Photo de l'auteur

Barbara Comyns (1907–1992)

Auteur de Our Spoons Came from Woolworths

12 oeuvres 2,797 utilisateurs 105 critiques 25 Favoris

A propos de l'auteur

Œuvres de Barbara Comyns

Our Spoons Came from Woolworths (1950) 717 exemplaires
Les infortunes d'Alice (1959) 583 exemplaires
Who Was Changed And Who Was Dead (1954) 542 exemplaires
The Juniper Tree (1985) 269 exemplaires
Sisters by a River (1947) 237 exemplaires
The Skin Chairs (1962) 157 exemplaires
A Touch of Mistletoe (1967) 121 exemplaires
The House of Dolls (1989) 86 exemplaires
Mr Fox (1987) 51 exemplaires
Out of the Red, Into the Blue (1960) 19 exemplaires
Birds in Tiny Cages (1964) 14 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Comyns, Barbara
Nom légal
Comyns Carr, Barbara Irene Veronica
Autres noms
Bayley, Barbara Irene Veronica (birth)
Date de naissance
1907-12-27
Date de décès
1992-07-14
Lieu de sépulture
St Andrew's Churchyard, Stanton upon Hine Heath, Shropshire, England, UK
Sexe
female
Nationalité
UK
Lieu de naissance
Bidford-on-Avon, Warwickshire, England, UK
Lieu du décès
Stanton upon Hine Heath, Shropshire, England, UK
Lieux de résidence
Bidford-on-Avon, Warwickshire, England, UK
Twickenham, Middlesex, England, UK
Ibiza, Spain
Barcelona, Catalonia, Spain
San Roque, Andalusia, Spain
London, England, UK
Études
Heatherley School of Fine Art
Professions
novelist
antique furniture dealer
old car dealer
poodle breeder
artist
Relations
Pemberton, John (1st husband)
Carr, Richard Comyns (2nd husband)
Courte biographie
Barbara Comyns was the pen name of Barbara Comyns Carr, née Barbara Irene Veronica Bayley, born 27 December 1907 at the family estate of Bell Court, Bidford-on-Avon, Warwickshire, the fourth among six children (five girls and one boy) of a Birmingham brewer and industrialist. She was educated by governesses and began to write and illustrate stories by age 10. Following the death of her father, she went to London to attend the Heatherley School of Fine Art. In 1931, she married John Pemberton, a painter, with whom she had two children. The couple moved in artistic and literary circles that included Augustus John and Dylan Thomas. After a divorce, she supported herself and her children by various jobs such as trading antiques and classic cars, modeling, breeding dogs, renovating apartments, and working as a cook in a private house. Some of these activities were featured in her 1987 novel, Mr. Fox. In 1945, she remarried to Richard Comyns Carr, who worked in the Foreign Office. Barbara's first published book was the semi-autobiographical novel Sisters by the River (1947), based on her childhood. Her next novel, Our Spoons Came from Woolworths (1950), was based on her first marriage. Others among her 11 novels were Who was Changed and Who was Dead (1955), The Vet’s Daughter (1959), The Skin Chairs (1962), and The Juniper Tree (1985). Out of the Blue into the Red (1960) was a nonfiction book about Spain, where she and Comyns Carr lived for 18 years. The Vet's Daughter was adapted by BBC radio and also became a 1978 musical called The Clapham Wonder.

Membres

Discussions

I've never read *******; where should I start? à Virago Modern Classics (Janvier 2014)

Critiques

I finally finished this short book. I delayed finishing it because I knew that when I was done, so was my mother. I know that might sound strange, but I started this book on January 10th. On January 13th my mother (who has been in palliative care since March 2023) took to her bed and was never to leave it alive. My 95-year-old mother passed away peacefully on January 20th, my birthday. I stayed at her house during that last week, reading bits of the book at night, and being surprised by two coincidences between the book and what was happening. 1) The protagonist's name is Bella, my mother's middle name. 2) There is a character in the book whose mother dies in childbirth, so his birthday will always be the day of his mother's death. After my mother passed away, we went through the burial and week-long mourning period and each night I tried to read The Juniper Tree but fell asleep after a page or two. It was as if I didn't want to finish it, because then I would know that my mother was really gone. Well, I just finished it. And she's really gone.

BTW, the book is a weird fairytale retelling of the Grimm story of the same name. The story is unusual, but I don't want to spoil anything. One plot development near the end of the novel was a sudden and not fully believable shock, but the denouement was satisfying.
… (plus d'informations)
 
Signalé
booksinbed | 7 autres critiques | Jan 26, 2024 |
No review - read so long ago that I don't recall it.
 
Signalé
mykl-s | 19 autres critiques | Aug 12, 2023 |
Rather like being read to by a four year old. The characters were flat, and I could not bring myself to care about what happened to them, no matter how hard I tried. At least it is behind me.
 
Signalé
kent23124 | 27 autres critiques | May 19, 2023 |
Sophia y Charles tienen veinte años cuando se conocen en un tren. Los dos son artistas, alegres y cándidos, y al cabo de un año deciden casarse en secreto. A la boda, sin embargo, va todo el mundo, quizá un primer indicio de que no siempre sabe uno bien dónde se mete. La novia cree que el control de natalidad consiste en ponerse «muy seria» y decir: «No tendré hijos». La madre del novio cree que su hijo «es un genio y se merece respeto».
En el Londres bohemio de los años 30, de mudanza en mudanza, entre niños y amantes inesperados, la inocencia y la esperanza tendrán que afrontar duras pruebas. Antes de conocer a su verdadero príncipe azul, Sophia se habrá convertido en la dulce heroína de un extraño cuento de hadas, en el que el hada madrina es una pequeña herencia imprevista y el ogro adopta la forma de cortes de gas y de luz, trabajos perdidos, comidas magras y una parentela entrometida y mezquina.… (plus d'informations)
 
Signalé
Natt90 | 27 autres critiques | Mar 28, 2023 |

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Statistiques

Œuvres
12
Membres
2,797
Popularité
#9,194
Évaluation
3.9
Critiques
105
ISBN
71
Langues
3
Favoris
25

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