livro, que não tiveram a felicidade de nascer bem. Nem por isso deixa de ser brilhante e triste e cômico a vida invisível de Eurídice. A leitura é fluida e agradável, as personagens são bem apresentadas e descritas. É impossível não pensar nas vidas invisíveis que passaram, que passam e passarão pelo mundo.
 
Signalé
huds | 21 autres critiques | Oct 10, 2023 |
“She considered marriage something rather endemic, something that men and women caught between the age of eighteen and twenty-five. Like the flu, except not quite so bad. What Euridice truly wanted was to travel the world playing her recorder. She wanted to be an engineer and work with numbers. She wanted to transform her parents’ greengrocer’s into a general store, the general store into a franchise, the franchise into a conglomerate. But she didn’t know she wanted all that.”

Set in 1940s – 1960s Rio de Janeiro, sisters Euridice and her sister, Guida, grow up in a patriarchal society where roles for women are severely restricted. Euridice follows the traditional path. She marries and has two children. She attempts a few independent projects but bows to pressure from her husband to be the dutiful wife. Euridice quietly endures. Guida rebels. She becomes involved with a wealthy young man studying to be a doctor and runs off with him, which eventually leads to serious repercussions. It is a story of life and of attempting to overcome societal barriers.

The book involves a series of vignettes, with multiple brief appearances by quirky characters. Euridice disappears from the storyline for a significant portion of the book, almost as if she is disappearing from her own life. I enjoyed this look into the life of a repressed woman who feels she must restrain her spirit and ambitions.
… (plus d'informations)
 
Signalé
Castlelass | 21 autres critiques | Oct 30, 2022 |
I had wanted to read this book for years. I forgot how I came upon this book but it sounded like a fun read. Euridice is a woman in Rio de Janeiro during the 1940's who watches her sister Guida run off and elope. So Euridice settles down, gets married and lives her life with husband and family. But Guida returns one day with a sad tale.

Or, something like that. It started off very well, talking about Euridice's life and times, marriage and eventually setting into family life. And then the book kind of goes off the rails, then detailing Guida's life and the lives of other family members. As other reviews note, there is no plot, really (I thought somehow there would be some big deal about the sisters reuniting or they go off and have an adventure or something) but overall the book just kind of drifted.

I guess it was really supposed to be more about the lives of housewives in Rio during this time period but in the end I'm not really sure what invisible life we were supposed to be observing or that Euridice missed, etc. Would say this is definitely a book that would probably make for an amazing miniseries adaptation if it hasn't been already.

Borrowed from the library and that was definitely best.
… (plus d'informations)
 
Signalé
HoldMyBook | 21 autres critiques | Jul 20, 2020 |

Prix et récompenses

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Statistiques

Œuvres
6
Membres
206
Popularité
#107,332
Évaluation
3.9
Critiques
22
ISBN
27
Langues
9

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