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Pour les autres auteurs qui s'appellent David Arnold, voyez la page de désambigüisation.

21+ oeuvres 147 utilisateurs 2 critiques

Séries

Œuvres de David Arnold

The Chronicles of Narnia: The Voyage of the Dawn Treader (2011) — Compositeur — 21 exemplaires
Quantum of Solace (2008) 9 exemplaires
Sherlock: Original Television Soundtrack Music from Series One (2011) — Compositeur — 8 exemplaires
The World Is Not Enough: Original Motion Picture Soundtrack (1999) — Compositeur — 7 exemplaires
Zoolander (2001) 5 exemplaires
Sherlock: Original Television Soundtrack Music from Series Four (2017) — Compositeur — 5 exemplaires
Sherlock: Original Television Soundtrack Music from Series Two (2012) — Compositeur — 5 exemplaires
Amazing Grace (Original Score) (2010) 3 exemplaires

Oeuvres associées

Casino Royale (2-Disc Full Screen Edition) (2006) — Compositeur — 1,024 exemplaires
Independence Day [Videorecording] (1996) — Compositeur — 885 exemplaires
Stargate [VHS] (1994) — Compositeur — 690 exemplaires
Quantum of Solace [2008 film] (2008) — Compositeur — 676 exemplaires
Hot Fuzz [2007 film] (2007) — Compositeur — 504 exemplaires
2 Fast 2 Furious (Widescreen Edition) (2003) — Compositeur — 268 exemplaires
The Best of Bond ...James Bond [sound recording] (1970) — Compositeur — 16 exemplaires
Godzilla: The Album (1998) — Contributeur — 10 exemplaires
Showcase : The musicals [sound recording] — Conductor — 1 exemplaire

Étiqueté

Partage des connaissances

Nom canonique
Arnold, David
Date de naissance
1962-01-23
Sexe
male
Nationalité
UK
Pays (pour la carte)
England, UK
Lieu de naissance
Luton, Bedfordshire, England, UK
Professions
composer

Membres

Critiques

Product Details

* Audio CD (November 9, 1999)
* Original Release Date: November 9, 1999
* Number of Discs: 1
* Format: Soundtrack
* Label: Mca
* Catalog Number: 112101
* ASIN: B00002MYXD
* Average Customer Review: based on 102 reviews. (Write a review.)
* Amazon.com Sales Rank: #12,931 in Music (See Top Sellers in Music)
Yesterday: #45,960 in Music

Listen to Samples
To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
Windows Media RealOne Player
1. The World Is Not Enough - Garbage Listen Listen
2. Show Me The Money Listen Listen
3. Come In 007, Your Time Is Up Listen Listen
4. Access Denied Listen Listen
5. M's Confession Listen Listen
6. Welcome to Baku Listen Listen
7. Casino Listen Listen
8. Ice Bandits Listen Listen
9. Elektra's Theme Listen Listen
10. Body Double Listen Listen
11. Going Down/The Bunker Listen Listen
12. Pipeline Listen Listen
13. Remember Pleasure Listen Listen
14. Caviar Factory Listen Listen
15. Torture Queen Listen Listen
16. I Never Miss Listen Listen
17. Submarine Listen Listen
18. Christmas In Turkey Listen Listen
19. Only Myself To Blame - Scott Walker Listen Listen
Editorial Reviews
Amazon.com
The obvious marquee name here is Garbage--and the group delivers. Shirley Manson sings the title track in a detached catatonia that's juxtaposed with sultry, swirling strings and keyboards, draping the song in plush atmospherics worthy of Agent 007. But for eccentric and obsessive music collectors, the real surprise may be the participation of cult artist Scott Walker, who has forsaken his most recent forays into avant classical-pop for the perfectly syrupy, old-fashioned, string-lined ballad "Only Myself to Blame," which recalls the by-the-fire genius of his early solo work. This end-of-the-millennium James Bond thriller, however, is not without heart-racing action music to set the movie's pace. David Arnold, producer and writer of the Garbage and Walker tracks, sets forth 17 instrumental pieces that capture the Bond vibe so perfectly you can transform any room into a space-age bachelor pad just by pressing Play. --Rob O'Connor
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4 of 4 people found the following review helpful:
an excellent soundtrack with a great ending, July 28, 2001
Reviewer: Alejandra Vernon "artist & illustrator" (Long Beach, California) - See all my reviews
(TOP 50 REVIEWER) (COMMUNITY FORUM 04)
A Bond fan for decades, I've read all the Ian Fleming books, seen all the movies, and though this extremely entertaining film isn't at the top of the list (tied for # 1 are "From Russia with Love" and "Goldeneye"), it ranks pretty high, and the score is fabulous.

Lush and voluptuous, with wildly imaginitive orchestrations, there isn't a single track that sounds repetitious, and the sound is phenomenal. The theme song, performed by Garbage, is excellent, with a memorable melody that is occasionally woven into some of the other tracks.

The real treat comes at the end, with Scott Walker's rendition of "Only Myself to Blame". This is jazzy blues crooning at its finest...it also shows Walker's terrific range, along with his velvety golden sound...and the emotion he always conveys with his remarkable voice. A marvelous song, sung by a great artist.

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3 of 3 people found the following review helpful:
The World Is Not Enough. Neither is the score., November 13, 1999
Reviewer: David Cordes (Lakewood, CO USA) - See all my reviews
(REAL NAME)
David Arnold managed to capture the elemental ingredients of a classic Bond score with Tomorrow Never Dies. This time, he retains that orchestral continuity, mixing groove with brassy jazz to blend together that essential Bond signature. The pre-credit composition is classic Bond. All of the familiar Bond themes are delivered up front... then disappear for almost the rest of the score, replaced by a nervous musical tension scored obviously to the film's suspensful plot but lacking the cool, upbeat, jazzy Bond tempo used so commonly throughout Tomorrow Never Dies. At times I forgot I was listening to a Bond score. Still, strides above Eric Serra's Bond-less score for Goldeneye: a cold, sythesized score that failed to recapitualate the brassy essence worthy of a Bond film. The title song by Garbage sounds melodically identical to Sheryl Crow's Tomorrow Never Dies, just replace the chorus with the words: The-World-Is-Not-Enough and you have an instant single.
… (plus d'informations)
 
Signalé
pantufla | Feb 22, 2006 |
Product Details

* Audio CD (November 25, 1997)
* Original Release Date: November 25, 1997
* Number of Discs: 1
* Format: Soundtrack
* Label: A&M
* Catalog Number: 540830
* ASIN: B000002GOX
* Also Available in: Audio Cassette
* Average Customer Review: based on 53 reviews. (Write a review.)
* Amazon.com Sales Rank: #75,552 in Music (See Top Sellers in Music)
Yesterday: #70,778 in Music

Listen to Samples
To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
Windows Media RealOne Player
1. Tomorrow Never Dies - Sheryl Crow Listen Listen
2. White Knight Listen Listen
3. The Sinking Of The Devonshire Listen Listen
4. Company Car Listen Listen
5. Station Break Listen Listen
6. Paris And Bond Listen Listen
7. The Last Goodbye Listen Listen
8. Hamburg Break In Listen Listen
9. Hamburg Break Out Listen Listen
10. Doctor Kaufman Listen Listen
11. *-3-Send Listen Listen
12. Underwater Discovery Listen Listen
13. Backseat Driver - David Arnold, Alex Gifford Of Propellerheads Listen Listen
14. Surrender - K.D. Lang Listen Listen
15. James Bond Theme - Moby Listen Listen
Editorial Reviews
Amazon.com
Where the previous Bond installment, Goldeneye, profited from the gratifying if belated introduction of actor Pierce Brosnan as an 007 for the '90s and beyond, it suffered from a musical mismatch. Composer Eric Serra had scored several successes with French director Luc Besson (La Femme Nikita, The Professional, The Big Blue) but floundered trying to update a genre whose John Barry-penned scores had long ago become legend. David Arnold's music for Tomorrow Never Dies is arguably less adventuresome than Serra's for Goldeneye, returning largely to Barry's conservative musical pattern for the Bond films. But it's still grandly effective, and probably better than the movie it supports. --Jerry McCulley
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2 of 2 people found the following review helpful:
Arnold Bonds With Bond, October 17, 2002
Reviewer: G M. Stathis (cedar city, utah USA) - See all my reviews
(REAL NAME)
It is interesting to revistit David Arnold's first entry in the James Bond musical saga, "Tomorrow Never Dies," now that he is about to release his third score in the series,"Die Another Day." Arnold was given the rather daunting assignment of taking Bond into a new era but somehow create a musical bridge to the scores written by John Barry. He succeeded with what is now generally considered the best of the non-Barry 007 scores. Indeed, the full score, which sadly is only partially represented on this soundtrack recording, is one of the best of the entire series. The vocals are good, but they are also somewhat confusing. The song "Tommorow Never Dies-Surrender" is clearly the thematic basis of much of the score, but was not used as the title tune (it is presented over the end titles). Too bad, because aside from being an important part of the musical treatment, it is also the better song. The music for the pre-credit sequence, "White Knight," is a perfect example of Arnold's fine effort to both pay homage to Barry and put his stamp on Bond. It is a fantastic piece that integrates the traditional James Bond Theme, Barry's use of brass, and Arnold's new devices including his "Surrender" theme. After hearing this cue, I was sold on Arnold as the successor to Barry. Something closer to a full treatment of the score was later released by Chapter III Records (and is now out of print), but even it left out some cues. In two Bond scores Arnold has demonstrated dynamic skills in developing love themes, action music, dramatic cues, jazz and electronic interpretations. This is a worthy effort and leaves us wanting more from Arnold. The good news is that like James Bond, David Arnold will return.

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5 of 5 people found the following review helpful:
Arnold brings it back to Bond, July 3, 2003
Reviewer: "twekie" (USA) - See all my reviews
David Arnold is the man on this one. After the GoldenEye score came out, many were wondering what happened to the classic Bond styling. Well, it's back, with a twist

Sheryl Crow's theme is definately different for a Bond theme (not necessarily bad), but it actually makes no appearance in the score itself. The song "Surrender" by k.d. Lang acts as the theme for the score in numerous occasions, which is fitting becasue the song itself is much like one of Shirley Bassey's themes. One thing that Arnold did especially well is to bring back the Bond theme. Remember hearing it in GoldenEye? No, you don't. It wasn't there at all, except for the trailor (whcih was by Parodi Fair, but that's another cd)
The twist is the added techno styling to good ol' Bond intruments. Arnold did a great job in keeping stuff up to date, and Moby added to it with the Bond remix at the end of the CD. Great, great stuff.

This CD, however, only has half of the score. If you want the whole score (editor's cut, as it is referrred to), you need the one that just says soundtrack. It's more expensive, and lacks Sheryl Crow, k.d Lang, and Moby's Remix. But it has some key tracks, like the ones at the climax of the movie. If you really are a Bond music fan, buy both.
*Interestingly enough, there is still some music missing, like the music heard at the cocktail party for the Carver Media Group. But it's stil good.
… (plus d'informations)
 
Signalé
pantufla | Feb 22, 2006 |

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Statistiques

Œuvres
21
Aussi par
10
Membres
147
Popularité
#140,982
Évaluation
4.0
Critiques
2
ISBN
198
Langues
11

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