Bettina von Arnim (1785–1859)
Auteur de Die Günderode
A propos de l'auteur
Crédit image: From "The Love Affairs of Great Musicians," Rupert Hughes (1903)
Project Gutenberg
Project Gutenberg
Séries
Œuvres de Bettina von Arnim
Bettine und Arnim, Briefe der Freundschaft und Liebe, in 2 Bdn., Bd. 1: 1806 - 1808 (1986) 7 exemplaires
Werke und Briefe in drei Bänden 2 exemplaires
Bettine und Arnim, Briefe der Freundschaft und Liebe, in 2 Bdn., Bd. 2: 1808 - 1811 (1986) 2 exemplaires
Gespräche mit Dämonen. Des Königsbuches zweiter Band 1 exemplaire
Biographie 1 exemplaire
Bettina in ihren Briefen 1 exemplaire
Ist dir bange vor meiner Liebe?: Briefe an Philipp Hossli, nebst dessen Gegenbriefen und Tagbuchnotizen (German… 1 exemplaire
Lieben, das allein ist meine Kunst 1 exemplaire
Bettine von Arnims Briefwechsel mit ihren Söhnen / Da wir uns nun einmal nicht vertragen: Bettine von Arnims… 1 exemplaire
Die drei Küsse 1 exemplaire
Die Frau Rat erzählt — Auteur — 1 exemplaire
Oeuvres associées
Bitter Healing: German Women Writers, 1700-1830. An Anthology (European Women Writers) (1990) — Contributeur — 22 exemplaires
Dichtung der Romantik Zehnter Band - Volkstum I (Lied / Märchen / Sage / Legende / Übersetztes) — Contributeur — 3 exemplaires
Dichtung der Romantik Zwölfter Band - Die Welt der Romantiker (Berichte und Selbstdarstellungen / Briefe und Urkunden) — Contributeur — 3 exemplaires
Charakteristiken - Die Romantiker in Selbstzeugnissen und Äusserungen ihrer Zeitgenossen — Contributeur — 3 exemplaires
Dichtung der Romantik Neunter Band - Lyrik (Gedicht / Ballade / Scherz / Vaterländiches)) — Contributeur — 2 exemplaires
Dichtung der Romantik Elfter Band - Volkstum II (Volksbücher / Betrachtungen zur Dichtkunst, Musik, Bildenden Kunst… — Contributeur — 2 exemplaires
Internationales Jahrbuch der Bettina-von-Arnim Gesellschaft 2006 — Featured Artist — 1 exemplaire
Von Goethe inspiriert: Lieder von Komponistinnen des 18. und 19. Jahrhunderts [sound recording] — Compositeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Arnim, Bettina von
- Nom légal
- Arnim, Bettina von
- Autres noms
- Brentano, Elisabeth Catharina Ludovica Magdalena (Nom de naissance)
Beor, Beans (Pseudonyme)
Comtesse d'Arnim - Date de naissance
- 1785-04-04
- Date de décès
- 1859-01-20
- Lieu de sépulture
- Cimétière de Wiepersdorf, Niederer Fläming , Teltow-Fläming , Brandebourg , Allemagne
- Sexe
- female
- Nationalité
- Allemagne
- Lieu de naissance
- Francfort sur le Main, Hesse, Allemagne
- Lieu du décès
- Berlin, Allemagne
- Lieux de résidence
- Offenbach, Hesse, Allemagne
Marbourg, Allemagne
Berlin, Allemagne
Wiepersdorf, Allemagne - Études
- Ursulinenschule Fritzlar, Hesse, Germany
- Professions
- writer
composer of songs
novelist
Publisher
visual artist
Illustrator (tout afficher 9)
patron of the arts
social activist
fairy tale writer - Relations
- Arnim, Achim von (Epoux)
Arnim, Gisela von (Fille)
Brentano, Clemens (Frère)
La Roche, Sophie von (Gran-mère)
Savigny, Friedrich Carl von (Demi-frère)
Gunderrode, Karoline von (Ami) (tout afficher 10)
Brentano, Franz Clemens (Neveu)
Helvig, Amalia von (Ami)
Heyking, Elisabeth von (Petite-fille)
Forbes-Mosse, Irene Flemming (Petite-fille)
Membres
Critiques
Listes
Werkausgaben (1)
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 34
- Aussi par
- 12
- Membres
- 238
- Popularité
- #95,270
- Évaluation
- 3.9
- Critiques
- 2
- ISBN
- 52
- Langues
- 3
- Favoris
- 3
But of course, it isn't quite like that. For one thing, Bettina might not have known Goethe personally in 1807, but she hardly needed an introduction: he'd been in love with her mother and at least a close friend of her grandmother (the novelist Sophie von La Roche), whilst his parents and the Brentanos were part of the same small world of Frankfurt high-bourgeoisie. Moreover, even though it draws on the real Bettina's friendship with the real Goethe, this isn't the authentic correspondence it purports to be, but a carefully structured work of auto-fiction, in which a fictional Bettina (unimpeded by trivialities like the fact that the real Bettina got married in the middle of all this...) pours her heart out to an idealised Goethe whilst his dutiful wife withdraws to a discreet distance and watches indulgently (in real life, Bettina almost came to blows with Christiane Goethe at an exhibition in Weimar in 1811...).
Also, we're probably not entitled to jump to the conclusion that this is all about sexual obsession. The Bettina of the letters and diaries recklessly seems to mix up the language of platonic friendship, religious ecstasy and erotic love when she's talking about her feelings in the abstract, but when she talks directly about what she imagines or wishes for between Goethe and herself, it's normally at the level of deep spiritual connection, and the explicit physical images never go beyond a bit of cuddling. The only time things ever get really steamy is in some of the early letters addressed to Goethe's mother in which she's remembering her friendship with the poet Karoline von Günderrode - she manages to write Karoline's lover Friedrich Creuzer out of the story and manipulate us so far that we jump to the conclusion that poor Karoline killed herself out of frustrated passion for Bettina. Hmm.
Bettina's meditations about love and longing are beautifully characteristic of the whole German Romantic movement, but there are an awful lot of them, and the book (over 600 pages!) would be all but unreadable if that's all there was to it. Fortunately, she knows exactly what she's doing, and turns the dial back from 11 from time to time to give Goethe (i.e. us) a bit of emotional relief with lively descriptions of where she is and what she's doing, or reminiscences of her childhood (or Goethe's - she has memorised his mother's anecdotes as well). And whatever the real Bettina was like, the Bettina of this book is always entertaining and enterprising, whether she's climbing trees, mountains, convent walls or ruined castles, riding bare-back, boating, hopping from ice-floe to ice-floe across frozen rivers, shooting, dressing up in men's clothes to travel through a war-zone, rescuing wounded soldiers, passing secret papers to revolutionaries, or lobbying crown-princes and slapping distinguished poets. She certainly makes herself sound like the Calamity Jane of Romanticism! These adventures in turn are often tied rather beautifully into "Wordsworth-moments" where she shifts into a kind of prose-poem register, perceiving some deep philosophical truth after staying up all night to watch a thunderstorm, getting rescued from an island by an ancient mariner, listening to a nightingale, etc.
Definitely not for everyone, and I probably wouldn't have tackled it if I'd realised how long it would take me to read it, but still quite rewarding.… (plus d'informations)