Mark Bartholomew
Auteur de Adcreep: The Case Against Modern Marketing
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Celebrities have increasing prominence and increasing legal protection for uses of their images, especially in advertising, which stifles the ability to use celebrities to talk about culture while also reinforcing a culture in which everyone tries to perform micro-celebrity. “When you are constantly selling yourself, it becomes less disconcerting to sell for others.” For this reason, along with fake reviews and paid promotion, we can’t tell who’s trying to sell to us or what the difference is between selling and genuine belief. He points out that the older term “star” was replaced by “celebrity” at precisely the point that fame itself, and not special skill or talent producing fame, became a primary cultural focus. I was also intrigued by his argument that celebrities’ performances of intimacy on Instagram and reality TV obscure the real processes of celebrity self-presentation. “[W]hen we self-identify with the celebrities in our Twitter feeds, we see ourselves as free entrepreneurs, branding and revealing ourselves by choice to succeed in a marketplace whose currency is visibility. When others complain, perhaps about privacy policies … or about the forced necessity of participating in these privately controlled spaces, we feel less sympathy. Labor is for loseres; we, like the celebrities we follow, are management.” Again, I see connections to Trump’s narratives of white fragility/dominance that proved so effective in 2016.
Bartholomew has some suggestions for legal responses, though they would be uphill battles even with a Democratic Congress and White House. I’m definitely in agreement with the point that courts are denying the government the ability to get equal attention to required disclosures—courts have struck down image-based warnings as too emotional and multivalent, but that’s why advertisers use images to get us to buy all the time. Commercial speech is too insulated from government regulation.… (plus d'informations)