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Chargement... All Clear (édition 2011)par Connie Willis
Information sur l'oeuvreAll clear par Connie Willis
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. This is a review/commentary on both Blackout and All Clear, which are one long novel which was arbitrarily divided and published as two books. Blackout/All Clear is an incredibly complex novel about time travel, with approximately seven story lines: * Oxford in 2060--a line that's insanely messy, for reasons that are not fully explained though they're later addressed. * London (mostly) in 1940 and '41 has three stories (call 'em Elaine, Polly, and Mike, after their principal characters); these folks are stranded in the Blitz by some sort of time-travel anomaly and their stories eventually merge. * Great Britain in 1944 and '45--two stories (Mary & Ernest) that don't merge but do kind of collide; their relationships to the London stories are eventually explained. I'd mostly figured out Mary's connection before it was elucidated, and recognized Ernest's hints after the explanation arrived. * The Imperial War Museum (London) in 1995, where a reunion of Blitz survivors offers clues about the novel's central problem. There are also two story lines--call those Mr. Dunworthy and Colin--which don't fit well in this framework; explaining those in any detail would add spoilers to this discussion. From the entire novel's perspective they're minor subplots but are terribly important. While most of the story's set in the 1940-41 lines, the plot skips from one line to another apparently at random throughout the novel. Each timeline's treated sequentially, but the skips are often disorienting. Throw in a couple dozen recurring characters and several important subplots and it's pretty easy to get disoriented. But a careful reader will notice that there are connections between the stories before those are explained, though the full explication necessarily waits for the last few chapters. ========== Mix thoroughly, with interesting characters and a lot of humor. It's an excellent read; for several days it dominated my life and I don't regret investing that time. I kind of agree with those reviewers who'd prefer editing that would shorten the book--300 pages seems like a possible reduction--but fully understand that the extra length adds value. And it's really not necessary to accept Dunworthy's analysis of the story's central problem--how did these folks get stranded--to enjoy the story. The final volume of the novel begun in Blackout, All Clear concludes the story of time traveling historians Michael Davies, Polly Churchill, and Merope Ward, who have been sent from Oxford University in 2060 to observe the Second World War. They find themselves stranded in the middle of the blitz in London without a way to return to their own century, and unintentionally become a part of the history that they thought they would only observe. Fretting that their actions may unwittingly contribute to a German victory, they frantically try to locate fellow time travelers in wartime England who are there at the same time and historians in the future that will come to retrieve them. These two fast paced volumes will be applauded by readers of Historical Fiction, Literary Fiction or Science Fiction.
For this reviewer, it’s not every day these days that a book arrives that makes you want to jump in the minute it lands at the doorstep. However, after my review of Black Out (the first part of this duology, reviewed HERE) this is one for me. Like many other Connie Willis fans, this book’s been a long time a-waiting for. After the cliff-hanger ending of the first part, we get straight back into the tale. There’s a little bit of reminding of what went before (note: do read the first book first!) but pretty soon we’re back into the WW2 dilemma of Polly, Mary, and Mike. This can be a little confusing if it’s been a while since you read Black Out: you really do need to read this as one continuous novel. The complexities of the time travel element become a little more involved here as the apparent changes in Black Out have their effect. We now find that there is a great deal of slippage: over four years, when the longest previously was about six months. Mr Dunworthy finds himself entering the fray from 2060, Mary finds herself involved with an RAF officer, whilst Mike, in his search for Gerald Phipps, finds himself at Bletchley Park and intermixing with the mathematicians involved in the ultra-secret Enigma code-breaking project. There’s also the welcome return of a character from the beginning of Black Out who has a pivotal part to play in this tale. So we’re combining Enigma or Cryptonomicon with our previous tale. This gives Connie a chance to get away from the seemingly endless bombing of London and the London Underground shelters and tell of the quiet war, with Alan Turing and his team working in intense secret, on devising a computer/machine to be able to break the German’s unbreakable codes. This is great fun. We also switch between times, as Phipps is in 1944 looking at the Normandy invasions and setting up false trails for the Germans. However, by this stage it’s not easy to keep all those plot threads going. The Enigma tale is soon forgotten as we look to wider issues and the future. Managing that great balance between telling a tale in a historical context and giving readers a feel of what the place was like in the 1940’s is not easy. To say that Willis manages this is a great achievement. On the negative side there’s a lot more running from place to place and an increasingly frustrating inability to get to drop zones. This is explained as the tale progresses - it’s all part of the book’s plan – but at times, whilst entertaining, it all seems (until the end) as a little unnecessary. I’m also not sure that all this running around during bombing raids, and leaving messages for people about V1 and V2 attacks could have been got away with without someone becoming suspicious. Nevertheless, by that end, the reader may feel, as I did, that they have been through a lot. There is love, death, sacrifice and complications within complications, and yet, in the end, the overall feeling is one of optimism and hope. The difficulties of the war in 1940’s England may have been replaced by bombings and global change in 2060, yet the endurance of the human condition comes through. This is a book that not only appreciates the sacrifices of the past but is a testament to endurance against crushing difficulties. What this book celebrates is that heroism comes in many ways, and not just the big heroic acts but the many minor actions often overlooked. Whilst it is rather long – clearly a tale that grew in the telling – it is still a wonderfully worthwhile read. Most fans of Connie Willis will not be disappointed. This is a pleasure, from a formidable writer whose storytelling skills are still a treat. I’m very pleased to write that this book sustains its tale for over 1000 pages and it is a wonderfully thrilling and compelling immersive story with characters you care about. Please don’t leave it so long before the next tale, Connie. Est contenu dansPrix et récompensesDistinctionsListes notables
When three Oxford historians become unexpectedly trapped in 1940, they struggle not only to find their way home but to survive as Hitler's bombers attempt to pummel London into submission. Meanwhile, in 2060 Oxford, the historians' supervisor and seventeen-year-old Colin Templer are engaged in a frantic and seemingly impossible struggle to find them. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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I’ve only recently (last 12 months or so) discovered Connie Willis as a writer, which may be fortunate for me, as I understand this latest work was 9 years in the writing, a long time for dedicated fans. But well worth the wait even so, I would have thought.
These two volumes are really just one novel, split into two for practical publishing purposes. The novel is another in Willis’ series based around the idea that time travel is invented in the 2060s, and is in the hands of the History Department of one of Oxford’s colleges, purely to be used for historical research purposes. This particular work is based on the independent time travel trips of several of the historians to the period of World War II in Britain. These trips are all meant to be for short periods and to specific locales but for unknown reasons (slight spoiler coming here) each of them finds themselves unable to return to the future. The mystery of why this has gone wrong persists through almost all of the novel, but the real focus is on the characters, their predicament, and, more than anything, on the trauma that Britain underwent during the war. As in her earlier work Doomsday Book, Willis makes the tragedy of the times come alive by making us familiar with real human characters and their sufferings. And again, Willis seems to effortlessly combine elements of humor and grief, joy and tragedy. It’s also fascinatingly educational about World War II Britain and in particular the London Blitz.
This is Willis’ masterwork, I think. Nominally science fiction, it is a novel which stands out from the genre by its downplaying of technology and its interest in character and in the human condition. ( )