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6 oeuvres 123 utilisateurs 4 critiques

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Crédit image: Sir Edmund Backhouse from 1943 by S. Vargassoff

Œuvres de Edmund Trelawny Backhouse

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Partage des connaissances

Nom légal
Sir Edmund Backhouse, 2nd Baronet
Date de naissance
1873-10-20
Date de décès
1944-01-08
Sexe
male
Nationalité
England
Lieu de naissance
Darlington, England, UK
Lieu du décès
Beijing, China
Professions
Oriental Scholar
Linguist
Organisations
British Foreign Service

Membres

Critiques

Appears to be the personal copy of Sir Frederick Lugard, governor of HK
 
Signalé
blavozy | Apr 4, 2023 |
This book got swarmed over by my Chinese friends. I don't think they actually use A LOT of these words in real life, in regular conversation (so it wouldn't be as useful as one might think. what a shocker), but they found it hilarious that there was a book that had all these terms. The banana in our group (Americanized Chinese) found it especially interesting. The others kept laughing at his pronunciation, but he studiously kept at learning the words for "dildo" and "masturbation". Oh, you guys.

However, it is in Mandarin, which as far as I know, doesn't have enough roughness to it. (It's like an angry Ilonggo.) If you want expletives that hit the air like a whip crack, curses so graphic and dirty they make more delicate souls shudder and want to bathe and scrub themselves raw and clean, then learn Hokkien. (That's a compliment to the language. I think.) Some might argue for Cantonese, but I have my biases.

http://newnation.sg/2011/02/mandarin-is-not-my-mother-tongue-part-two/
… (plus d'informations)
 
Signalé
mrsrobin | 1 autre critique | Jun 24, 2017 |
The China Memoirs consist of 19 chapters – their ordering is uncertain - covering a narrative arc that extends from 1899 to 1908, with flashbacks right back to the early part of Empress Dowager Cixi’s life, and a final chapter set in 1928. Backhouse details his experiences in the gay brothels and bathhouses of Beijing. He details his nuits d’amour and love affairs with actors and sing-song boys in graphic detail. He claims to have been the lover of several prominent Princes of the Manchu dynasty, to have enjoyed relations intime with many of the eunuchs of the court, including the chief eunuch Li Lien Ying. Most controversially, however, he claims to have been the secret lover of the Empress Dowager Cixi –despite his homosexuality and her advanced age- and gives an intimate portrait of the Old Buddha, as she was called, and her circle, with detailed descriptions of orgies in the Forbidden Palace. We learn for example, that Cixi was endowed with an abnormally large clitoris, which she liked to stimulate by placing in Sir Edmund’s anal crease, simulating penetration. Perhaps too much information. But Backhouse holds nothing back.

The prose is a repository of languages, an artifice of code-switching between English, French, Chinese, including ideograms and Wade Giles Romanization, Latin, Greek, some Italian, some German, some Russian; embedded within it are quotations from Horace, Virgil, Lucretius, Confucius, Mencius, Chuangtzu, The Dream of the Red Chamber, The Book of Changes, Dante, Shakespeare, Tennyson, Buddhist sutras, and references to classical and modern European and Chinese history….

Read part 1 of this review on The Lectern

Modern critical theory asserts that a work should be judged on its own merits as a discrete, autonomous entity; or at least by situating it within a genre and looking at its relationship with other works from the genre; and that it should not be judged by how it does or does not fulfill an authorial intention – a risky concept in theoretical terms- or by how it does or does not correspond to a real truth – another risky theoretical concept.

I will argue that Decadence Mandchoue is to be regarded in its entirety as a successful work of self-conscious, deliberate literary fiction – a novel - and not as a failed work of history or autobiography. I suggest that presented with an opportunity- and a reader- by Dr Hoeppli’s kind offer, Backhouse set out to put to paper a work he had long planned in outline and detail in his mind, a work that would bring to life and preserve the artistic movement of his youth…

Backhouse’s achievement is best brought out by focusing on the first part of the title he gave his work: Decadence Mandchoue. Although it was written in 1943, the work’s whole style and atmosphere is of the 1890s, of The Yellow Book, of the Symbolists, and in particular, the Decadents. In fact, as we will see, Decadence Mandchoue has a strong claim to be regarded as one of the great Decadent masterpieces, along with Huysman’s A Rebours and Wilde’s Dorian Gray.

Read part 2 of this review on The Lectern
… (plus d'informations)
16 voter
Signalé
tomcatMurr | Feb 6, 2014 |
If I had to choose between Niubi! and Dirty Chinese, I'd choose the former without hesitation, because Niubi gives more context and explanations how these slang words came to mean what they do, but Dirty Chinese offers some hilarious example sentences.
 
Signalé
Lucy_Skywalker | 1 autre critique | Nov 28, 2013 |

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Statistiques

Œuvres
6
Membres
123
Popularité
#162,201
Évaluation
½ 3.5
Critiques
4
ISBN
14
Langues
1

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